<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><item><title>Elegy</title><link>https://www.thenation.com/article/culture/elegy/</link><author>Stephen Tuttle</author><date>Mar 6, 2021</date><description><![CDATA[<br/><p><span>Sundays, my brother returns as a trapezoid of light</span><br />
inching across the fading rug, showing me again that<br />
windows need cleaning. He returns each time a breeze<br />
brings the unpleasantness of rabbits in a half-shingled<br />
hutch, their timid ears pinned in place. Once, hiking<br />
through scrub oak, he pulled at a stalk of stubborn<br />
cheatgrass which sliced his palm open and his fist<br />
dripped blood all the way home. I ask if he remembers<br />
that or the forts we built of bedsheets. We secured each<br />
corner with volumes on the spider, the mummy, the<br />
solar system, and then used box fans for roof raising.<br />
How long was it, I ask, before the wind was too much?<br />
When did we grow bored? I sometimes forget that my<br />
brother’s bones are now ash and the rest of him a cloud.<br />
The fact is, my only memory of learning to read is<br />
pretending I couldn’t so he would do it for me. A book<br />
of illustrated Bible stories more often than not, its spine<br />
broken, pages missing, each figure on each page nothing<br />
more than hazy pastel. I ask if he remembers that book,<br />
if he knows where it is. He says, How should I know?<br />
I’m not even here.</p>
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