America is better for Tony Kushner. A self-described “God-believing Jew and a historical materialist socialist humanist agnostic,” Kushner–a member of The Nation‘s editorial board–is a playful partisan, whose sense of humor and a generous, joyful and truthful voice fills his work, including his Pulitzer prize-winning epic play, Angels in America, which premieres this Sunday on HBO.
And The Nation is better for Kushner’s contributions over the years, including his award-winning 1994 essay A Socialism of the Skin, his rabble-rousing commencement address to Vassar’s 2002 class, A Word to Graduates: Organize! and a scene from his forthcoming play about Laura Bush reading Dostoevsky to dead Iraqi children. (Click here to read past Nation articles from Kushner.)
What has always moved me about Kushner is his sense of humanity and humility. “I am a person of the left,” he said in a recent New York Times profile. “But I am uncertain about a great many things; what to do next; where change is coming from; what is the meaning of being left in a world like this?”
And although his writing often describes the outrages of our time (“There is not enough anger for everything that makes me angry,” he once said, quoting novelist Sarah Schulman), Kushner retains his joyful and incendiary spirit–refusing to get preachy or earnest. “I believe that the playwright should be a kind of public intellectual, even if only a crackpot intellectual.” Kushner once wrote. “Someone who asks her or his thoughts to get up before crowds, on platforms, and entertain, challenge, instruct, annoy, provoke, appall. I’m amused and horrified when I realize that, on occasion, I’ve been taken seriously. But, of course being taken seriously is my ambition, semi-secretly-and-very-ambivalently held. I enjoy the tension between responsibility and frivolity; it’s where my best work comes from.”