More than 50,000 people marched on the streets of New York City this past Saturday, December 13, to protest the two recent grand jury decisions—in Ferguson, Missouri, and in New York City—not to indict the police officers responsible for the deaths of 18-year-old Michael Brown and 43-year-old Eric Garner, both unarmed black men. The New York march was conceived and organized by Synead Nichols and Umaara Iynaas Elliott, two young performers, with support later coming from Million Hoodies Movement for Justice and Justice League NYC. Similar demonstrations took place in Boston, Chicago, San Francisco and other cities across the country. Among the signs and chants that decorated the day, the words “Black Lives Matter” were perhaps the most popular. The simple but powerful slogan was created by Alicia Garza, Patrisse Cullors and Opal Tometi, and has moved from a Twitter hashtag to “movement project,” to borrow Garza’s phrase, that has “connected people across the country working to end the various forms of injustice impacting our people” and “created space for the celebration and humanization of Black lives.”
All that is a bit different from what unfolded in the nation’s capital that same day.
Rev. Al Sharpton and the National Action Network (NAN) called for a national march on Washington. They drew a crowd of about 10,000, but among those were some young people expressing anger toward Sharpton and his organization, suggesting that the event was co-opting their struggle for Sharpton’s own aggrandizement, diluting their message and drowning out the voices of the people who have faced down tanks, tear gas and rubber bullets in their efforts to get justice. The tension reached a tipping point when a group of activists, some who had been on the ground in Ferguson from the day Michael Brown was killed, took to the stage and demanded the microphone. Johnetta Elzie, one half of the duo responsible for the Ferguson e-mail newsletter that has kept its subscribers apprised of the latest in movement news, used the moment before the microphone was cut off to say: “This movement was started by the young people. We started this. It should be young people all over this stage. It should be young people all up here.” Sharpton told The Root there were young people invited to speak.
The day after all of these marches took place, reclusive soul singer D’Angelo released the long-awaited third album, Black Messiah. It’s quite a hefty title, particularly for a project fifteen years in the making. In explaining why he chose this title for this new album, D’Angelo wrote: “For me, the title is about all of us. It’s about the world. It’s about an idea we can aspire to. We should all aspire to be a Black Messiah….bIt’s not about praising one charismatic leader but celebrating thousands of them….’ Black Messiah’ is not one man. It’s a feeling that, collectively, we are all that leader.”
In order for us all to be leaders, though, we also need to know what role we play in the movement. I think this is what some of our elders are struggling with most.