On March 25, 1911, a fire that broke out in a bin holding scraps of fabric at the Triangle Waist Company, just down the block from New York City’s Washington Square Park, quickly spread, fed by cotton garments, tissue paper and wooden fixtures. Though the building that housed the clothing manufacturer was modern and advertised as fireproof, the cramped layout of the factory, a locked exit door, a flimsy fire escape that soon crumpled and inadequate fire department equipment brought a staggering loss of life. Within a half-hour, 146 workers had died, mostly young Jewish and Italian women, nearly half still in their teens. Two were only 14. More than a third of the victims jumped or fell from upper-story windows trying to escape the flames.
The 100th anniversary of the Triangle Fire is being commemorated by a remarkable array of events. As it does every year, Workers United, the union that represents garment workers, is sponsoring a ceremony at the site of the fire. (The building is now part of New York University.) Each year a fire department truck raises a ladder to the sixth floor, the highest its equipment could reach in 1911, painfully short of the eighth, ninth and tenth floors, where the fire occurred. Forums about the fire are being held in New York, Philadelphia, St. Paul, San Francisco and Los Angeles, and the City University of New York is sponsoring a conference on the fire and its legacy. HBO and PBS are airing documentaries. At least six Triangle-related plays and four musical theater pieces are being performed in cities across the country, including one composed by five-time Tony nominee Elizabeth Swados. Concerts, an art exhibit, a poetry contest and a forty-hour fast are being staged to mark the centennial.
The attention being given to Triangle stands out in a society that rarely remembers anything connected to workers’ lives, struggles or tragedies. Names like Homestead, Pullman and Flint, associated with decisive labor battles, mean nothing to most Americans. Yet even before the recent flurry of activity, the Triangle Fire occupied a modest niche in national culture, the subject of novels, historical studies, a film, plays, books of poetry, document collections, websites and even children’s books.
Why its prominence? After all, there were worse industrial disasters, including four mining accidents in the United States between 1907 and 1917, each of which killed more people than the New York fire. At the time, by one estimate, industrial accidents took at least 100 lives a day. And if Triangle was New York’s worst occupational disaster before 9/11, there were deadlier calamities, including the 1904 fire on the excursion ship General Slocum, which took well over 1,000 lives.
Triangle commands our notice in part because of the specifics of the disaster. There is something particularly horrifying about being trapped in a fire and plummeting through the air to escape it (so much so that ninety years later, on 9/11, newspapers and television generally refrained from showing images of people jumping from the World Trade Center). That so many of the victims were young and female added a layer of poignancy, as we commonly associate youth, especially young girls, with innocence, making their deaths seem even more undeserved than those of older victims of mining explosions and industrial accidents. And the Triangle Fire took place in the media capital of the country, receiving massive press coverage, including harrowing photographs difficult to forget.