A napalm strike erupts in a fireball near US troops on patrol in South Vietnam in 1966 during the Vietnam War. (AP Photo)
This is a joint Nation/Tom Dispatch article and will appear at TomDispatch.com.
For half a century, we have been arguing about the Vietnam War. Is it possible we did not know what we were talking about? After all that has been written (some 30,000 books and counting), it scarcely seems possible. But such, it turns out, has literally been the case. Now, in Kill Anything That Moves, Nick Turse has, for the first time, put together a comprehensive picture, written with mastery and dignity, of what American forces were actually doing in Vietnam. The findings disclose an almost unspeakable truth. Meticulously piecing together newly released classified information, court-martial records and other Pentagon reports, firsthand interviews in Vietnam and in the United States as well as contemporaneous press accounts and important work by previous scholars, Turse shows that what were often presented as isolated atrocities— episodes of devastation, murder, massacre, rape, torture—were in fact the norm, a continuous stream of atrocity that unfolded year after year throughout the country.
It has been Turse’s great achievement to see that thanks to the special character of the war, its fundamental reality—an accurate overall picture of what was occurring on the ground—has never been assembled; that with imagination and years of dogged work this could be done; and that even a half-century after the beginning of the American phase of the war, it still should be done. Turse acknowledges that even now, not enough is known to present this picture in statistical terms. To be sure, he presents plenty of numbers: for instance, the mind-boggling estimates that overall some 2 million civilians were killed and some 5 million wounded during the war, or that the United States flew 3.4 million aircraft sorties and expended 30 billion pounds of munitions, releasing the equivalent in explosive force of 640 Hiroshima bombs.
Yet it would not have been enough simply to accumulate anecdotal evidence of abuses. Therefore, while providing an abundance of firsthand accounts, Turse has supplemented this approach. Much like a fabric, any social reality—a town, a university, a revolution, a war—has a pattern and a texture. No fact is an island; each one is rich with implications that reach out, so to speak, toward the wider area of surrounding facts. When some of these facts are confirmed, they begin to reveal the pattern and texture in question. Turse repeatedly invites us to ask what sort of larger picture each story implies. For example, he writes: