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"The Beatles in Mono" 14 LP set.
Depending on your level of obsessiveness, you can say that Apple et al. saved the best for last. These ten albums, plus a three LP set of singles remastered and a gorgeous 108-page book were mastered in an eleven-step process to reproduce the original sound of the albums as perfectly as possible. (It does not include the "Yellow Submarine" soundtrack, "Abbey Road" and "Let It Be" albums, which were originally released in stereo, nor “The Ballad of John and Yoko”). Everything about this set, from the book to the fold-out covers and photography, is Rolls-Royce quality.
The box set is a kind of a test. Vinyl collectors who would be interested in it probably bought the stereo box. But the stereo albums are not really what the boys intended. Most of the mixing of them was done without their presence or even that of George Martin. I attended a listening session this summer at Electric Lady studios where the music was played on an amazing hi-fi set up by McIntosh and in many cases, one felt as if some of these songs were brand new. One or two are faster than you’ll remember from the CDs. Ringo does not scream "I've got blisters on my fingers!" at the end of "Helter Skelter" on the mono mix. But the overall effect was overpowering. We got to ask questions of the engineers and it was quite touching to hear how much reverence went into the creation of these albums. This really is one of the high points of Western civilization, I’m not kidding. The combination of these four young men coming together as they did and combining their extraordinary talents to reach what remain unmatched heights in creative accomplishments is one of the most moving and powerful achievements of modern times. If I believed in miracles, the music of The Beatles would perhaps be number one on my list.
Universal Music Group says they are pressing a million albums, again, an amazing figure since almost everyone who buys it will already have the music. If you are really crazy, you can buy a special cartridge made by Ortofon for these albums only. It’s only $500, which makes this set feel cheap at only $350 on the Evil One.
Of Optics and Objectivity: How Journalism is Failing Our Democracy
by Reed Richardson
We depend upon journalists to tell us what it is that they can see that the public can’t and for the press to bear witness to what the truth really is when the powerful won’t. That’s the duty of the free press in our democracy. But there’s an important qualifier to this relationship for it to work: the press has to actually be looking for the truth—and looking in the right place—for it to work.