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My most recent Nation column is about punditry and Bill de Blasio’s fiscal stewardship of the city and is called “Can a Liberal Mayor Be Financially Responsible?”
I also did a piece about the current (horrific) state of Iraq punditry for Billmoyers.com and it’s called “Eric Alterman Warns: Pundits and Partisans Are Up to Old Tricks in Iraq.”
And I wrote a letter to the NYTBR about the Allman Brothers Band, no really, I did.
Also, there were three letters about me in The Nation this week. I suck according to one of them, but am cool according to the other two. They are printed below.
1) Carlene Carter live at the Cutting Room and on cd
2) Hot Tuna and Leon Russell at the Capitol Theater in Port Chester
3) Elvis Costello at Carnegie Hall
4) Led Zeppelin I-III remastered.
* Carlene Carter has had quite the life. Daughter of Carl Smith and June Carter, step-daughter to the Man in Black and a singer with The Carter Family, while at the same time, becoming pregnant and married at 15 (and now boasting seven grandchildren), she’s kind of a country song without even opening up her mouth.
I saw her sing in Montreux with her then-husband Nick Lowe and Rockpile (in a bill with Mink Deville and Elvis Costello) and she was quite something back then and her mouth made her persona non-grata in Nashville. Today she is quite something else (as is Nashville, come to think of it). A pretty orthodox country singer, she is embracing her heritage and her extended family’s honored place in the music. Supported by her husband Joe Breen on vocals and another guy who she said was also her roadie, she gave a charming performance at the Cutting Room, a short while back in support of her fine album, “Carter Girl,” which naturally features her stepdad’s old friends, Willie Nelson and Kris Kristofferson, and the excellent Elizabeth Cook, produced by Don Was. It’s old and new at the same time and almost always in good ways. (And I got to go with the beautiful and talented Tammy Faye Starlite [playing her charming self].)