The conventional wisdom is that magazines are in decline. Newsweek’s print downfall was mourned as a death in the family (last week’s New Yorker described a gathering of ex-editors as an “Irish Wake”). Facing dwindling circulation, U.S. News and World Report has become more focused on its staple college and hospital rankings rather than on long-form journalism. Rolling Stone and Martha Stewart’s Omnimedia have seen layoffs, while old favorites like Gourmet and Life are long gone.
Last spring, the entrepreneurial and well-funded GOOD laid off virtually all of its editorial and writing staff. When The American Prospect, a haven for intelligent liberalism, was hit by a nearly fatal half-a-million-dollar deficit, The Nation spoke out urging people to help the magazine. The Prospect survived—barely—but journalism nearly lost an informed voice and essential training ground for many of America’s finest progressive journalists.
Given all the depressing news we should raise a glass to the redesign (in print) and relaunch (online) of The New Republic, The Nation’s sister fellow-liberal magazine of opinion for nearly 100 years. In rebooting the magazine, publisher Chris Hughes—co-founder of Facebook and steeped in online organizing—did something surprising: he doubled down on long-form, investigative journalism and political opinion. Hughes bought The New Republic, and could have done as he pleased: stripped it bare, sold it for parts or gone online only. But he invested instead in fact-checking, reporting and—as The New York Times reported—went to great pains to “include The New Republic’s rich history in a magazine designed for the modern media age.”
The Nation has invested in a similar type of journalism—intelligent, cutting-edge, bold writing and reporting that is embedded in our historical DNA—and we’ve embraced the digital age with passion and integrity.