“Up to a few months ago, Ben Suc was a prosperous village of some thirty-five hundred people.” That is the initial line of The Village of Ben Suc, Jonathan Schell’s first book, a copy of which I recently reread on a plane trip, knowing that he was soon to die. That book, that specific copy, had a history of its own. It was a Knopf first edition, published in 1967 in the midst of the Vietnam War, after the then-shocking text had appeared in The New Yorker magazine. An on-the-spot account of an American operation, the largest of the Vietnam War to that moment, it followed American troops as they helicoptered into a village controlled by the enemy about thirty miles from the capital, Saigon. All its inhabitants, other than those killed in the process, were removed from their homes and sent to a makeshift refugee camp elsewhere. The US military then set Ben Suc afire, brought in bulldozers to reduce it to rubble, and finally called in the US Air Force to bomb that rubble to smithereens—as though, as the final line of his book put it, “having once decided to destroy it, we were now bent on annihilating every possible indication that the village of Ben Suc had ever existed.”
I had read the piece in The New Yorker when that magazine devoted a single issue to it, something it had not done since it published John Hersey’s Hiroshima in a similar fashion in 1946. I never forgot it. I was then 23 years old and just launched on a life as an anti-Vietnam War activist. I would not meet the author, 24-year-old neophyte reporter Jonathan Schell, for years.
To look at that first edition some forty-seven years later is to be reminded of just how young he was then, so young that Knopf thought it appropriate in his nearly nonexistent bio to mention where he went to high school (“the Putney School in Vermont”). The book was tiny. Only 132 pages with an all-print orange cover that, in addition to the author and title, said: “The story of the American destruction of a Vietnamese village — this is the complete text of the brilliant report to which The New Yorker devoted almost an entire issue.” That was bold advertising in those publishing days. I know. As an editor at a publishing house as the 1980s began, I can still remember having a fierce argument about whether or not it was “tasteless” to put a blurb from a prominent person on a book’s cover.