My new Nation column is called “Remembering the Left-Wing Terrorism of the 1970s” and it’s a discussion of Bryan Burrough’s book on that topic, Days of Rage.
And here is an excerpt from Inequality and One City published by The National Memo.
Michael Feinstein’s Sinatra Tribute for American Songbook at Jazz at Lincoln Center
Your intrepid reporter was very much out and about this week. It began with the first in a series of Michael Feinstein-curated three-part series of American Songbook performances dedicated to the life and legacy of Frank Sinatra who was born 100 years ago this year. During the first of these three dedicated programs his guests were Ann Hampton Callaway, Lynn Roberts, and Nick Ziobro, all backed up by a seventeen piece big band. It was a pretty fun evening. It stuck, mostly, but not entirely to the early pre-Capitol-era Sinatra which was heavy with Cole Porter and other songs that were later reworked (and improved) over time. Feinstein is as much an educator as an entertainer and so one learned a great deal too. Lynn Roberts, who has been performing for seven decades, sang with Frank and the Dorsey band. Callaway did not sing with Frank, but sang in the small rooms in Vegas when he played the big rooms, and this 19-year-old Nick Ziobro really did put one in mind of the young man who broke hearts at the Paramount Theater. The question is whether you can enjoy “Sinatra” without Sinatra. You can for sure, and most everyone did, but the evening is haunted by “The Voice.” Frank’s great taste both in songs and arrangements—coupled with the great big band made for a pleasant, if not earthshattering evening.
Jazz at Lincoln Center Orchestra’s Tribute to Joe Temperley
A few nights later, the Jazz at Lincoln Center Orchestra paid tribute saxophonist and clarinetist Joe Temperley who, together with only Wynton Marsalis, has been in the orchestra for the full 26 years. Temperley, who is 85, performed with the orchestras of Humphrey Lyttelton, Woody Herman, Thad Jones/Mel Lewis, Clark Terry, Joe Henderson and most significantly Duke Ellington. But instead of playing old chestnuts from those days—or at least exclusively old chestnuts—band members saluted him with original compositions and debut arrangements that gave him a chance to shine (Wynton wrote and arranged a five-movement concerto). Another big highlight was the closer—a piano and sax duet by Temperly and pianist Dan Nimmer on Ellington’s “The Single Petal of a Rose” from “The Queen’s Suite,” that left the audience breathless. Says Wynton of Temperly: “There is no greater sound on earth.” Well, I don’t know about that. But it sure was moving, and powerful and on occasion, beautiful.