Almost every day in Kentucky, we learn a little more about what killed five Harlan County miners in May. We’ve learned that cheap foam seals, opposed by the United Mine Workers of America (UMWA), allowed for a buildup of methane in the mine and may also have been to blame for the explosion at the Sago mine in West Virginia. And we’ve learned that the seals were improperly built and coated with a sealant that wasn’t approved for mine use.
Still, the majority of miners at both Sago and the Darby No. 1 mine in Harlan survived the initial blasts. They died because their self-rescuers held only an hour’s worth of oxygen. In the late 1990s the Mine Safety and Health Administration (MSHA) proposed installing more caches of oxygen inside the mines. But the Bush Administration, under former mining executive David Lauriski, withdrew that idea in September 2001, calling it cost-prohibitive. Back in 1997, as general manager of Energy West Mining Company, Lauriski lobbied MSHA to raise fourfold the amount of coal dust allowed in underground mines. Once installed to oversee the agency, he began pushing the proposal again. The irony here is obscene: A man put in charge of enforcing federal mine safety decided to put miners at much greater risk of contracting black lung disease, purely in the name of profit for his former employer.
Another bitter irony is that the thirtieth anniversary DVD of Barbara Kopple’s documentary Harlan County U.S.A. was released the same week the Harlan County miners died. The confluence of these events is cause for reflection.
Kopple’s Oscar-winning documentary chronicles a thirteen-month strike at the Brookside Mine in Harlan County, Kentucky. In 1973 the Brookside miners joined the UMWA, but Duke Power refused to accept a union contract. The miners went out on strike, and an escalating fight ensued between gun thugs hired by Duke Power and the men and women on the picket line. Finally, a Duke Power employee shot miner Lawrence Jones in the face one night and Jones died at the hospital. On the elegy “Lawrence Jones,” from the extraordinary reissued and expanded soundtrack, Harlan County U.S.A.: Songs of the Miner’s Struggle (Rounder), Bela Fleck plays a haunting banjo as Phyllis Boyens sings:
There’s blood upon your contract like vinegar in your wine
’cause there’s one man dead on the Harlan County line.
Sensing the violence and bad press about to be unleashed, the company quickly started negotiations with the union miners.
That’s the bones of it. But Harlan County U.S.A. is hardly a straightforward narrative. Kopple’s genius is to reveal slowly–through backstory, testimony, archival footage and music–the political, historical and economic forces that led to this long standoff in one of the country’s poorest places. “In Harlan County, all our lives we’ve been kicked around,” a miner tells a room full of Duke Power shareholders toward the middle of the strike. Fundamentally, Harlan County U.S.A. is a portrait of a community tired of being kicked around and grasping for the means to kick back.