My new “Think Again” column is called “Murdoch and Ailes were "Right from the Start" and it’s about new and not-so-new revelations from a new book about you know who.
Alter-reviews, special guitar gods edition:
Eric Clapton, Unplugged
Eric Clapton, Give Me Strength: the 1974-75 Recordings
Eric Clapton et al, Crossroads Festival Blu-ray and CD
The Allman Brothers Band, Brothers and Sisters (deluxe)
Grateful Dead, Dave’s Picks, Vol. 8
Garcia Live, Volume 3, December 14-15, 1974 Northwest Tour,
It’s been a rich autumn for old Eric Clapton releases. There’s a nice new two-CD/DVD version of “Unplugged,” from 1992, the album that launched the whole movement. Clapton’s willingness to go in new directions has always distinguishd him from other guitar gods and these peformances tend to justify themselves, though not always, and especially not in the case of “Layla,” which is a travesty. There are a few new versions on the cd including a cover of “Big Maceo” Merriweather’s “Worried Life Blues,” an alternate take of “Walkin’ Blues” and early versions of “Circus” and “My Father’s Eyes” and an hour of rehearsal footage on the DVD, which is pretty cool to watch once or twice. (It’s also surprisingly cheap.)
I first discovered Clapton around 1974 or so and he was my pre-Born to Run favorite musician for “Layla” and the first solo album. I was so excited when he returned to recording and touring and a little shocked and disappointed at how mellow it all sounded; next to no guitar solos at all. But the dude was a prophet and this was where music was going; it caught up in the early eighties, and the stuff has worn tremendously well. You can now pay a lot of money for “Eric Clapton–Give Me Strength: The 1974-75 Recordings,” which is five CDs and a Bluray–or so they tell me, I only got the download.
It’s got 461 Ocean Boulevard, There's One In Every Crowd and the live E.C. Was Here—standing as one of the most remarkable rebirths in rock's history plus live tracks from Long Beach Arena (including unreleased versions of Crossroads, I Shot The Sheriff, Layla and Little Wing), the Hammersmith Odeon, Nassau Coliseum and Providence Civic Center; The Freddie King Criteria Studio Sessions featuring the previously unreleased versions of “Boogie Funk” and the full unreleased 22 minute version of “Gambling Woman Blues”