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There’s not been an Altercation in a while, so here are a few pieces I’ve put up of late.
The former activist and New York public advocate discusses his first year as mayor.
Why is the political coverage in The New York Times so lame?
Mario Cuomo’s Patchwork Quilt In his electrifying 1984 convention speech, Cuomo forged a new liberal vision drawn from his own ethnic experience. (From The Cause, my history of postwar American liberalism)
Moyers’s most significant legacy is that he treated his audience as adult citizens of a republic. (From the second to last time Bill retired, but sadly, this time it’s for real.)
New York Winter Jazzfest
The Complete Sopranos on bluray
Sinatra in London
“The Complete Dial Modern Jazz Sessions.”
I made it to Jazz@Lincoln Center twice last week. First, at Dizzy’s I saw Marcus Roberts’ Modern Jazz Generation, one of the most exciting developments in jazz right now. First of all it’s nice to see that Roberts can sustain so ambitious an undertaking. I recently reviewed Roberts’ MJG a few months ago when they played the Appel Room, and, at Dizzy’s, they demonstrated considerable growth both in terms of musicianship and internal communication. The musicians are almost all quite young, and they mesh quite nicely but when it comes time to solo they play as if they’ve been waiting an entire lifetime to shine. The set was devoted to Monk, Jelly Roll Morton, Horace Silver and a sparkling Chick Corea song from “My Spanish Heart,” my favorite album of his. I look forward to more meshing on their part, both musically and across time and space.
But the most amazing thing about the show was the warm-up act, eleven year old, Bali-born Joey Alexander. (He only played the early show because the late show would have been past his bedtime.) He began with Monk and then moved into Coltrane and elsewhere in the canon. It was jaw-dropping. It actually made me reconsider the possibility of human achievement. How this cute kid can understand what he is playing well enough to interpret what he did—much less play it, given the complication of say “Giant Steps,” was, and remains, almost impossible to fathom. After the show, he and his mom told me that he had been playing since he was 7 and he had even played Rose Hall. Check him out here. He’s an amazing phenomenon.