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My new Nation column is called “ Don’t Know Much About History .” The subhed is: “The architects of our foreign-policy disasters would prefer we simply forget the past.” Guess what it’s about…
Here are the Alter-reviews:
1) The Alvin Brothers
2) CSN and CSNYY
3) Loudon Wainwright and David Bromberg
4) “A Hard Day’s Night” and “The Nutty Professor”
5) New Jewish history and biography from Indiana University Press
1) Being a serious fan of the Blasters, I went to see the Alvin Brothers, Phil and Dave, promote their first studio album in thirty years, "Common Ground: Dave Alvin & Phil Alvin Play and Sing the Songs of Big Bill Broonzy." The brothers have obviously not always gotten along so great, but two years ago when Phil was touring in Spain, he went to a local hospital for an infection from an abscessed tooth. Dave was informed that he was dead, and then informed that irreversible brain damage had caused his throat to swell virtually closed, his heart stopped and his vital signs flat-lined.
Anyway, Phil is somehow fine now—he loves his Spanish doctor–and the experience inspired both men to suck it up and start recording and touring together again. At the City Winery show, Dave did most of the talking, but was (to me, anyway) surprisingly deferential to Phil. Repeatedly he referred to the Blasters as Phil’s band, in which he briefly played and sang, (even though he wrote almost all their great material). True, Phil has a great voice—his version of “Please, Please, Please” delivered on its nearly impossible promise, but Dave is the genius. Highlights of the show included “Border Radio” and Leiber and Stoller’s “One Bad Stud” and of course, the instant classic “What’s Up With Your Brother,” but not, I say disappointedly, “American Music.” They were backed up by one of Dave’s bands. I’ve not gotten the cd yet but it can’t be anything but totally excellent. And if you want to hear more of their story, check out the interview they did with Terry Gross and listen to the new cd, upon which Phil sounds really terrific, though when you load it into iTunes, it comes up as just “Dave Alvin.”
2) Rhino’s CSNY 74 box set is one of the two big historical items of summer. (The other one is the complete 1971 Allman Brothers Fillmore shows.) I’m not saying that any cd package could be worth this wait—forty years is an awfully long time—but it is beautifully packaged and incredibly rich, including in newish material that has even bypassed most of the best-circulated bootlets. The audio is a pristine sounding 40 song set, divided between acoustic and electric sets and the video has 8 performances on it. I got the bluray audio, which sounds incredible, especially given the circumstances of the recording. And the 188 page booklet is well-written as well and generous, in terms of data and and photos, well beyond the call of duty. Fourteen year old yours truly bought tickets to the 77,000 person Roosevelt Raceway show with the Beach Boys and Joni Mitchell that September but I could not find a ride and so I had to sell them. Perhaps that was ok, since it ended up being a 12-hour show and began 3 hours early. But on these recordings, the band is terrific despite the fact that they could hardly speak to one another and were constantly worried about getting ripped off. (It was perhaps the first outdoor stadium tour—at least they say it was.) The guitar work of Stephen and Neil especially is one of the under-rated pleasures of a decidedly over-written era. (I guess coke overconsumption does not interfere with great guitar work.) It’s really superior in every way to 4 Way Street—every way except for the fact that it took four damn decades to arrive.