It was 1949. My mother—known in the gossip columns of that era as “New York’s girl caricaturist”—was freelancing theatrical sketches to a number of New York’s newspapers and magazines, including the Brooklyn Eagle. That paper, then more than a century old, had just a few years of life left in it. From 1846 to 1848, its editor had been the poet Walt Whitman. In later years, my mother used to enjoy telling a story about the Eagle editor she dealt with who, on learning that I was being sent to Walt Whitman kindergarten, responded in the classically gruff newspaper manner memorialized in movies like His Girl Friday: “Are they still naming things after that old bastard?”
In my childhood, New York City was, you might say, papered with newspapers. The Daily News, the Daily Mirror, the Herald Tribune, The Wall Street Journal…there were perhaps nine or ten significant ones on newsstands every day and, though that might bring to mind some golden age of journalism, it’s worth remembering that a number of them were already amalgams. The Journal-American, for instance, had once been the Evening Journal and the American, just as the World-Telegram & Sun had been a threesome, the World, the Evening Telegram, and the Sun. In my own household, we got the The New York Times (disappointingly comic-strip-less), the New York Post (then a liberal, not a right-wing, rag that ran Pogo and Herblock’s political cartoons) and sometimes the Journal-American (Believe It or Not and The Phantom).
Then there were always the magazines: in our house, Life, The Saturday Evening Post, Look, The New Yorker—my mother worked for some of them, too—and who knows what else in a roiling mass of print. It was a paper universe all the way to the horizon, though change and competition were in the air. After all, the screen (the TV screen, that is) was entering the American home like gangbusters. Mine arrived in 1953 when the Post assigned my mother to draw the Army-McCarthy hearings, which—something new under the sun—were to be televised live by ABC.