My nation column, “Israel Celebrates a Return to the Status Quo in the Middle East,” is here. I went to the Rock n Roll Hall of Fame ceremony at the Barclay’s Center, but I’m in Spain on vacation with my family, and it’s Passover so you can read about that here. I have nothing to add that would not be mean. Sorry.
Oh, and regarding the Pulitzers, I strongly agree with the choice of The Goldfinch. It’s my favorite novel since Jonathan Franzen’s Freedom. Give it a try if you have not already.
Can Al Jazeera America Save Cable News?
by Reed Richardson
If you haven’t already, I’d encourage you to check out my latest cover story for The Nation. It’s an in-depth look at Al Jazeera America and whether or not the network can redeem what is an increasingly tragic landscape of cable news. (I also wrote a more granular, minute-by-minute comparison of the network’s coverage to that of CNN, MSNBC, and Fox News on Election Night back in November, if you’re interested.)
Notably, right after my story came out, AJAM announced its first layoffs, of a few dozen staffers. While no doubt embarrassing for a network still trying to reach escape velocity, these growing pains aren’t necessarily a bad thing in the long-term. In reporting the story, it was mind-boggling the amount of resources—both full-time staff and freelancers—the network had brought on board for the launch. Ridding itself of some of that temporary, start-up baggage was probably inevitable and wise. So too was the network’s decision to dump its inexplicable devotion to what amounted to token sports coverage, something I noticed (and called out) in my blog post last fall.
Not so encouraging, however, was AJAM’s choice to scale back of its social media-focused half-hour talk show, The Stream, from six times a week to once. Having spent an afternoon watching that show behind the scenes, it seemed to offer a glimpse into a more engaged, democratized future of news discussion, thanks to its hearty use of the show’s hashtag and a second-screen app that deeply integrated viewer Tweets and user-made thirty-second videos into each TV broadcast. Then again, such a web-focused show was perhaps ahead of its time. Though an Al Jazeera English version of The Stream—with different content—is broadcast around the world via the web, AJAM’s edition was blocked by the network to abide by the current licensing rules of US cable providers. Or as the show’s own producers lamented to me, the irony of their situation was not at all lost on them: here in America, The Stream actually doesn’t stream.