Does The Marshall Mathers LP--in which great white hip-hop hope Eminem fantasizes about killing his wife, raping his mother, forcing rival rappers to suck his dick and holding at knife-point faggots who keep "eggin' [him] on"--deserve Album-of-the-Year honors? This is the question before members of the National Academy of Recording Arts and Sciences (NARAS), who have, since nominating Eminem for four Grammy awards, received unsolicited advice from a bizarre constellation of celebrities, journalists and activists ranging from Charles Murray to British pop singer (and Eminem collaborator) Dido.
Bob Herbert of the New York Times took the opportunity to deplore not just Eminem's lyrics but the entire genre of rap music for "infantile rhymes" and "gibberish." In a more nuanced report, Teen magazine asked, Eminem: angel or devil? and discovered that 74 percent of teenage girls surveyed would date him if they could. The Ontario attorney general even attempted to bar Eminem from entering the country for violating the "hate propaganda" section of the Canadian Criminal Code.
But the most vociferous and persistent criticism of Eminem has come from an odd combination of activists: gay rights groups like the Gay and Lesbian Alliance Against Defamation (GLAAD) and family-values right-wingers like James Dobson's Focus on the Family. They all argue that Eminem's album threatens not only the objects of his violent lyrical outbursts but also, in GLAAD's words, the "artist's fan base of easily influenced adolescents who emulate Eminem's dress, mannerisms, words and beliefs."
In the face of all this attention to Eminem's "hate speech," even the usually taciturn NARAS is doing some public soul-searching. The academy's president, Michael Greene, recently said, "There's no question about the repugnancy of many of his songs. They're nauseating in terms of how we as a culture like to view human progress. But it's a remarkable recording, and the dialogue that it's already started is a good one."
As I have been forced to sit through all this Eminem-inspired hand-wringing over the physical and psychological well-being of faggots like myself, I've wondered just how good that dialogue really is. For one thing, so much of what has been said and written about Eminem has been political grandstanding. For example, Lynne Cheney, not usually known as a feminist, singled out Eminem as a "violent misogynist" at a Senate committee hearing on violence and entertainment. Eminem's lyrics, she argued, pose a danger to children, "the intelligent fish swimming in a deep ocean," where the media are "waves that penetrate through the water and through our children...again and again from this direction and that." Pretty sick stuff. Maybe it comes from listening to Marshall Mathers, but maybe it's the real Lynne Cheney, of lesbian pulp-fiction fame, finally standing up.
GLAAD, for its part, argues that Eminem encourages anti-gay violence, and it has used the controversy over Eminem's lyrics to fuel a campaign for hate-crimes legislation. While GLAAD and Cheney have different motives, both spout arguments that collapse the distance between speech and action--a strategy CatharineMacKinnon pioneered in her war against pornography. Right-wingers like Cheney and antiporn feminists like MacKinnon have long maintained such an unholy alliance, but you would think gay activists would be more cautious about making such facile claims. After all, if a hip-hop album can be held responsible for anti-gay violence, what criminal activities might the gay-friendly children's book Daddy's Roommate inspire? Because the lines between critique and censorship, dissent and criminality, are so porous and unpredictable, attacking Eminem for promoting "antisocial" activity is a tricky game.
Thankfully, GLAAD stops short of advocating censorship; instead it asks the entertainment industry to exercise "responsibility." GLAAD launched its anti-Eminem crusade by protesting MTV's heavy promotion of Marshall Mathers, which included six Video Music Award nominations and a whole weekend of programming called "Em-TV." After meeting with GLAAD representatives in June, MTV's head of programming, Brian Graden, piously confessed, "I would be lying to you if I didn't say it was something we struggled with." Liberal guilt aside, MTV nonetheless crowned Eminem with Video of the Year honors and then, in an attempt to atone for its sins, ran almost a full day of programming devoted to hate crimes, starting with a mawkish after-school special on the murder of Matthew Shepard, called Anatomy of a Hate Crime, and concluding with a seventeen-hour, commercial-free scrolling catalogue of the kind of horrific and yet somehow humdrum homophobic, misogynous and racist incidents that usually don't make it into the local news.
Perhaps understandably, Eminem's detractors still weren't satisfied, but given the fact that Eminem is one of the bestselling hip-hop artist of all time, what exactly did they expect from MTV and the Grammys but hypocrisy and faithless apology? And what do they really expect from Eminem--a recantation? Does anyone remember the homophobic statements that Sebastian Bach of Skid Row and Marky Mark made a decade ago? Point of fact: Marky Mark revamped his career by becoming that seminal gay icon, the Calvin Klein underwear model, and Bach, long blond locks still in place, recently starred in the Broadway musical Jekyll and Hyde. All of which just goes to show, if hunky (and profitable) enough, you can always bite the limp-wristed hand that feeds you.
Meanwhile, the dialogue among Eminem's fans has been equally confusing. Some, like gay diva Elton John (who's scheduled to perform a duet with Eminem at the Grammys) and hip-hop star Missy Elliot, praise Eminem's album as hard-hitting reportage from the white working-class front. They argue that his lyrics are not only excusable but laudable, because they reflect the artist's lived experiences. This is, as London Guardian columnist Joan Smith pointed out, a "specious defence." Should we excuse Eminem because he is, after all, sincere? Should we ignore his own genuinely violent acts--like pistol-whipping a man he allegedly caught kissing his wife? Others, like Spin magazine, have defended him as a brilliant provocateur. Far from being about realness, they argue, Marshall Mathers is parody, a horror show of self-loathing and other-loathing theater, a sick joke that Eminem's fans are in on. They point to how he peppers his rants with hyperbole, denials and reversals, calling into question not only the sincerity of his words but also their efficacy. For example, he raps about how he "hates fags" and then claims he's just kidding and that we should relax--he "likes gay men."
I don't know if Eminem really likes gay men, although I'd sure like to find out. What is clear from listening to Marshall Mathers is that he needs gay men. When asked by MTV's Kurt Loder about his use of the word "faggot," Eminem said, "The lowest degrading thing that you can say to a man when you're battling him is to call him a faggot and try to take away his manhood. Call him a sissy, call him a punk. 'Faggot' to me doesn't necessarily mean gay people. 'Faggot' to me just means taking away your manhood." Of course, using the word "faggot" has this effect only through its association with homosexuality and effeminacy, but there, really, you have it. Homosexuality is so crucial to Eminem's series of self-constructions (he mentions it in thirteen of eighteen tracks) that it's hard to imagine what he would rap about if he didn't have us faggots.
Eminem is, in his own words, "poor white trash." He comes from a broken home; he used to "get beat up, peed on, be on free lunch and change school every 3 months." So who does he diss in order to establish his cred as a white, male rapper? The only people lower on the adolescent totem pole than he is--faggots. This strategy of securing masculinity by obsessively disavowing homosexuality is hardly Eminem's invention, nor is it unique to male working-class culture or hip-hop music. Indeed, Eminem's lyrics may be more banal than exceptional in the way they invoke homophobic violence.
Marshall Mathers reworks the classic Western literary trope of homosexuality, which manifests itself as at once hysterical homophobia and barely submerged homoeroticism. It reflects the kind of locker-room antics that his white, male, suburban audience is well acquainted with. So too were Matthew Shepard's killers, Aaron McKinney and Russell Henderson, and the perpetrators of the hate crimes MTV listed (who were, not so incidentally, almost all white men), and, for that matter, the Supreme Court, which recently held in the Boy Scouts' case that homophobic speech is so essential to boyhood that it's constitutionally protected. Herein may lie the real brilliance of Eminem as an artist and as a businessman. In a political culture dominated by vacuous claims to a fictive social unity--tolerance, compassionate conservatism, reconciliation--he recognizes that pain and negativity, of the white male variety in particular, still sell.
So does Marshall Mathers deserve Album of the Year? Well, I probably wouldn't vote for it, but if it does win, that would be perfectly in keeping with Grammy's tradition of rewarding commercial success. And where might a really good dialogue on homophobia, violence and entertainment begin? It might look at why The Marshall Mathers LP proved to be so pleasurable for so many, not despite but rather because of its violent themes. It might start by seeing Eminem not as an exception but as the rule--one upheld not just by commercial entertainment values but by our courts, schools, family structures and arrangements of public space. As Eminem says, "Guess there's a Slim Shady in all of us. Fuck it, let's all stand up."
We have many male authors known for loving women, fewer known for loving men. Love that is not overtly homoerotic--resolutely heterosexual, in fact--can take on an intimacy and purity untroubled by sex, even if still troubling for its intensity, its incoherence and frequent confusion, violence or aggression, its exclusionary quality. And so it is no surprise to find it so often in novels of war, or the military. In the last half-century American practitioners of this form have included Heller and Mailer, Ward Just, Tim O'Brien and, perhaps most overlooked, James Salter, who is interested in more than the camaraderie among men in uniform but also its inverse as well, the case of the solitary, perhaps a newcomer breaking in. Here is his description of the fighter pilot Robert Cassada from his new novel of that name:
It was his beauty, of course, a beauty that no one saw--they were blind to such a thing.... By beauty, nothing obvious is meant. It was an aspect of the unquenchable, of the martyr, but this quality had its physical accompaniment. His shoulders were luminous, his body male but not hard, his hair disobedient. Few of them had seen him naked, not that he concealed himself or was modest but like some animal come to drink he was solitary and unboisterous. He was intelligent but not cerebral and could be worshipful, as in the case of airplanes.
"They" and "them" are his colleagues, the men of a fighter squadron stationed in Germany in the 1950s. The men--Dunning, Isbell, Wickenden, Godchaux, Phipps, Dumfries, Ferguson, Harlan, Grace--lead restless, incurious, exalted lives, flying every day in the skies above Western Europe, waiting for the conflict that never comes. So conflict comes from within and among the men, who are arrogant, competitive, bored, cussedly suspicious yet trusting, too. They are not alike. Major Dunning is a Southerner and former college football star; Harlan is a rustic, an overgrown farm boy. Wickenden, or "Wick the prick," Cassada's nemesis, was "born in the wrong century. The cavalry was what he was made for, riding in the dust of the Mexican border with cracked lips and a line edged into his hair from the strap of a campaign hat." Cassada is from Puerto Rico, which leads Harlan to wonder what he's doing in the US Air Force. "Puerto Rico's part of the United States," replies Godchaux.
"I don't know. A long time."
"I must of missed hearing about it."
The banter may not recall Catch-22--while sharp, it is seldom witty--but Salter's particular genius is for the inexpressive man. He saves his tenderest regard for Cassada, about whom there is "an elegance...a superiority. You did not find it often." It is perhaps his gravest mistake, for to a reader with less invested in the project, Cassada is the least present, most flattened out, of all the men, the one who never steps out of the page despite being so beautiful or unforgettable as all that. Cassada, which is a revision of an early, out-of-print novel, The Arm of Flesh, should instead be titled Isbell.
In interviews Salter has dismissed The Arm of Flesh as a "failed book," and he says the same in his preface to Cassada. Admitting that the new venture might be "a mistake," he cites "the appeal of the period, the 1950s, barely a decade after the war; the place, the fighter bases of Europe; and the life itself." Cassada, then--in words that I have seen repeated in every notice--is "the book the other might have been."
I think in fact it is the same book, although better turned out for some crucial changes. The Arm of Flesh is a novel in alternating voices--seventeen altogether--some of which are hard to figure out, others appearing only briefly, even once. Several could be cut entirely, as their narrative distracts from the general thread, which is about the ordeal of two pilots (one whose radio is out) trying to make it home in terrible weather, while interspersed are episodes from lazy days on base and elsewhere. Cassada is told in the third person, but the structure is much the same--if the two books are laid side by side, one sees in Cassada a succession of loose little chapters that more or less correspond to an individual voice's narrative in The Arm of Flesh. Major Clyde is now Dunning. Lieutenant Sisse from the earlier book does not appear at all in the second. In The Arm of Flesh Cassada never speaks with his own voice. In both works his words are reported to us through the perspective of others; and so he is always at least once, often twice, removed from a reader.
"Something was usually beginning before the last thing ended." This is Isbell, and the words seem to me to be the key to the book. Cassada is a new arrival at the wing in Giebelstadt, but the rivalries, the ennui, the excitements of a life in the air, at speed, have been going on as long as men have been assembled to fight. Salter, who was a pilot himself in Korea--with the advantage, unlike many of the pilots in Cassada, of actually having seen combat--has written of this elsewhere, in his first novel, The Hunters, and in his memoir Burning the Days. A pilot, it seems, becomes obsessed with doing something remarkable, with being remembered and spoken about even after he's gone. "In the end there is a kind of illness," Salter writes in his memoir. "A feeling of inconsequence, even lightness, takes hold. It is, in a way, like the earliest days, the sense of being an outsider. Others are taking one's place, nameless others who can never know how it was." Cassada is driven relentlessly to prove himself; his immediate commander, Wickenden, thinks he has a death wish. Isbell, who grows to love Cassada, acknowledges his own part in stirring him up. "It was true [he] had sometimes opposed him. It had been essential to. It was part of the unfolding." Earlier we have learned of Isbell's mysticism, his sense of his role among the men as "biblical." "It was the task of Moses--he would take them to within sight of what was promised, but no further. To the friezes of heaven, which nobody knew were there."
In this kind of outfit, Cassada never stands a chance. It is he who is one of the pilots in trouble as they try to reach home. The other is Isbell. The bond between the two is the strangest in the book, yet critical to its success. I don't think Salter has convinced us that it is true. Isbell is decent, perceives Cassada's isolation; pencils himself in to fly with him once, on an early morning training mission over Germany. It is a matchless day, the kind fliers dream of. They hardly speak.
The earth lay immense and small beneath them, the occasional airfields white as scars. Down across the Rhine. The strings of barges, smaller than stitches. The banks of poplar. Then a city, glistening, struck by the first sun. Stuttgart. The thready streets, the spires, the world laid bare.
Afterward Isbell's body is "empty," his mind "washed clean." Cassada asks about a city they flew over, Ingolstadt. "It's not as great as it was this morning," Isbell replies.
"You could say that about everyplace," he commented.
It was true, Isbell thought, exactly. He felt a desire to reply in kind. It was not often you found anyone who could say things.
It is worth reprinting Salter's original language from The Arm of Flesh. The speaker is Isbell:
"The whole world's like that," he said.
A chance remark that entered my heart. I didn't know what to say. Suddenly he was not what he seemed--as wise as a schoolboy who knows sex--he was entirely different. Yes, I thought. The whole world is. And early we rise to discover the earth. I felt a sudden desire to bequeath him my dreams, to offer them up. All of the searching is only for someone who can understand them.
This seems to me rather better, nearly perfect, in fact. While terseness can suggest all the things that must remain unspoken in life, a writer striking at the essence of character must occasionally open himself up, like a pilot his engines. Earlier in the same passage, in The Arm of Flesh, we have the measure of Isbell that is stripped from its revision in Cassada--excitable, aroused, ready for risk: the risk of loving a fellow flier: "We stealthy two. Streaming like princes. Breathing like steers," he thinks while aloft. Over Stuttgart:
Watch out, Stuttgart. Watch out. We're at God's empty window. We can see everything. The thready streets. The spires. It's all apparent. We can stare through the roofs. Right into the first cups of coffee. Your warm secrets, Stuttgart. Your rumpled beds.
None of this is in Cassada. None of it says much about Cassada, but it says everything about Isbell. The end of the chapter is the same in both books, except for the following sentences from The Arm of Flesh: "He could have told me what he was going to be. I might have believed him." And later on, when the two men's mission has met its tragic end, a lengthy Isbell monologue is sharply cut, in which his obsession with Cassada again comes to the fore: "There is so much I almost told him. I can't understand why I didn't. I was waiting for something, a word that would fall, an unguarded act." Of course, there are no unguarded acts from the embattled Cassada, but more surprising is the sense--retained in Cassada--that the young pilot actually had something to say. Both versions ascribe uniqueness to him, the phrase "the sum of our destinies." Yet Cassada doesn't even pretend to understand Isbell in those moments when their communion is said to be greatest: "You amaze me, Captain.... We're talking about two different things. I don't know. I just don't understand, I guess."
In Burning the Days--the eponymous chapter of which, thirty pages long, is a true anticipation of the story told in The Arm of Flesh and Cassada--Salter invokes briefly a pilot named Cortada: "He was from Puerto Rico, small, excitable, and supremely confident. Not everyone shared his opinion of his ability--his flight commander was certain he would kill himself."
And that's it for Cortada. Another cipher, with too much in common with Cassada to be a coincidence. Salter has kept the story of both men to himself, which is why a reader turns more attentively to the lonely and appealing Captain Isbell, standing between the men and Major Dunning. It is no surprise, of course. Failing to attach ourselves to the protagonist for whom the book is named, we look elsewhere, and find our longing met in the author's substitute.
The end of Cassada is beautiful. It is only four pages. Isbell and his family are leaving Germany; they are on a train along the Rhine, his daughters rambunctious, his wife solicitous, Isbell alone with his thoughts, which include Cassada. For the first time he senses himself as the romantic figure readers have seen all along, joining the ranks of the eternals, "the failed brother, the brilliant alcoholic friend, the rejected lover, the solitary boy who scorned the dance." Isbell is Salter; and one turns to Burning the Days, where the author takes his own solitary farewell to the flying life:
When I returned to domestic life I kept something to myself, a deep attachment--deeper than anything I had known--to all that had happened. I had come very close to achieving the self that is based on the risking of everything, going where others would not go, giving what they would not give. Later I felt I had not done enough, had been too reliant, too unskilled. I had not done what I set out to do and might have done. I felt contempt for myself, not at first but as time passed, and I ceased talking about those days, as if I had never known them. But it had been a great voyage, the voyage, probably, of my life.
"I would have given anything, I remember that," Salter adds, remembering the pilot's terror ("none of it mattered"), including separation from his leader. Isbell mouths nearly those words in remembering a Cassada who "stands before him, fair-haired, his small mouth and teeth, young, unbeholden." In Burning the Days Salter recalls a beloved figure from West Point who fell in the war: "He had fallen and in that act been preserved, made untarnishable. He had not married. He had left no one...he represented the flawless and was the first of that category to disappear."
Reading Salter's memoir, or recollection, as he prefers to call it, one senses that much of his life has been a mourning. The list of the dead is long and unfolds over pages and pages--many are pilots, men Salter flew with--and it becomes easy to see what he hopes is evident from his preface to Cassada: "the fact that it was sometimes the best along with the worst pilots who got killed." All of Salter's novels--including The Hunters, A Sport and a Pastime and Light Years--are beautiful elegies in which a survivor tries to go on, somehow make sense of it all, knowing the task is futile but that perhaps peace can be achieved. Why should his memoir be any different? Cassada will take a few hours to read, in which time there is exquisite suspense, some lovely sentences, a tender portrait of a hero--Isbell, I still believe, not Cassada--and a lot of shoptalk about flying. But the flying talk is better, more exactly described and sustained, more rapturous--"exalted," to use a favorite Salter word--in Burning the Days, and the memoir has the advantage of tracking the two held-apart strands of Salter's emotional life--the chaste love of men, the unsatiable desire for women--more closely than is possible for a book about fighter pilots. The following sentence sounds like Isbell recalling Cassada, but in fact it's Salter standing in the wreckage of all who have died: "You are surviving, more than surviving: their days have been inscribed on yours."
Young women, who've never lacked abortion rights, are tough to mobilize.
The Bush Administration is relying on falsehoods when making its case for opening up Alaska to drilling.
How many times did we hear during the endless campaign that Bush wouldn't go after abortion if elected? Republicans, Naderites and countless know-it-alls and pundits in between agreed: Pro-choice voters were too powerful, the country was too divided, the Republicans weren't that stupid and Bush didn't really care about abortion anyway. Plus whoever won would have to (all together now) "govern from the center." Where are all those smarties now, I wonder? Bush didn't even wait for his swearing-in ceremony to start repaying the immense debt he owes to the Christian right, which gave him one in four of his votes, with the nominations of anti-choice die-hards John Ashcroft for Attorney General and Tommy Thompson to head Health and Human Services.
On his first full day in office, Bush reinstated the "gag rule" preventing international family-planning clinics and NGOs from receiving US funds if they so much as mention the word "abortion." (This action was widely misrepresented in the press as being a ban on funding for performing abortions; in fact, it bans clinics that get US aid from performing abortions with their own money and prohibits speech--whether lobbying for legal changes in countries where abortion is a crime or informing women with life- or health-threatening pregnancies about their legal options.) A few days later, Thompson announced he would look into the safety of RU-486, approved by the FDA this past fall--a drug that has been used by half a million European women over twelve years and has been more closely studied here than almost any drug on the market. In the wake of Laura Bush's remark to NBC News and the Today show that she favored retention of Roe v. Wade, both the President and the Vice President said the Administration has not ruled out a legal challenge to it, placing them to the right of Ashcroft himself, who told the Judiciary Committee he regarded Roe as settled law (at least until the makeup of the Supreme Court changes, he did not add).
Don't count on the media to alert the public. The press is into champagne and confetti: Who would have thought "Dick" Cheney would be such an amiable talk show guest! Time to move on, compromise, get busy with that big tax cut. "Who in hell is this 'all' we keep hearing about?" a friend writes, "as in 'all agree' that the Bush transition has been a smashing success?" An acquaintance at the Washington Post, whose executive editor, Leonard Downie Jr., claims to be so objective he doesn't even vote, says word has come down from "on high" that stories must bear "no trace of liberal bias"--interestingly, no comparable warnings were given against pro-Bush bias. So, on abortion, look for endless disquisitions on the grassiness of the anti-choice roots, the elitism of pro-choicers and the general tedium of the abortion issue. Robin Toner could barely stifle a yawn as she took both sides to task in the New York Times ("The Abortion Debate, Stuck in Time," January 21): Why couldn't more anti-choicers see the worth of stem cell research, like anti-choice Senator Gordon Smith, who has several relatives afflicted with Parkinson's (but presumably no relatives unwillingly pregnant); and why can't more pro-choicers acknowledge that sonograms "complicate" the status of the fetus? In an article that interviewed not a single woman, only the fetus matters: not sexuality, public health, women's bodies, needs or rights.
Now is the time to be passionate, clever, original and urgent. I hate to say it, but pro-choicers really could learn some things from the antis, and I don't mean the arts of arson, murder and lying to the Judiciary Committee. Lots of right-wing Christians tithe--how many pro-choicers write significant checks to pro-choice and feminist organizations? Why not sit down today and send President Bush a note saying that in honor of the women in his family you are making a donation to the National Network of Abortion Funds to pay for a poor woman's abortion (NNAF: Hampshire College, Amherst MA 01002-5001)? March 10 is the Day of Appreciation for Abortion Providers--send your local clinic money for an abortion "scholarship," flowers, a thank-you note, a bottle of wine, a Nation subscription for the waiting room! (Refuse & Resist has lots of ideas and projects for that day--call them at 212-713-5657.)
The antis look big and powerful because they have a built-in base in the Catholic and fundamentalist churches. But (aha!) pro-choicers have a built-in constituency too: the millions and millions of women who have had abortions. For all sorts of reasons (privacy concerns, overwork, the ideology of medicine) few clinics ask their patients to give back to the cause. Now some providers and activists are talking about changing that. "My fantasy," Susan Yanow of the Abortion Access Project wrote me, "is that every woman in this country gets a piece of paper after her procedure that says something like, 'We need your help. You just had a safe, legal abortion, something that the current Administration is actively trying to outlaw. Think of your sisters/ mothers/daughters who might need this service one day. Please help yourself to postcards and tell your elected representatives you support legal abortion, join (local group name here), come back as a volunteer' and so on." If every woman who had an abortion sent her clinic even just a dollar a year, it would mean millions of dollars for staff, security, cut-rate or gratis procedures. Think how different the debate would be if all those women, and the partners, parents, relatives and friends who helped them, spoke up boldly--especially the ones whose husbands are so vocally and famously and self-righteously anti-choice. If women did that, we would be the grassroots.
* * *
Correction: It was Joe Conason, not Chip Berlet, who reported that John Ashcroft had met with the St. Louis head of the racist Council of Conservative Citizens. Berlet's equally fascinating story, cut for space reasons, was that Ashcroft made a cameo appearance in a 1997 Phyllis Schlafly video that claims that environmentalism, feminism, multiculturalism, gay rights and even chemical weapons treaties are part of a conspiracy to bring about One World Government. See clips at www.publiceye.org.
"Yes, nonviolence is a noble ideal, but do you really think it would stop a Hitler?" Or a street thug, a dictator, a death squad?
Pacifists are long accustomed to these questions, mostly thrown up by self-proclaimed realists. And they get the put-down message: Nonviolence is a creed only slightly less trifling than hippies sticking flowers in soldiers' gun barrels.
Readers whose minds are open to another view will be rewarded by A Force More Powerful: A Century of Nonviolent Conflict. It is a comprehensive and lucidly written addition to the literature of peace. Its worthiness puts the authors, Peter Ackerman and Jack DuVall, in the high company of Gene Sharp of the Albert Einstein Institution in Boston, Michael True of Assumption College and Richard Deats of the Fellowship of Reconciliation--all scholars of mettle who bring before the public the many historical examples where the force of organized, nonviolent resistance defeated oppression.
Ackerman and DuVall, deserving of praise for writing nonideologically when they might easily and self-indulgently not have (and thus lost readers looking for hard reporting rather than soft commentary), use fourteen chapters to document and analyze history-altering reforms created by nonviolent strategies. These include the early 1940s Danish resistance to the Nazis; Solidarity's strikes in the 1980s, which eventually took down the Soviet puppet regime in Poland; the 1980s public demands for free elections that removed the Pinochet junta in Chile; the near-bloodless elimination of the Marcos government in the Philippines; the work of the Palestinian-American Mubarak Awad to rally nonviolent civil resistance against Israeli authorities in the occupied territories; and civil rights workers in Nashville in the 1960s.
These are the better-known examples. Ackerman and DuVall also explore the removal of autocratic governments in El Salvador (in 1944), Mongolia and Eastern Europe. Oddly, the authors omit the story of Le Chambon, the French village that was a leading center for hiding Jews in the early 1940s and whose pacifist citizens successfully faced down the Nazis with weapons of the spirit, not weapons of steel. (That story is told by Philip Hallie in Lest Innocent Blood Be Shed.)
Ackerman and DuVall do not portray Awad, King Christian X of Denmark, Gandhi of India, Mkhuseli Jack of South Africa, Reverend James Lawson of Nashville and others as willing martyrs for the cause. Instead, they were hard-thinking political strategists who built bases for citizen support that would not crack when the heat rose and the dogs snarled.
"Nonviolent resistance," the authors write,
becomes a force more powerful than the hand of an oppressor to the extent that it takes away his capacity for control. Embracing nonviolence for its own sake does not produce this force. A strategy for action is needed, and that strategy has to involve attainable goals, movement unity, and robust sanctions that restrict the opponent.... When the regime realizes it can no longer dictate the outcome, the premise and means of its power implode. Then the end is only a matter of time.
Debunking the prevailing image of pacifists as appeasers or well-meaning but addled dreamers who've read one too many biographies of St. Francis, Ackerman and DuVall provide ample details to dispel those errant notions. As portrayed here, organizers of successful collective, nonviolent opposition to oppressors tend to be self-disciplined, practical and dogged--traits commonly held up as military virtues, which is why Gandhi so admired soldiers. The authors write:
Nonviolent action is like violent combat in at least two ways. It does not succeed automatically, and it does not operate mysteriously--it works by identifying an opponent's vulnerabilities and taking away his ability to maintain control. If a regime intends to remain in power indefinitely, it will require extensive, long-term interaction with those it rules--and that creates a dilemma: the broader the regime's system of control, the more vulnerable it is, because it depends on too many actors to ensure that violence against resisters will always work. Once an opposition shows its followers that this weakness exists, it can begin to pry loose the support that the regime requires--its revenue, its foreign investments, or even its military.... Victory is not a function of fate; it is earned.
Tolstoy described pacifists similarly: "For us to struggle, the forces being so unequal, must appear insane. But if we consider our opponent's means of strife and our own, it is not our intention to fight that will seem absurd, but that the thing we mean to fight will still exist. They have millions of money and millions of obedient soldiers; we have only one thing, but that is the most powerful thing in the world--Truth."
Peter Ackerman, formerly a visiting scholar at the International Institute of Strategic Studies, and Jack DuVall, who has worked in television and as a political speechwriter, also collaborated, along with producer Steve York, in a three-hour PBS documentary of the same title that played last September. The film quotes a postwar historian summarizing the Danish resistance to the Nazis by strikes, work slowdowns, hiding or helping Jews and not obeying orders to disperse: "Denmark had not won the war but neither had it been defeated or destroyed. Most Danes had not been brutalized, by the Germans or each other. Nonviolent resistance saved the country and contributed more to the Allied victory than Danish arms ever could have done."
A Chilean leader said of the organized resistance against Pinochet in the 1980s and the successful call for fair elections: "We didn't protest with arms. That gave us more power."
Refreshingly, the authors offer compelling observations--almost as sidenotes--about the ineffectiveness of violence. Lech Walesa and Polish strikers taking on the Jaruzelski regime remembered that except for momentary glee nothing was accomplished by Polish workers in 1970 and 1976 when they burned down Communist Party buildings. "In the 20th century's armed liberation movements," Ackerman and DuVall write, "portraits of gunwielding martyrs--the Che Guevaras of the world--were often flaunted as symbols, but none of those struggles produced freedom."
A Force More Powerful will likely stand as a book more powerful than any guts-and-glory war memoirs by generals or gun-toters, or any extollings of military might by one-note historians.
Throughout the last campaign, while liberal Democrats warned that Bush was much more reactionary than he pretended to be, Naderites argued that Democrats were much less progressive than their rhetoric. From the evidence of the first days of the Bush Administration, it turns out both were right.
For all the dulcet compassion written into his inaugural address, Bush turned right even before entering the White House. His nomination of John Ashcroft as Attorney General showed contempt, not compassion, for the broad center of American politics. His environmental troika--Norton, Abraham and Whitman--are an affront even to Republican environmentalists. While professing her love for nature Norton preposterously invoked the California power crisis as a reason to start drilling in the Arctic wildlife preserve. The troika also threatened a review of the environmental regulations Clinton issued in his last weeks in power.
On his first day in office Bush targeted women's right to choose by reinstating the odious gag rule defunding any international organization that counsels women abroad on family planning and abortion. He also opened fire on women's rights at home, announcing that "it is my conviction that taxpayer funds should not be used to pay for abortions or advocate or actively promote abortions either here or abroad." He hailed those gathered at the annual national protest against Roe v. Wade, saying that "we share a great goal" in overturning the constitutional protection of a woman's right to seek an abortion. And Health and Human Services Secretary Tommy Thompson announced that he would review RU-486, which anti-choicers want banned, fearful that it will make abortion more accessible. So much for compassion.
Bush launched his push for an education plan that will demand lots of testing in exchange for a little new funding for beleaguered urban and rural schools. The $5 billion annual price tag for his education bill is mocked by the $68 billion annual tax cut he wants to give to the wealthiest 1 percent of Americans--to say nothing of the tens of billions about to be thrown at the Pentagon. But Bush knows what he calls "my base." The lily-white, mink-draped crowd at his inauguration broke into loud applause only twice: when Bush promised to reduce taxes and when Chief Justice Rehnquist was introduced. So much for bipartisanship.
Yet, despite the stolen election, the wolf politics after a sheep's campaign and a furious and frightened constituency, many Democrats in the Senate seem content with getting rolled. Conservatives in the party didn't pause before trampling their leaders to embrace the tainted President. While Senate Democratic leader Tom Daschle was urging his troops to hold off on any announcements about Ashcroft, the opportunistic Robert Torricelli and dubious Democrat Zell Miller of Georgia were hailing the Missouri tribune of the Confederacy as Attorney General. Despite a furious reaction by Democrats across the country, opponents like Ted Kennedy are struggling to summon even forty votes against a zealot whose career has been marked by his willingness to abuse his office for political gain. While Daschle was trying to get some agreement on a smaller tax-cut package from Democrats, Miller leapt in to co-sponsor the equivalent of the Bush plan with Texas Senator Phil Gramm.
Dick Cheney's former opponent, Joe Lieberman, didn't even thank African-Americans and the unions for their remarkable support this past fall before kicking them in the teeth in January. He joined nine other New Democrats in an unctuous letter to "President-Elect Bush" indicating their willingness to work with him on an education bill and urging him to make a top priority of the fight for "Fast Track trading authority" for "expansion of trade in the Americas." Lieberman et al. begged to meet with Bush as early as possible. So much for Democratic unity.
But the Democratic collaborators are likely misjudging the temper of the country. What the inaugural also revealed was the depth of voter anger nationwide. Demonstrators often outnumbered celebrators along the parade route. And from San Francisco to Kansas City to Tallahassee, citizens turned out to express their dismay at the installation of the illegitimate President. Bush seems committed to refighting old battles against choice, affirmative action and environmental and consumer protection, as well as to waging a new offensive in the continuing class warfare of the privileged against the poor. But citizens are showing that they are ready to resist. Some Democrats--Maxine Waters, Dennis Kucinich, Jan Schakowsky, Barney Frank, George Miller and others in the House, as well as Kennedy and Richard Durbin in the Senate--are already engaged. The day before Bush was sworn in, the Progressive Caucus led a daylong conference on political reform that featured a bold agenda and a promise to push for change at the state and national levels. In the coming fray, Democrats who decide to cozy up to the new Administration are likely to find themselves caught in the crossfire.
Police are up to old tricks: disrupting and spying on legal political activities.
After retiring from the Senate in 1993, Alan Cranston, who died on New Year's Eve of the new millennium in the home of his son Kim, began a new career that was as important as the one he left behind as a four-term senator from California and majority whip. He embarked on a campaign to seize the opportunity afforded by the end of the cold war to abolish nuclear weapons. His opposition to nuclear weapons was longstanding. He first adopted the cause as president of the United World Federalists in the late 1940s. As a senator, he worked to advance the control and reduction of nuclear arms. In 1984 in a brief run at the presidency, he made the issue the centerpiece of his campaign. After leaving the Senate he worked on the issue first as chairman of the Gorbachev Foundation and then as the president of the Global Security Institute, which he founded. The most important of its accomplishments was to put together, as part of a new coalition of groups called Project Abolition, the Appeal for Responsible Security, Appeal for Responsible Security, which calls for abolition and steps toward that end, and was signed, at Cranston's urging, by such notable people as Paul Nitze, Gen. Charles Horner and President Jimmy Carter. The appeal will be circulated by Project Abolition as the foundation of a wider nuclear abolition campaign in the United States in the months to come.
It was in this work to eliminate nuclear weapons that I got to know him and came to be, I believe I can say, his friend. He possessed a modesty that would have been notable in any human being but was astonishing in an elected politician. On his answering machine he was "Alan," as he was to most who knew him. The human being not only had survived the official, it had come through without any detectable distortion whatever. Self-reference--not to speak of bluster or bragging--was at the zero level, as were all other forms of showmanship. Equally, there was zero variation in his manner toward the small and the great, the scruffy and the expensively suited.
Sometimes I wondered how a four-term senator could have managed this, and in the course of many days of travel and meetings together, I believe I came to understand at least one reason. It wasn't that he underrated himself or failed to appreciate the importance of his position. He had, for instance, a nation-spanning Rolodex and entree at every level of American life, and used these to the hilt in the cause. It was that his concentration, which was intense, was entirely on the work at hand. At every single meeting I attended with him, he made something happen. He passed along news, received news, asked for a further meeting, arranged one for someone else, won support for a project or set a new project in motion--a job for someone, a research organization, an appeal, a television program, a film. He moved as swiftly as he moved quietly. The work was hard, intellectually as well as practically, and there was just no time for wasted motion, blather or nonsense. At meetings he was silent most of the time. He kept so imperturbably still--a gaunt Buddha--that sometimes I thought, "Well, a man of his eminence doesn't have to attend to every last word of every inconsequential meeting"--only to hear him speak up quietly at the end, summing up what had been said, making sense of it and offering suggestions, which usually formed the basis for what was done. Not for nothing had he seven times been elected Senate Democratic whip.
What was true of his manner was true of his mind: It was, even in his 80s, fresh, resilient, receptive, reasonable, sensible, constructive, unburdened by conventional wisdom, unencrusted by habit and crowned with what can only be called wisdom.
The work, which absorbed all his professional life, was reducing nuclear weapons until they were gone. There was never a more practical and effective man than Alan Cranston, and none with a keener or more accurate sense of what was possible in the political world and what was not, yet his opposition to nuclear weapons was above all moral. At an event launching the Appeal for Responsible Security, he said of nuclear deterrence, "This may have been necessary during the cold war; it is not necessary forever. It is not acceptable forever. I say it is unworthy of our nation, unworthy of any nation; it is unworthy of civilization." Rarely in recent American political life have common sense, effectiveness, persistence and vision been combined in one person as they were in him. Nothing can replace him as a friend. As for the work--the force of his example, if we have the strength to follow it, must make good our loss.
A new kind of internationalism is challenging neoliberal globalism.