What ought to be read--and why--are questions that have a unique urgency in a multicultural milieu, where each group fights, legitimately, for its own space and voice. In the past couple of decades, battles over the Western canon have been fought strenuously in intellectual circles--one such flash point was Allan Bloom's The Closing of the American Mind and the debates that ensued. These skirmishes have much to do with the fact that America is undergoing radical change. The Eurocentric place once acknowledged as the heart of its culture has ceased to be so. Alternative groups, from different geographies, have brought with them the conviction that public life with a myriad of cores rather than a single one is far more feasible today.
It strikes me as emblematic that the voices most sonorous in the battlefield over the fate of literature are often Jewish, from those of the two Blooms, Allan and Harold, to that of Cynthia Ozick. This is not a coincidence: After all, the Jews are known as "the people of the book." For the Talmudic rabbis, to read is to pray, but so it is, metaphorically, among secular Jews...or, if not to pray, at least to map out God's cosmic tapestry. Among the most deeply felt Jewish expressions of book-loving I know is a letter to the legendary translator Samuel ibn Tibbon, a Spanish Jew of the illustrious translation school of Toledo in the twelfth century, written by his father. In it the elder Tibbon recommends:
Make your books your companions, let your cases and shelves be your pleasure grounds and gardens. Bask in their paradise, gather their fruit, pluck their roses, take their spices and their myrrh. If your soul be satiate and weary, change from garden to garden, from furrow to furrow, from prospect to prospect. Then will your desire renew itself and your soul be filled with delight.
But to turn Tolstoy's Anna Karenina into a companion, to satiate one's soul with it--ought that to be a Jewish pastime? I'm invariably puzzled at the lack of debate among Jewish intellectuals, especially in the Diaspora, on the formation of a multinational literary canon made solely of Jewish books. Why spend so many sleepless nights mingling in global affairs, reorganizing a shelf that starts in Homer and ends in García Márquez, yet pay no attention whatever to those volumes made by and for Jews?
The idea of a Jewish literary canon isn't new. Among others, Hayyim Nakhman Bialik, the poet of the Hebrew renaissance and a proto-Zionist, pondered it in the early part of the twentieth century. He developed the concept of kinus, the "ingathering" of a literature that was dispersed over centuries of Jewish life. Bialik's mission was to centralize it in a particular place, Israel, and in a single tongue, Hebrew. And a handful of Yiddish and Jewish-American critics, from Shmuel Niger to Irving Howe, have addressed it, although somewhat obliquely. Howe, for instance, in pieces like "Toward an Open Culture" and "The Value of the Canon," discussed the tension in a democratic culture between tradition and innovation, between the blind supporters of the classics and the anti-elitist ideologues. But in spite of editing memorable volumes like A Treasury of Yiddish Stories, he refused to see Jewish literature whole.
The undertaking never achieved the momentum it deserves--until now. A number of books have appeared in English in the past few months that suggest the need for a debate around a modern Jewish library. The Translingual Imagination (Nebraska), by Steven Kellman, a professor at the University of Texas, San Antonio, while partially concerned with Jewish literature, addresses one crucial issue: the polyglotism of authors like Sh. Y. Abramovitch, the so-called grandfather of Yiddish letters, whose conscious switch from Hebrew into Yiddish didn't preclude him from translating many of his novels, like The Mare, back into the sacred tongue. The presence of multilingualism in the Jewish canon, of course, is unavoidable, for what distinguishes the tradition is precisely its evaporative nature, for example, the fact that it emerges wherever Jews are to be found, regardless of tongue or geographical location. This complicates any attempt at defining it in concrete ways: What, after all, are the links between, say, Bruno Schulz, the Polish fabulist and illustrator responsible for The Street of Crocodiles, and Albert Cohen, the French-language author of the masterpiece Belle du Seigneur?
Also recently released is a book by Robert Alter, author of the influential The Art of Biblical Narrative and translator of Genesis. It is titled Canon and Creativity (Yale) and attempts to link modern letters to the biblical canon to stress issues of authority. Alter is attracted to the debate of "canonicity" as it is played out in academia and intellectual circles today, but he isn't concerned, not here at least, with purveying the discernible edges of Jewish literature historically. Far more concerned--obsessed, perhaps--with the continuity between Jewish authors from the Emancipation to the present is Ruth Wisse, a professor of Yiddish at Harvard, whose volume The Modern Jewish Canon will legitimize the debate by bringing it to unforeseen heights. For purposes of mitigated objectivity, I must acknowledge up front that together with Alter and Wisse and four other international Jewish critics, I am part of a monthslong project at the Yiddish Book Center to compose a list of the hundred most "important" (the word cannot fail to tickle me) Jewish literary books since the Enlightenment. So I too have a personal stake in the game. But sitting together with other candid readers in a room is one thing. It is another altogether to respond to the pages--at once incisive and polemical--of one of them whose views have helped to form my own.
Wisse is a conservative commentator of the Jewish-American and Israeli scenes and, most significant to me, an intelligent reader of strong opinions whose work, especially her study of Itzjak Leib Peretz and her monograph The Schlemiel as Modern Hero, I have long enjoyed. In her latest work she ventures into a different territory: From specialist to generalist, she fashions herself as a Virgil of sorts, thanks to whom we are able to navigate the chaotic waters of Jewish culture.
Probably the most estimable quality of The Modern Jewish Canon is simply that it exists at all. It insinuates connections to document the fact that Jews have produced a literature that transcends national borders. Albert Memmi's Pillar of Salt and Philip Roth's Operation Shylock might appear to be worlds apart, but Wisse suggests that there is an invisible thread that unites them, a singular sensibility--a proclamation of Jewishness that is clear even when it isn't patently obvious.
This is a crucial assertion, given that Jewish communities worldwide often seem imprisoned in their insularity: Language and context serve to isolate them from their counterparts in other countries and continents. For example, American Jews, for the most part, are miserably monolingual. (I doubt Jews have been so limited linguistically at any time in the past.) They insist on approaching their own history as starting in the biblical period but then jump haphazardly to the Holocaust, and thereon to the formation of the State of Israel in 1948. The Spanish period, so exhilarating in its poetic invocations, is all but ignored, and so is the importance of Jewish communities beyond those of Eastern Europe. Why are the echoes from the Tibbon family to Shmuel Hanagid, Shlomo ibn Gabirol, Moses ibn Ezra and medieval Spanish letters in general so faint? The power of these poets, the fashion in which they intertwined the divine and the earthly, politics and the individual, the struggles of the body and the soul, left a deep imprint in Jewish liturgy and shaped a significant portion of the Jewish people through the vicissitudes of the Ottoman Empire and northern Africa. Even the Dreyfus Affair is little known or regarded, as is the plight of the Jews in Argentina from 1910 to the bombing of their main cultural building in Buenos Aires in early 1994. And where the verbal isolation is not a problem, the insular perspective still applies: For instance, only now is Israel overcoming its negation of Diaspora life, which has deformed Israeli society and resulted in an institutionalized racism against those co-religionists whose roots are not traced to Yiddishland.
Wisse displays genuine esteem for high-quality literary art. She trusts her instincts as a savvy reader and writes about what she likes; no affirmative action criteria seem to apply in her choices--and for hewing to her own perspective, she ought to be commended. The common traits she invariably ascribes to what is a varied corpus of Jewish literature always point to Russia and Europe. Her encyclopedism is commendable in that it surveys a vast intellectual landscape, but it has clear limitations. She is well versed in English, Hebrew and Yiddish letters. But what about Sephardic culture? Ought she to exclude all that she is unfamiliar with?
The study is divided into ten chapters of around thirty pages each, ordered chronologically according to the birth dates of authors. She starts in the right place--with Sholem Aleichem, the author of the most beloved of all Jewish novels and my personal favorite, Tevye the Dairyman. And she ends with Israeli literature. In the interim, she mixes excerpts, critical commentary and historical perspective in exploring the work of Kafka, S.Y. Agnon, Isaac Babel, Isaac Bashevis Singer and scores of other luminaries, some of questionable value in my eyes (Jerzy Kosinski, for instance) and others often overpraised (here I would include Ozick). The contributions of critics such as Dan Miron, Chone Shmeruk, Lionel Trilling and Howe are acknowledged by Wisse in these pages, their perspectives still fresh and inviting.
It may be ungenerous to accuse Wisse of a certain nearsightedness; after all, to capture the essence of a literature written in a plethora of tongues and cultures, a literature that is by definition "undefinable," any potential cataloguer would need to be versed in each and every one of them. But The Modern Jewish Canon suffers another serious shortcoming, entirely within control: It is too dry a read. For a treatise that aspires to connect the various Jewish Weltanschauungen and juxtapose a rainbow of imaginations, each responding to different stimuli, from the eighteenth century to this day, Wisse offers little by way of narrative enchantment. She is a scholar and writes as such. Scarce effort is made to turn words into metaphors, to twist and turn ideas and allow them to wander into unexplored regions. The reader finds himself lost in a sea of "objective impersonality." Too bad, for shouldn't a book about the beauties of a polyphonic literature aspire to that on its own?
Wisse herself announces: "Modern Jewish literature...promises no happy merger into universalism at the end of the day." And yet some form of universalism is what she is attempting to describe, extending connective tissue between literary works where, at least superficially, there seemed none before. In that sense the achievement is impressive. Immediately after finishing the book, I took up pencil and paper to shape a list of what would be my own choice of books. In one of her last pages Wisse, who concentrates on novelists, includes a list of almost fifty titles, "meant to serve as a reference guide." Included are Yaakov Shabtai's Past Continuous, Piotr Rawicz's Blood From the Sky, Pinhas Kahanovitch's The Family Mashber, and Anne Frank's Diary of a Young Girl. But I found myself asking, Where are Marcel Proust, Elias Canetti and Moacyr Scliar? And that, precisely, is one thing a book of this sort should do: force readers to compose a response to the invisible questionnaire the author has quietly set before our eyes.
Future generations will find The Modern Jewish Canon proto-Ashkenazic and hyper-American, a sort of correlative to the Eurocentrism that once dominated American letters. They will kvetch, wondering why the Iberian and Levantine influence on today's Jewish books--from the poetry of the crypto-Jew João Pinto Delgado, to the inquisitorial autobiography of Luis de Carvajal the Younger, to even the Sephardic poetry that came out of the Holocaust--was so minimized in the English-language realm. Kvetch is of course a Yiddish word--or, as Leo Rosten would have it, a "Yinglish" one--but fretting and quarreling are Jewish characteristics regardless of place, and they inhabit the restless act of reading as well. The idea of a Jewish canon, modern and also of antiquity, hides behind it an invaluable fact: that Jews are at once outsiders and insiders, keepers of the universal library but also of their own private ones. Books have always served as their--our--companions for renewal and delight. The content of that private library might be up for grabs, but not its endurance.
The attempt to see Jewish literature whole, as expressing a singular sensibility, has never had the momentum it deserves--until now.
If you stand in Tiananmen Square and keep your eyes open on a normal day, you will see the tour groups with their "keep together" flags, and the long line waiting to see the mummified Mao in his mausoleum, and the crowd around the entrance to the Forbidden City. Souvenir salesmen ply their trade where once the students massed around the Goddess of Democracy. And then you notice the militia vans endlessly circling, and the buses parked off to one side. It's a big space to police, and its vast openness makes it impossible to close off. Every few days, a group of supporters of the Falun Gong movement will suddenly unfurl their banners and wave them until the forces of order arrive, sweep them up and carry them away.
You have "little trace," exclaimed Gershom Scholem in a letter he sent to the great Jewish political philosopher Hannah Arendt, of "love for the Jewish people." It was the early 1960s, and Scholem, one of Israel's most prominent intellectuals, was responding to her analysis of Adolf Eichmann's trial. Scholem's attack was spurred by several assertions Arendt had made, including her allegation that the Jewish officials in the ghettos--the Judenrat--expedited the extermination machine; if they had not collaborated with the Nazis, Arendt wrote, fewer Jews would have been killed.
Scholem's criticism expressed the prevailing view held by Israel's elite. Not surprisingly, Arendt was censored in Israel, and it took thirty-six years before an Israeli press agreed to translate her writings. Although the recent appearance of Eichmann in Jerusalem in Hebrew has rekindled an age-old debate, it seems that Israelis can now relate to the Holocaust in a more mature way.
Corners of the Jewish establishment in the United States may not be ready to cope with similarly forceful criticism, though, judging from the response to Norman Finkelstein's The Holocaust Industry. A review put forth in the New York Times tossed it aside as "an ideological fanatic's view of other people's opportunism, by a writer so reckless and ruthless in his attacks that he is prepared to defend his own enemies, the bastions of Western capitalism, and to warn that 'The Holocaust' will stir up an anti-Semitism whose significance he otherwise discounts." There are two major problems with this line of criticism. First, it summarily dismisses Finkelstein's arguments without any attempt to engage his disturbing accusations. Second, instead of concentrating on the book, the reviewer goes after the author, implying that Finkelstein, the son of survivors, represents a neoteric breed of anti-Semite. In this way, it resembles the assault on Arendt.
On the book's first page Finkelstein distinguishes between the actual historical events of the Nazi holocaust and "The Holocaust," a term denoting an "ideological weapon." He notifies the reader that The Holocaust Industry deals only with the ideological component, which is used to cast both Israel and "the most successful ethnic group in the United States" as victims. Victim status, in turn, says Finkelstein, enables the Zionist state, which has "a horrendous human rights record," to deflect criticism, and US Jewish organizations (the American Jewish Committee, the American Jewish Congress and others) to advance dubious financial goals.
Others have already shown that the holocaust has served to justify pernicious acts. Tom Segev, a leading Israeli journalist, said as much over a decade ago in his book The Seventh Million. In the early 1980s, Israeli scholar Boaz Evron observed that the holocaust is often discussed by "a churning out of slogans and a false view of the world, the real aim of which is not at all an understanding of the past, but the manipulation of the present." Thus, Finkelstein's contribution to the existing literature involves his concentration on US Jewish organizations. He attempts to go beyond Peter Novick's The Holocaust in American Life [see Jon Wiener, "Holocaust Creationism," July 12, 1999], which focused in part on abuses committed by Jewish organizations and intellectuals, by providing a much more radical critique. Finkelstein strives to show how the organizations have "shrunk the stature of [Jewish] martyrdom to that of a Monte Carlo casino."
The major claim of the first chapter, "Capitalizing the Holocaust," is that until the 1960s "American Jewish elites 'forgot' the Nazi holocaust," their public obliviousness induced by a fear of being accused of "dual loyalty." Finkelstein urges the reader to keep in mind that the United States opposed Israel's 1956 invasion of Egypt and did not become an ardent champion of the Jewish state until the mid-1960s. Accordingly, he avers, Jewish elites were apprehensive about accentuating the holocaust for fear that this would be interpreted as favoring Israel over the United States.
The reader is also reminded that after World War II, Germany became "a crucial postwar American ally in the US confrontation with the Soviet Union." It was, I believe along with the author, a sad moment in Jewish history when organizations like the American Jewish Committee and the Anti-Defamation League "actively collaborated in the McCarthy-era witch hunt." The crux of Finkelstein's argument in this context is that Jewish organizations "remembered" the holocaust only after the United States and Israel had formed a strategic cold war alliance. They suddenly realized that "The Holocaust" (in its capitalized form) could be employed as an ideological tool.
Finkelstein does not hesitate to use blunt language rather than euphemism; and although he usually applies words in a precise manner, at times he gets carried away in his analysis. For instance, at the very end of the first chapter, after discussing the dissolution of the longstanding alliance between American Jews and blacks, he claims that "just as Israelis, armed to the teeth by the United States, courageously put unruly Palestinians in their place, so American Jews courageously put unruly Blacks in their place." The book offers no support for the sentence's second clause; the analogy it sets up, too, is erroneous and can easily be used to discredit Finkelstein and thus his more serious charges.
The book's principal weakness, however, develops in its second chapter, "Hoaxers, Hucksters and History." Finkelstein dedicates this portion of the book to undermining two "central dogmas" that "underpin the Holocaust framework: (1) The Holocaust marks a categorically unique historical event; (2) The Holocaust marks the climax of an irrational, eternal Gentile hatred of Jews."
My criticism has nothing to do with Finkelstein's analysis of the second dogma, whose paradigmatic example is Daniel Goldhagen's Hitler's Willing Executioners. The main thesis underlying Goldhagen's book--which has been acclaimed in some quarters but derided in many others--is that ordinary Germans were no less anti-Semitic than National Socialist Party members. Goldhagen's theory serves the notion that Jews can always fall prey to Gentiles, which makes them the quintessential and eternal victims. And if "'all people collaborated with the Nazis in the destruction of Jewry,'" then, as Boaz Evron points out, "everything is permissible to Jews in their relationship to other people." Together with Ruth Bettina Birn, an international expert on Nazi war crimes, Finkelstein examined Goldhagen's references one by one, and in their book A Nation on Trial they concluded convincingly that Hitler's Willing Executioners is not worthy of being called an academic text.
My problem, rather, lies with Finkelstein's attempt to demonstrate that the holocaust was not a unique historical event. I disagree with Elie Wiesel, who for a "standard fee of $25,000 (plus a chauffeured limousine)"--in Finkelstein's aside--insists that "we cannot even talk about it," and I follow Finkelstein's admonition that it's helpful to compare it with other historical events. Yes, Finkelstein is right that Communists, not Jews, were the first political casualties of Nazism, and that the handicapped were the first genocidal victims. He is also correct that Gypsies were systematically murdered. But these facts do not prove that the holocaust was unique only "by virtue of time and location," in his formulation. Even though mass genocide has occurred elsewhere, death trains, gas ovens and Auschwitz have not. The holocaust, including the horrific experience of European Jewry, was unique.
Finkelstein's error is in conflating two issues: the uniqueness of the holocaust, on the one hand, and how this uniqueness is interpreted and put to use in manipulative ways, on the other. He fails to recognize that one need not debunk the uniqueness of an event in order to compare it and criticize its use and abuse.
Nonetheless, when it comes to analyzing how "The Holocaust" has been employed to advance political interests, Finkelstein is at his best. He shows how "The Holocaust" demagogues draw a link between "uniqueness" and "Jewish chosenness" and demonstrates how both are used to justify Israel's rightness, regardless of the context. His most notable contribution is in the third chapter of his book, "The Double Shakedown," where he couches as an exposé his view that "the Holocaust industry has become an outright extortion racket." The chapter deals with a few specific cases but mainly focuses on the circumstances leading to the compensation agreement between Switzerland and a number of Jewish organizations. In this disturbing affair the devil is in the details, and Finkelstein has done his homework.
The empirical evidence he supplies is alarming. He documents how Jewish organizations have consistently exaggerated numbers--of slave laborers or the amount of "victim gold" purchased by the banks--in order to secure more money. This sort of inflation was recently repeated in an October 23 letter written by Burt Neuborne--the lead counsel in the Swiss banks case--to The Nation. Neuborne claimed, for instance, that if one takes into account that there were "more than 2 million wartime accounts" whose records have been destroyed, then the $1.25 billion compensation provided by the Swiss "barely scratches the surface of the stolen funds." Neuborne fails to mention the findings published by the Independent Committee of Eminent Persons, also known as the Volcker Committee, in its Report on Dormant Accounts of Victims of Nazi Persecution in Swiss Banks (1999). The committee established that approximately 54,000 dormant accounts had a "possible or probable" relationship to Holocaust victims, and of these only half had any real likely connection. Considering that "the estimated value of 10,000 of these accounts for which some information was available runs to $170-200 million," even Raul Hilberg, author of the seminal study The Destruction of the European Jews, infers that the "current value of the monies in the dormant Jewish accounts is far less than the $1.25 billion paid by the Swiss."
Hilberg himself has accused some Jewish organizations of "blackmail," and Finkelstein describes in detail how this economic strong-arming was carried out. While the high-powered lawyers representing the organizations haggled with the Swiss, the Jewish lobby launched an extensive campaign. This drive included the publication of studies--supported by the Simon Wiesenthal Center--that accused Switzerland of "knowingly profiting from blood money" and committing "unprecedented theft," and claimed that "dishonesty was a cultural code that individual Swiss have mastered to protect the nation's image and prosperity." Using its leverage, the lobby utilized these allegations in the House and Senate banking committees in order to orchestrate a "shameless campaign of vilification" against Switzerland, in Finkelstein's words. Simultaneously, it convinced officials in a number of states, including New York, New Jersey and Illinois, to threaten the Swiss banks with economic boycott. Finally, the banks bent in response. Call it what you will, ingenious lobbying or conspiracy theory, Finkelstein manages to disclose how this well-oiled machine has utilized abhorrent methods to fill its coffers.
The World Jewish Congress has amassed "roughly $7 billion" in compensation moneys. One reads that former Secretary of State Lawrence Eagleburger earns an annual salary of $300,000 as chairman of the International Commission on Holocaust-Era Insurance Claims, while ex-Senator Alfonse D'Amato is paid $350 an hour plus expenses for mediating Holocaust lawsuits--he received $103,000 for the first six months of his labors. Most of the attorneys hired by the Jewish organizations earn around $600 an hour and their fees in total have reached several million. One lawyer asked for "$2,400 for reading Tom Bower's book, Nazi Gold." These attorneys might be demanding a smaller fee than is common to such litigation, but even a small percentage of a billion dollars is a lot of money. One should keep in mind that Finkelstein's mother received $3,500 for spending years in the Warsaw ghetto and in labor camps--the same amount D'Amato made in ten hours' work. These numbers plainly suggest that the "struggle," as much as it may be about paying damages to victims, has elements of an out-and-out money grab.
Finkelstein's analysis here boils down to three major criticisms: First, US Jewish organizations have been using shady methods to squeeze as much money as they can from European countries; second, while these organizations "celebrate" the "needy victims," much of the money gained in the process does not reach the victims but is used by organizations for "pet projects" and exorbitant overhead salaries; and third, that Jewish organizations' ongoing distortion of facts and emotional manipulation foments anti-Semitism. While his arguments are convincing, his attempt to be provocative leads to carelessness. His claim that the "Holocaust may turn out to be the greatest theft in the history of mankind" is preposterous, especially considering the history of imperialism. And yes, the "Holocaust industry" probably engenders some anti-Semitism; but Finkelstein should also clearly state that any misbehavior by Jewish organizations does not, and never can, provide an excuse for it.
Finkelstein does not spend all of his ire on his critique of Jewish organizations; he forcefully condemns US double standards as well. Why, for example, was a Holocaust museum built on the Washington Mall while there is no similarly high-profile museum commemorating crimes that took place in the course of American history? "Imagine," he says, "the wailing accusation of hypocrisy here were Germany to build a national museum in Berlin to commemorate not the Nazi genocide but American slavery or the extermination of Native Americans." Along the same line, the United States pressures Germany to pay compensation for its use of slave labor, but few in government dare mention compensation for African-Americans. Swiss banks are asked to pay back money taken from Jews but are allowed to continue profiting from the billions of dollars deposited by tyrants like Mobutu and Suharto at the expense of indigenous populations.
Informing Finkelstein's analysis is a universal ethics, which echoes Arendt's important claim that Eichmann should have been sentenced for his crimes against humanity rather than his crimes against the Jews. His book is controversial not entirely because of his mistakes or his piercing rhetoric but because he speaks truth to power. He, and not the Jewish organizations he criticizes, is following the example set by the great Jewish prophets.
Gore says he prays when crises loom.
He asks just what would Jesus do.
And then he does that very thing
(If focus groups would do it too).
So whose side's Jesus on, folks? Whose side's Jesus on?
Who's got the Savior's brawn, folks? Yes, whose side's Jesus on?
And Bush says faith-based treatment's best
For those adrift or drug-addicted.
Salvation's just for Christians, though.
No Jews. Yes, heaven's still restricted.
So whose side's Jesus on, folks? Yes, whose side's Jesus on?
Who's got the Savior's brawn, folks? Yes, whose side's Jesus on?
The other side, warns either side,
Would of the Savior's blessings rob us.
And Lieberman? Well, he can say
That Jesus wouldn't work on Shabbes.
So whose side's Jesus on, folks? Yes, whose side's Jesus on?
The battle lines are drawn, folks. Yes, whose side's Jesus on?
In their hunger to take back the White House, the Jerry Falwells and the Pat Robertsons have swallowed the mellow prose of Texas scripted for them by George W.'s handlers--but at the state level, the antigay hate campaigns of the Christian right are picking up steam. "In 2000 there have been and are more gay-bashing initiatives on the ballot than ever before," points out David Fleischer, the National Gay and Lesbian Task Force organizer for state and local politics.
In Nevada, an amendment to the state Constitution banning same-sex marriage, backed by the Southern Baptists (who have pledged $1 million to pass it) and the Mormon Church, won 60 percent approval in the latest polls. In Nebraska, an even worse measure bans civil unions and even legal status for domestic partnerships, which threatens benefits afforded to same-sex couples by private companies doing business there (like Qwest and Wells Fargo). In Maine, the Christian Civic League (a Gary Bauer spinoff) and the Christian Coalition are spending heavily to defeat ratification of a gay civil rights law already passed by the legislature. The progay forces are woefully underfunded in all three states.
But the most critical battle is in Oregon, which has seen forty antigay initiatives (four statewide, the rest local) in the past twelve years. This year's Measure 9 is a viciously broad version of the "no promo homo" amendments Jesse Helms has been trying to pass in Washington for years: It bans public school "instruction of behaviors relating to homosexuality and bisexuality...that encourages, promotes or sanctions such behavior." Sponsored by professional antigay crusader Lon Mabon and his Oregon Citizens Alliance--who were behind the previous referendums--this thought-police measure would have a devastating effect on the ability of the state's schools and colleges to teach about HIV or antigay discrimination and menaces the livelihood of openly gay teachers. Mabon makes it quite clear: He has said that the measure is designed to defund "any place that there is a cultural diversity program or multiculturalism or AIDS education [in which] homosexuality is presented as being normal and acceptable.... Any AIDS education like what occurred at Portland State University or at the local level could not be done. Any speakers that come in, if they are homosexuals, they could not stand up in front of a class or an assembly and talk about a pro-homosexual lifestyle."
Mabon-sponsored referendums aimed at banning civil rights laws protecting gays were defeated in 1992 and 1994, but it will not be so easy this time. In previous years the gay-bashing measures were the only controversial ones on the ballot, and a broad-based progressive coalition fought back effectively; this year, there are twenty-six different ballot questions, and the official guide mailed to every voter is 400 pages, the size of a telephone book. Moreover, there are seven other initiatives of major concern to progressives: two antilabor "paycheck protection" measures; three on tax and budget cutting; and two anti-environmental proposals.
"It's very shrewd of the right wing," says Paddy McGuire, who ran the Clinton campaign in Oregon in 1992 and 1996 and is now chief of staff to the secretary of state. "For $100,000 you can put damn well anything on the ballot--9 is the only one of these measures where signatures were mostly gotten by volunteers, while the others were gathered by paid workers at $1.50 a signature. It's going to take around a million bucks to defeat each one of them--that's $5 to $6 million we won't spend to elect progressives to office." The strategy to sap progressive energies through referendums was the brainchild of Bill Sizemore, the 1998 Republican candidate for governor. Sizemore has turned his strategy into a lucrative business: He runs Oregon Taxpayers United--which is funded by wealthy GOP conservatives and the oldtime timber barons and fronts for the ballot measures--and on the side he runs a signature-collection firm that rakes it in for petition drives.
"We're stretched thin," worries Josh Kardon, Oregon Senator Ron Wyden's chief of staff. "The governor [liberal Democrat John Kitzhaber] is tied up fighting off the two measures aimed at his budget. Wyden's tied up trying to raise money for state legislative races--we're in spitting distance of taking back one or both houses. Because we're so diluted, trying to explain in a short time why Measure 9 is bad for kids is going to be tough."
All the more so because "we have less than half the staff the campaign that defeated the 1994 antigay referendum had, when they spent $1.7 million," says No on 9 campaign manager Kathleen Sullivan; by mid-September the group had raised only $300,000. Both the Christian Coalition and the Family Research Council are putting major resources into 9's passage. The No campaign does have strong support from the PTA as well as the state AFL-CIO, whose president, Tim Nesbitt, points to "an alliance between Lon Mabon and paycheck protection, which the OCA has endorsed." As the state's leading Democratic pollster, Lisa Grove, points out, "Passage of 9 would have implications beyond Oregon--if they can win here, they'll try it elsewhere." Money for TV ads is desperately needed. To contribute, make out checks to: No on 9, PO Box 40625, Portland, OR 97240; or log on at www.noon9.org.
Ben Katchor had been a bit of a cultural phenomenon for nearly a decade before he became a MacArthur fellow--a first for a cartoonist--this summer; is this the beginning of comic-strip artists being recognized as "real" artists?
"The Constitution guarantees freedom of religion, not freedom from
religion," Senator Joseph Lieberman told a rapturous audience at a black
church a few Sundays ago, just after being chosen as
Judith Miller is a New York Times reporter much in evidence on
talk shows and seminars on the Middle East.
I start to worry whenever the Wall Street Journal editorial page cites theliberalNewRepublic for support.
Research assistance for this article was provided by the Investigative Fund of The Nation Institute.