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Is there a more contemptible poseur and windbag than Elie Wiesel? I suppose there may be. But not, surely, a poseur and windbag who receives (and takes as his due) such grotesque deference on moral questions.

After a bruising fight fopr the presidency, George W. Bush is stocking his cabinet with figures from the far right, none more so than John Ashcroft.

House GOP whip Tom DeLay will do his best to pull the President to the right.

John Ashcroft's nomination as Attorney General is the first installment on George W. Bush's enormous political debt to the radical right. Remember back in early February when Bush's campaign for the Republican nomination was on the ropes? John McCain had beaten him badly in New Hampshire and had just broken through Bush's attempt to keep him off the New York State primary ballot. The McCain campaign was on fire in South Carolina, and the so-called Bush firewall in Michigan was collapsing. A loss in South Carolina would have all but ended the Bush campaign. A shaken Bush did what he had to in order to win there--he sold his soul at Bob Jones University. The rumor was that he made a Faustian bargain with the radical right to give them the Justice Department and the federal judiciary if they would save his candidacy. Apparently it worked. Right-wing religious fundamentalists defeated McCain in South Carolina and provided the shock troops to derail him in Republican-only "closed primary" states, where McCain was cut off from his natural constituency.

After Bush secured the nomination, he seemed to signal his acceptance of the deal by praising Justices Antonin Scalia and Clarence Thomas. The radical right responded with a surge of support and, more important, with the gift of silence spared Bush from having to acknowledge his debt. Five members of the Supreme Court, including Scalia and Thomas, sealed the deal by anointing Bush as President-elect without the formality of his winning the election. Now the debt to the Christian right has come due.

Ordinarily, Presidents have the right to use Cabinet nominations to pay political debts. If Gore had not only won the most votes but had actually been allowed to become President, organized labor and the civil rights movement would now be lining up to collect their debts. In an ordinary presidential election, the winner enjoys the right to call the shots on policy as the political surrogate for the electoral majority. Thus, if this were an ordinary election it would be wrong to oppose John Ashcroft's nomination on political grounds. But Bush didn't win an electoral majority. He lost the national popular vote by more than 500,000 votes. He may have lost the Electoral College as well, obtaining Florida's crucial twenty-five electoral votes through a Supreme Court opinion that prevented an accurate vote count.

Don't get me wrong. George W. Bush is the President-elect. Respect for the rule of law requires us to follow the Supreme Court's ruling imposing Bush on the nation. But a President-elect who has been rejected by the majority of voters, and who may be taking office only because the Supreme Court refused to permit all the ballots to be counted in Florida, has no automatic right to saddle us with an extremist Attorney General who has just been rejected by the voters of his own state and who is pledged to wage war on behalf of a right-wing ideology that has been firmly rejected by most Americans.

Democratic senators who would ordinarily be inclined to allow the President-elect to form his Cabinet without opposition should not hesitate to oppose Ashcroft's nomination. The radical right hasn't earned control of the Justice Department, or the right to pick federal judges in the image of Scalia or Thomas. What President-elect Bush is entitled to from all Americans is respect for his office and cooperation in attempting to form and administer a centrist government. But there is no duty to cooperate in forming an extremist government. That is why the Democrats must use their "earned" 50-50 split in the new Senate to block the Ashcroft nomination. Not because Ashcroft is a bad man. He is, by all accounts, a decent man. Not because Ashcroft is a racist. He is, apparently, free from overt racial bias. But because he stands for terrible policies that would strike at the core of the American consensus. He stands for denying women freedom of choice. Unlike many principled foes of abortion, however, Ashcroft's reverence for human life does not prevent him from being an enthusiastic supporter of capital punishment. He stands for weakening the civil rights laws. He stands for eroding the wall between church and state. He stands for more censorship of free speech.

For once, let's have a vigorously contested confirmation hearing on Ashcroft that doesn't spiral down to character assassination. This is not about Ashcroft's competence. This is not about his honesty or his decency. It's about his politics--and whether George W. Bush has the right to impose the agenda of the radical right on a nation that has rejected it. If there is an iota of courage left in the forty-one Democratic senators it would take to sustain a filibuster, they'll rise up and say to President-elect Bush: We will not cosign the payment of your debt to the radical right by surrendering the Justice Department and the federal courts. The price for the nation is just too high.

Just how bad an Attorney General would John Ashcroft be? And is his nomination worth fighting? To answer the first question, talk to those who have experienced Ashcroft up close and personal. Like Harriet Woods, Missouri's lieutenant governor during the first of Ashcroft's two terms as that state's chief executive: She calls him "a disaster for minorities and for women." Or like retired Missouri Supreme Court Judge Charles Blackmar. Blackmar--a Republican appointee--accused Senator Ashcroft of "tampering with the judiciary" by blocking the federal court nomination of the amply qualified Missouri judge Ronnie White. Ashcroft opposed Judge White, an African-American, on the ostensible grounds that he voted against too many death sentences, leading Blackmar to this pungent assessment of the philosophy guiding Bush's chief law officer in the the crucial job of appointing federal judges: "The senator seems to take the attitude that any deviation is suspect, liberal, activist."

Ashcroft's sense of what constitutes "deviation" is broad even by the standards of the right, and his hard-line opposition to abortion isn't the half of it. The list of things Ashcroft is on record opposing is a catalogue of American social progress: contraception, school desegregation, solar energy, government assistance for woman- and minority-owned businesses, fuel efficiency standards for cars, workplace-discrimination protection for homosexuals, campaign finance reform and the nuclear test ban treaty. As governor, he even prohibited over-the-candy-counter sale of bonbons with liqueur centers.

It is African-Americans who will first take it on the chin from an Ashcroft Justice Department. As Missouri attorney general in the 1970s, Ashcroft initially honored the moderate, integrationist legacy of his mentor and predecessor, John Danforth. But he soon learned the value of playing hard-line race politics, fighting tooth and nail against desegregation of the massively unequal schools in Kansas City and St. Louis all the way to the US Supreme Court and spurning every attempt at an out-of-court settlement. Ashcroft won a tough GOP primary for governor in 1984 with attack ads accusing his opponent of being soft on desegregation. In the words of the St. Louis Post-Dispatch editorial page, he has "built a career out of opposing school desegregation...and opposing African-Americans for public office."

Reports have it that Bush's first favorite for AG was the more moderate Governor Marc Racicot of Montana--who, the story goes, was shot down by the far right. That creative spin control allows the administration-elect to play to both its flanks--deferring to the right with the nomination while assuaging moderates with the fiction that this nomination doesn't reflect Bush's deepest convictions. In fact, Ashcroft's nomination embodies one of the fundamental lessons of the first George Bush Administration: that the justice system is the arena that counts for right-wing patronage. The permanent elite of Republican technocrats like Donald Rumsfeld can have the run of the store as long as Justice turns out a steady stream of antiabortion briefs and far-right judge nominees.

Watch for a confirmation strategy that echoes fellow Danforth protégé Clarence Thomas in 1991, beginning with Ashcroft lobbying individual senators, followed by a confirmation narrative emphasizing Ashcroft's childhood--how his minister father befriended black missionaries--over the substance of Ashcroft's record as segregationist and antichoice absolutist. Once again, leading the Senate Judiciary Committee Democrats will be Joe Biden, whose vanity and strategic incompetence contributed mightily to Thomas's narrow confirmation. Biden, reprising his fatal 1991 indecision, has declared he is "inclined" to support Ashcroft.

So is this a nomination worth fighting? Other Bush Cabinet nominees also pose direct threats to specific constituencies, but there is real urgency to laying down a marker on Ashcroft. The threat his nomination poses cuts across constituencies and issues, and the stakes are every bit as high as in the Clarence Thomas and Robert Bork Supreme Court nomination fights. The Justice Department has expanded its authority as has no other agency in recent years. Through appointments to the federal bench, Supreme Court arguments and priorities, the appointment of US Attorneys and the enforcement of civil rights and antitrust law, any Attorney General can change the country in profound ways. All the more so with Ashcroft: not just because of his regressive constitutional views but because Bush appears likely to vest more power in his advisers than any President in memory.

And this is a fight that is winnable, despite Biden's early bumbling and the irrelevant conventional wisdom that the Senate will defer to one of its own. (Remember John Tower, whose Senate record could not rescue his nomination as Bush Senior's Defense Secretary?) The Clinton impeachment hearings and trial showed repeatedly that most Americans have little patience with moral extremists like Ashcroft, and it shouldn't take much to convince a broad segment of the public that he is out of touch. Civil liberties and corporate regulation have a currency and a constituency they lacked when public-interest groups beat Bork in 1986. With public support for the death penalty falling, with even GOP governors questioning the wisdom of the drug war, with Republican Supreme Court Justices reaffirming Roe v. Wade and a Republican Congress softening the Cuba embargo, Ashcroft looks like a dinosaur, the anachronistic spawn of Strom Thurmond and Jesse Helms.

Besides, whatever the outcome, a fight against Ashcroft will generate rather than expend political capital for civil rights and civil liberties advocates. Democrats gained from the Bork and Thomas confirmation fights as the public became educated about the real agenda of conservatives and as Beltway-bound liberal lobbies reconnected to grassroots constituencies. There is every reason to think Ashcroft could be defeated--and even if he is not, fighting his confirmation could lay the foundation for a new coalition, a shadow Justice Department that will dog the Bush Administration's every judicial nomination and every reversal of civil rights. This is no time to roll over.

Christians are drifting away in their support of the death penalty.

There's a growing movement to add livable hours to calls for a living wage.

What ought to be read--and why--are questions that have a unique urgency in a multicultural milieu, where each group fights, legitimately, for its own space and voice. In the past couple of decades, battles over the Western canon have been fought strenuously in intellectual circles--one such flash point was Allan Bloom's The Closing of the American Mind and the debates that ensued. These skirmishes have much to do with the fact that America is undergoing radical change. The Eurocentric place once acknowledged as the heart of its culture has ceased to be so. Alternative groups, from different geographies, have brought with them the conviction that public life with a myriad of cores rather than a single one is far more feasible today.

It strikes me as emblematic that the voices most sonorous in the battlefield over the fate of literature are often Jewish, from those of the two Blooms, Allan and Harold, to that of Cynthia Ozick. This is not a coincidence: After all, the Jews are known as "the people of the book." For the Talmudic rabbis, to read is to pray, but so it is, metaphorically, among secular Jews...or, if not to pray, at least to map out God's cosmic tapestry. Among the most deeply felt Jewish expressions of book-loving I know is a letter to the legendary translator Samuel ibn Tibbon, a Spanish Jew of the illustrious translation school of Toledo in the twelfth century, written by his father. In it the elder Tibbon recommends:

Make your books your companions, let your cases and shelves be your pleasure grounds and gardens. Bask in their paradise, gather their fruit, pluck their roses, take their spices and their myrrh. If your soul be satiate and weary, change from garden to garden, from furrow to furrow, from prospect to prospect. Then will your desire renew itself and your soul be filled with delight.

But to turn Tolstoy's Anna Karenina into a companion, to satiate one's soul with it--ought that to be a Jewish pastime? I'm invariably puzzled at the lack of debate among Jewish intellectuals, especially in the Diaspora, on the formation of a multinational literary canon made solely of Jewish books. Why spend so many sleepless nights mingling in global affairs, reorganizing a shelf that starts in Homer and ends in García Márquez, yet pay no attention whatever to those volumes made by and for Jews?

The idea of a Jewish literary canon isn't new. Among others, Hayyim Nakhman Bialik, the poet of the Hebrew renaissance and a proto-Zionist, pondered it in the early part of the twentieth century. He developed the concept of kinus, the "ingathering" of a literature that was dispersed over centuries of Jewish life. Bialik's mission was to centralize it in a particular place, Israel, and in a single tongue, Hebrew. And a handful of Yiddish and Jewish-American critics, from Shmuel Niger to Irving Howe, have addressed it, although somewhat obliquely. Howe, for instance, in pieces like "Toward an Open Culture" and "The Value of the Canon," discussed the tension in a democratic culture between tradition and innovation, between the blind supporters of the classics and the anti-elitist ideologues. But in spite of editing memorable volumes like A Treasury of Yiddish Stories, he refused to see Jewish literature whole.

The undertaking never achieved the momentum it deserves--until now. A number of books have appeared in English in the past few months that suggest the need for a debate around a modern Jewish library. The Translingual Imagination (Nebraska), by Steven Kellman, a professor at the University of Texas, San Antonio, while partially concerned with Jewish literature, addresses one crucial issue: the polyglotism of authors like Sh. Y. Abramovitch, the so-called grandfather of Yiddish letters, whose conscious switch from Hebrew into Yiddish didn't preclude him from translating many of his novels, like The Mare, back into the sacred tongue. The presence of multilingualism in the Jewish canon, of course, is unavoidable, for what distinguishes the tradition is precisely its evaporative nature, for example, the fact that it emerges wherever Jews are to be found, regardless of tongue or geographical location. This complicates any attempt at defining it in concrete ways: What, after all, are the links between, say, Bruno Schulz, the Polish fabulist and illustrator responsible for The Street of Crocodiles, and Albert Cohen, the French-language author of the masterpiece Belle du Seigneur?

Also recently released is a book by Robert Alter, author of the influential The Art of Biblical Narrative and translator of Genesis. It is titled Canon and Creativity (Yale) and attempts to link modern letters to the biblical canon to stress issues of authority. Alter is attracted to the debate of "canonicity" as it is played out in academia and intellectual circles today, but he isn't concerned, not here at least, with purveying the discernible edges of Jewish literature historically. Far more concerned--obsessed, perhaps--with the continuity between Jewish authors from the Emancipation to the present is Ruth Wisse, a professor of Yiddish at Harvard, whose volume The Modern Jewish Canon will legitimize the debate by bringing it to unforeseen heights. For purposes of mitigated objectivity, I must acknowledge up front that together with Alter and Wisse and four other international Jewish critics, I am part of a monthslong project at the Yiddish Book Center to compose a list of the hundred most "important" (the word cannot fail to tickle me) Jewish literary books since the Enlightenment. So I too have a personal stake in the game. But sitting together with other candid readers in a room is one thing. It is another altogether to respond to the pages--at once incisive and polemical--of one of them whose views have helped to form my own.

Wisse is a conservative commentator of the Jewish-American and Israeli scenes and, most significant to me, an intelligent reader of strong opinions whose work, especially her study of Itzjak Leib Peretz and her monograph The Schlemiel as Modern Hero, I have long enjoyed. In her latest work she ventures into a different territory: From specialist to generalist, she fashions herself as a Virgil of sorts, thanks to whom we are able to navigate the chaotic waters of Jewish culture.

Probably the most estimable quality of The Modern Jewish Canon is simply that it exists at all. It insinuates connections to document the fact that Jews have produced a literature that transcends national borders. Albert Memmi's Pillar of Salt and Philip Roth's Operation Shylock might appear to be worlds apart, but Wisse suggests that there is an invisible thread that unites them, a singular sensibility--a proclamation of Jewishness that is clear even when it isn't patently obvious.

This is a crucial assertion, given that Jewish communities worldwide often seem imprisoned in their insularity: Language and context serve to isolate them from their counterparts in other countries and continents. For example, American Jews, for the most part, are miserably monolingual. (I doubt Jews have been so limited linguistically at any time in the past.) They insist on approaching their own history as starting in the biblical period but then jump haphazardly to the Holocaust, and thereon to the formation of the State of Israel in 1948. The Spanish period, so exhilarating in its poetic invocations, is all but ignored, and so is the importance of Jewish communities beyond those of Eastern Europe. Why are the echoes from the Tibbon family to Shmuel Hanagid, Shlomo ibn Gabirol, Moses ibn Ezra and medieval Spanish letters in general so faint? The power of these poets, the fashion in which they intertwined the divine and the earthly, politics and the individual, the struggles of the body and the soul, left a deep imprint in Jewish liturgy and shaped a significant portion of the Jewish people through the vicissitudes of the Ottoman Empire and northern Africa. Even the Dreyfus Affair is little known or regarded, as is the plight of the Jews in Argentina from 1910 to the bombing of their main cultural building in Buenos Aires in early 1994. And where the verbal isolation is not a problem, the insular perspective still applies: For instance, only now is Israel overcoming its negation of Diaspora life, which has deformed Israeli society and resulted in an institutionalized racism against those co-religionists whose roots are not traced to Yiddishland.

Wisse displays genuine esteem for high-quality literary art. She trusts her instincts as a savvy reader and writes about what she likes; no affirmative action criteria seem to apply in her choices--and for hewing to her own perspective, she ought to be commended. The common traits she invariably ascribes to what is a varied corpus of Jewish literature always point to Russia and Europe. Her encyclopedism is commendable in that it surveys a vast intellectual landscape, but it has clear limitations. She is well versed in English, Hebrew and Yiddish letters. But what about Sephardic culture? Ought she to exclude all that she is unfamiliar with?

The study is divided into ten chapters of around thirty pages each, ordered chronologically according to the birth dates of authors. She starts in the right place--with Sholem Aleichem, the author of the most beloved of all Jewish novels and my personal favorite, Tevye the Dairyman. And she ends with Israeli literature. In the interim, she mixes excerpts, critical commentary and historical perspective in exploring the work of Kafka, S.Y. Agnon, Isaac Babel, Isaac Bashevis Singer and scores of other luminaries, some of questionable value in my eyes (Jerzy Kosinski, for instance) and others often overpraised (here I would include Ozick). The contributions of critics such as Dan Miron, Chone Shmeruk, Lionel Trilling and Howe are acknowledged by Wisse in these pages, their perspectives still fresh and inviting.

It may be ungenerous to accuse Wisse of a certain nearsightedness; after all, to capture the essence of a literature written in a plethora of tongues and cultures, a literature that is by definition "undefinable," any potential cataloguer would need to be versed in each and every one of them. But The Modern Jewish Canon suffers another serious shortcoming, entirely within control: It is too dry a read. For a treatise that aspires to connect the various Jewish Weltanschauungen and juxtapose a rainbow of imaginations, each responding to different stimuli, from the eighteenth century to this day, Wisse offers little by way of narrative enchantment. She is a scholar and writes as such. Scarce effort is made to turn words into metaphors, to twist and turn ideas and allow them to wander into unexplored regions. The reader finds himself lost in a sea of "objective impersonality." Too bad, for shouldn't a book about the beauties of a polyphonic literature aspire to that on its own?

Wisse herself announces: "Modern Jewish literature...promises no happy merger into universalism at the end of the day." And yet some form of universalism is what she is attempting to describe, extending connective tissue between literary works where, at least superficially, there seemed none before. In that sense the achievement is impressive. Immediately after finishing the book, I took up pencil and paper to shape a list of what would be my own choice of books. In one of her last pages Wisse, who concentrates on novelists, includes a list of almost fifty titles, "meant to serve as a reference guide." Included are Yaakov Shabtai's Past Continuous, Piotr Rawicz's Blood From the Sky, Pinhas Kahanovitch's The Family Mashber, and Anne Frank's Diary of a Young Girl. But I found myself asking, Where are Marcel Proust, Elias Canetti and Moacyr Scliar? And that, precisely, is one thing a book of this sort should do: force readers to compose a response to the invisible questionnaire the author has quietly set before our eyes.

Future generations will find The Modern Jewish Canon proto-Ashkenazic and hyper-American, a sort of correlative to the Eurocentrism that once dominated American letters. They will kvetch, wondering why the Iberian and Levantine influence on today's Jewish books--from the poetry of the crypto-Jew João Pinto Delgado, to the inquisitorial autobiography of Luis de Carvajal the Younger, to even the Sephardic poetry that came out of the Holocaust--was so minimized in the English-language realm. Kvetch is of course a Yiddish word--or, as Leo Rosten would have it, a "Yinglish" one--but fretting and quarreling are Jewish characteristics regardless of place, and they inhabit the restless act of reading as well. The idea of a Jewish canon, modern and also of antiquity, hides behind it an invaluable fact: that Jews are at once outsiders and insiders, keepers of the universal library but also of their own private ones. Books have always served as their--our--companions for renewal and delight. The content of that private library might be up for grabs, but not its endurance.

The attempt to see Jewish literature whole, as expressing a singular sensibility, has never had the momentum it deserves--until now.

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