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Files leaked from China show that country's leadership to have conspired against their own people during the Tiananmen protests—but are the documents genuine?

We're sorry, but we do not have permission to present this article on our website. It is an excerpt from Upside Down: A Primer for the Looking-Glass World (Metropolitan). © 2000 by Eduardo Galeano. Translation © 2000 by Mark Fried.

If the absence of soldiers seizing cable networks is the ultimate standard of meaningful democratic empowerment, we're not doing half bad.

All I want is the truth. Just gimme some truth.
      --John Lennon

Florida's electoral mishegoss lends itself to the exploration of an issue that receives no attention in the media and yet underlies virtually everything its members do. I speak to you, dear reader, of the Meaning of Truth.

Ever since Fox's John Ellis began the mistaken media stampede for his cousin George W. Bush's victory on election night, reporters, producers and executives have spun themselves silly trying to describe a situation that is ultimately an epistemological bottomless pit. There is no single "truth" about who won Florida. From the point of view of "institutional truth," we began without clear rules or precedents for measuring the vote, whether they include dimple-counting, partially punched chads or butterfly ballots. I am convinced Gore carried the will of the people, but I'm guessing that Lady Katherine Harris Macbeth would rather contract rabies than accept my admittedly subjective interpretation. From the perspective of "brute truth," however, the difference between the Bush/Gore numbers turns out to be so small that it will never exceed the count's margin of error. What we are seeing, therefore, is not a process of objective measurement but a contest of raw power. The Democrats use the courts and the law. The Republicans rely on rent-a-mobs, partisan hacks and power-hungry allies in the state legislature and Congress. Guess which side is bound to win?

Our media coverage admits none of this, because it is committed to a fairy-tale version of truth and objectivity that separates "fact" and "opinion" but cannot fathom anything in between. When Tim Russert declared on November 26 that George Bush "has now been declared the official winner of the Florida election...and therefore he is the 43rd President of the United States," he was making a statement that could not have been true when he made it. (Even Bush understood that he was only playing a President-elect on TV.) But the feared and celebrated Russert knew that his words were bound by only the narrowest definition of "truth." He could always take it back later.

The attachment to the idea of attainable objective "truth" on the part of American journalism is partially responsible for its frequent brainlessness. As NYU's Jay Rosen points out, "objectivity as a theory of how to arrive at the truth is bankrupt intellectually.... Everything we've learned about the pursuit of truth tells us that in one way or another the knower is incorporated into the known." (Remember Heisenberg? Remember Einstein?) The famous 1920s debate between Walter Lippmann and John Dewey shed considerable light on this problem, with Lippmann arguing for a "spectator" theory of reality and Dewey arguing for a more consensual one, arrived at through discourse and debate.

The notion of a verifiable objective truth received what many intellectuals considered its final coffin nail in the form of Richard Rorty's classic 1979 work, Philosophy and the Mirror of Nature. While the word true may have absolute correlations in reality, Rorty later argued, "its conditions of application will always be relative." What was "true" in ancient Athens--that slavery and pederasty were positive goods--is hardly "true" to us today. As Rorty explains it, we call our beliefs "true" for the purposes of self-justification and little more. The point is not accuracy but pragmatism. Moreover, Ludwig Wittgenstein has taught us that the gulf between what "is" and the language we use to describe it is so large as to be unbridgeable. "Truth" may be out there, but there is no answer to a redescription, Rorty observes, "save a re-re-redescription." Truth is what works.

Now, it's possible to contest Rorty on any number of counts. I personally find him overly generous to the extreme relativism of antifoundationalists like Jacques Derrida and Michel Foucault. (The antifoundationalist perspective can be simplistically summarized by the famous Surrealist painting of a pipe by René Magritte beneath the words, Ce n'est pas une pipe.) But the argument itself cannot be avoided. Truth, as Lippmann never understood but Dewey did, is a lot more complicated than a baseball box score or a Johnny Apple New York Times news analysis. What is needed to evaluate whether a report is ultimately credible is not an endless parade of "facts" that may or may not be true but a subjective marshaling of evidence. Yet because the entire media establishment treats these questions as just so much mental masturbation, the standard definition of "fact" often turns out to be any given statement that cannot be easily disproved at the moment it is made. Hence, we frequently see journalistic accounts of the mood of an entire country or even a whole continent based on little more than the taxi ride from the airport.

A second byproduct of American journalism's childish belief in attainable objective truth, Rosen notes, is the alienation it causes between journalists and intellectuals. In Europe the public profits from a two-way transmission belt between the world of ideas and that of reported "fact." But here such exchanges are nearly impossible because, as Rosen puts it, "intellectuals familiar with the currents in twentieth-century thought just can't deal with some of the things that come out of journalists' mouths." Such people, he notes, believe it "useless to try to talk with journalists" owing to their "naïve empiricism." Still, the academy is also at fault, owing to its recent retreat into a Derrida/Foucault-inspired debate that admits almost no reality at all outside the text and does not even pretend to speak intelligibly to the nonspecialist.

In any case, George W. Bush may be our next President. But it won't be because he outpolled Al Gore in Florida in any remotely objective sense. It will merely be because he might have, and we decided to call it "true."

* * *

Congratulations to Ralph Nader on George W. Bush's decision to appoint Andrew Card, formerly the auto industry's top antienvironmental lobbyist, to be his Chief of Staff. Just a few more appointments like this one, I suppose, and the revolution can begin in earnest.

Death came as a release for Daniel Singer on December 2, but we feel like protesting its rude intrusion. In one of the last things he wrote for us, a review of some books about Sartre, he quoted a friend's son, on the day of the French philosopher's funeral. Asked where he had been, he said he was coming "from the demo against the death of Sartre." We'd like to join a demo against the death of Daniel. Better, though, would be one celebrating the life of our valued colleague, The Nation's Europe correspondent for nearly twenty years.

He wrote about many a demo in his reports to us, incessantly probing for signs of vitality on the European left--or the rot of fascism on the far right. During the 1980s, as Reaganism and Thatcherism blanketed the Continent, he seemed, at times, one of the few remaining Marxists. A protégé of the great Marxist intellectual Isaac Deutscher, he held a steadfast faith in democratic socialism but not in any hard doctrinal way. Indeed, the book of his that prompted Victor Navasky to send associate editor Kai Bird to Paris in 1981 to talk to Daniel about writing regularly for us was The Road to Gdansk, a study of Solidarity, which he presciently celebrated as the first crack in the monolith of Soviet Communism and another exemplar of the power of working people to change the world, which was his abiding faith.

When the neocon intellectuals of France, here and elsewhere jumped aboard the funeral hearse of socialism, Daniel stood defiantly on the sidelines. He never modified his conviction that capitalism's injustices were as glaring after the wall fell as they were before. In his last book, Whose Millennium? Theirs or Ours? he ended with a ringing affirmation: "We are not here to tinker with the world, we are here to change it!"

We'll miss Daniel--his wisdom, his courtly kindness, his brilliance, the stubborn courage that carried him through, from his Polish boyhood before World War II when, as a self-styled "deserter from death," he narrowly escaped the Holocaust, until the end. Before he died, he sent readers the following message:

"These are the last words I shall write to The Nation. With my normal absence of modesty I believe that over the years I acquired a radical readership. Radical need not mean sure of itself; nor does it rule out compromises and calculations. But a 'Luxemburgist socialist' (the definition I like best) could not resign himself to the idea that with the technological genius at our disposal we are unable to build a different world. Nor can we accept the fashion that capitalism will vanish without a vast social movement from below.

"That something can happen does not mean that it will happen. I, for one, shall not see this world. Yet, I am departing with the feeling that on the whole I have followed the right road and even with a degree of confidence. Among my young interns, Carl Bromley and his companions, among the youthful fighters from Seattle to Seoul, one can detect a refusal of resignation. You must join them as they now begin to show the way."

Click here for Eric Alterman's latest dispatch on Florida.

On Tuesday, November 14, exactly one week after Election Day (and with no President yet in sight), a notable though little-noted disclosure was made to the public. I do not mean the news that the federal judge in Florida had turned down the Republicans' stop-the-hand-count motion, or the news that Bush's lead in Florida was now 388 votes, or the news that a Florida state judge had waffled on Florida Secretary of State Katherine Harris's decree that no county votes would be counted if reported after the 5 pm deadline that afternoon, or, for that matter, anything else that was happening in the murk of the Sunshine State. I mean the news that, according to a poll released by the Washington Post and ABC News, 45 percent of the public wanted George Bush to become President whereas only 44 percent wanted Al Gore to become President (6 percent wanted "neither," 4 percent had no opinion and 1 percent wanted "other"). The claim was all the more striking in view of the hard contemporaneous fact that in the most recent count of the actual vote of November 7, Gore led Bush by a nationwide margin of 222,880 votes.

If anyone ever had doubts that politics in the United States is dominated by polling, this poll should put an end to them. A major poll was, in a manner of speaking, calling the election a full week after the vote--and reversing the known results.

The polls had been mercifully silent since the election. Many had good reason to be. Five of seven major ones had been "wrong" about the outcome of the election. That is, their final counts had failed to reflect the winner on Election Day (though some, it's true, were within the margin of error). The New York Times/CBS "final" poll, which put Bush at 46 percent and Gore at 41 percent, had the margin wrong by more than five points and Gore's final tally off by eight points. The Battleground poll, which gave Bush 50 percent to Gore's 45 percent, likewise got the margin wrong by five points. Others were more modestly in error. CNN gave Bush 48 percent and Gore 46 percent; in the Washington Post it was Bush 48 and Gore 45; and in the Pew Research Center poll (with undecided voters counted), it was Bush 49, Gore 47. Only the Zogby poll, which put Gore ahead in the popular vote by 48 to 46 percent, and a CBS election-morning tracking poll, which gave Gore 45 percent and Bush 44 percent, picked the right winner in the popular vote, and with a margin close to the actual result. All in all, Gore's victory in the popular vote came as a surprise. Of course, it's not literally true that the polls were wrong, since there is a margin of error, and people can change their minds between the day of the poll and the election. On the other hand, election results are the only check on the accuracy of polling that there is--they are to polling what experimentation is to scientific hypothesis--and there is no reason to suppose that a poll whose final measure is 8 percentage points off the election result is not 8 percentage points off year in, year out.

Considering the decisive importance that polling had throughout the race in every aspect of the campaign, including media coverage, fundraising and campaign strategy (in the last few weeks of the election, hearts were lifting and falling on single-point fluctuations in poll numbers), these discrepancies deserved much reflection. The reason they did not get it was that on election night the magicians of public opinion went on to make even more egregious and momentous errors, by prematurely predicting the winner in Florida twice and the winner of the national election once. (The election-night calls made by the television networks, which in turn are based on exit polling done by a single, nearly anonymous firm, the Voter News Service, are not quite the same as opinion polling, since they record a deed--voting--rather than an opinion, but their use of sampling techniques to predict outcomes places them in the same general category as other polls.)

The last of these mistakes, of course, led a credulous Gore to concede the election and then, minutes later, to retract the concession. For a few hours, the networks and the candidates appeared to have assumed the power to decide the election between them. There is every reason to believe, for instance, that George Bush would now be President-elect if, moments before his concession speech, Gore had not got the news that Florida had been declared undecided again. If Gore's concession had gone unretracted, Bush had made his acceptance speech and the country had gone to bed believing it had made its decision, it is scarcely imaginable that the close results in Florida would have been contested. Even now, many observers await a concession by one or another of the candidates as the decisive event. But it is not up to either the networks or the candidates to decide who is to be President; that matter is left under the Constitution to the voters, whose will, no matter how narrowly expressed, must be ascertained.

Then a week later, the polls that had played such an important and misleading role in the election were weighing in again, this time on the Florida battle. The poll that brought the startling, seemingly counterfactual news that Bush led Gore in the public's preference also revealed that six out of ten voters were opposed to legal challenges to the Florida results--possibly bad news for Gore, who had been considering a legal challenge to the infamous butterfly ballot in Palm Beach County. However, observers who did not like that conclusion could find comfort on the same day in a New York Times/CBS poll, which reported that another 6 in 10 were unworried about a delay in finally deciding upon the next President--good news for Gore, who had been relying on time-consuming hand recounts to erase Bush's narrow lead.

If, however, the arts of reading public opinion helped get us into our current mess, perhaps we can take comfort from the hope that they can also help us get out of it. Many observers have suggested that by failing to produce a clear mandate, the ever-changing vote-count of the year 2000--let's call it the Butterfly Election--will cripple the presidency of the winner. They need not worry too much. In our day, it is not only--perhaps not even mainly--elections that create mandates, once every four years. It is polling data that, day in and day out, create our impressions, however incompletely or inaccurately, of what the public wants. Let the new President act in a way that the public approves, as determined by a poll or two, and he will have all the mandate he needs to govern.

Providence put me on a panel debating the Gore/Nader choice with Cornel West at New York University in late October. Most of the audience was for Nader, and the lineup on stage did nothing to improve those odds.

Before the debate began, its organizers took a few moments to speak on behalf of the university's graduate students' struggle for unionization. So did West, who had been handed a flier about it from the floor. And as a man about to lose a debate (and a longtime grad student as well as an occasional NYU adjunct faculty member), I was happy for the interruption. Days later, the National Labor Relations Board set an important precedent by ruling in favor of the students. But here's what I don't understand. How can the student union supporters also be Nader supporters? Nonsensical "Tweedledee/Tweedledum" assertions to the contrary, only one party appoints people to the NLRB who approve of graduate student unions, and only one appoints people to the Supreme Court who approve of such NLRB decisions. No Democrat in the White House, no graduate student union; it's that simple. An honest Nader campaign slogan might have read, "Vote your conscience and lose your union...or your reproductive freedom...your wildlife refuge, etc., etc."

Well, Nader's support collapsed, but not far or fast enough. In the future, it will be difficult to heal the rift that Nader's costly war on even the most progressive Democrats has opened. Speaking to In These Times's David Moberg, Nader promised, "After November, we're going to go after the Congress in a very detailed way, district by district. If [Democratic candidates] are winning 51 to 49 percent, we're going to go in and beat them with Green votes. They've got to lose people, whether they're good or bad." It's hard to imagine what kind of deal can be done with a man whose angriest rhetorical assaults appear reserved for his natural allies. (The vituperative attacks on Nader, leveled by many of my friends and cronies on the prolabor democratic left, were almost as counterproductive, however morally justified.) But a deal will have to be done. Nader may have polled a pathetic 2 to 3 percent nationally, but he still affected the race enough to tip some important balances in favor of Bush and the Republicans. He not only amassed crucial margins in Florida, New Hampshire and Oregon; he forced progressive Democrats like Tom Hayden, Paul Wellstone, Ted Kennedy and the two Jesse Jacksons to focus on rear-guard action during the final days rather than voter turnout. If this pattern repeats itself in future elections, Naderite progressives will become very big fish in a very tiny pond indeed.

Perhaps a serious Feingold or Wellstone run at the nomination with a stronger platform on globalization issues will convince those die-hard Naderites to join in the difficult business of building a more rational, Christian Coalition-like bloc to counter corporate power within the party. For now, we can expect an ugly period of payback in Washington in which Nader's valuable network of organizations will likely be the first to pay. Democrats will no longer return his calls. Funders will tell him to take a hike. Sadly, his life's work will be a victim of the infantile left-wing disorder Nader developed in his quixotic quest to elect a reactionary Republican to the American presidency.

* * *

Giving Nader a run for his money in the election hall of shame are the mainstream media. Media portraits of both candidates were etched in stone, with nary a fact or figure allowed to intrude upon the well-worn script. Bush was dumb and Gore a liar; pretty much nothing else was allowed in the grand narrative. Like Nader, reporters assumed the enormous policy differences between Gore and Bush--on Social Security, prescription drugs, education, affirmative action, abortion rights, the environment--to be of trivial importance, hardly worth the time and effort to explain or investigate. The media's treatment of this election as a popularity contest rather than a political one between two governing ideologies was an implicit endorsement of the Bush campaign strategy, as the issues favored Gore. But even so, Bush was usually treated like some pet media cause. With regard to such consequential questions as his political program, his political experience, his arrest record, his military service, his business ethics, Bush was given a free pass by media that continued to hound Gore about whether he was really the model for Oliver in Love Story--which, by the way, he was. I guess being a Bigfoot journalist means never having to say you're sorry.

* * *

One election development that had to gladden New Republic owner Marty Peretz's heart was how bad it was for the Arabs. I got a call one day from a Republican Party functionary telling me that Hillary Clinton supported a Palestinian state and took money from groups that supported terrorist organizations "like the one that just blew up the USS Cole." I told the sorry sonofabitch that like Israel's Prime Minister, I, too, support a Palestinian state. And, if there was any justice in the world, Hillary's "terrorist" friends would blow up Republican headquarters while we were still on the phone, so I could enjoy hearing the explosion.

This heavy-handed bit of racist manipulation grew out of a story published, surprisingly, not in Rupert Murdoch's New York Post but in the putatively responsible and nominally liberal New York Daily News, owned by Mortimer Zuckerman. It was inspired by the machinations of one Steven Emerson, a discredited "terrorism expert" last heard trying to pin the Oklahoma City bombing on the Arabs by noting that "inflict[ing] as many casualties as possible...is a Middle Eastern trait." Each actor played a dishonorable role in the tawdry drama: The Daily News invented the story. The Lazio campaign brazenly exploited it. Hillary Clinton's campaign capitulated to it. Together with the media coverage of the main event, this mini-drama will go down in history as further evidence of that unhappy nostrum of American politics that this year seems to have escaped everyone from the Nader die-hards to Palestinian militants: Things can always get worse.

VINCENT CANBY

As a memorial tribute to Vincent Canby, the "Arts & Leisure" section of the New York Times recently published half a page of excerpts of his prose, as selected by The Editors. Implacable beings of ominous name! With grim rectitude, they shaped a Canby in their image, favoring passages where he had laid down principles of the sort that should be cited only under capitalization. These were Sound Judgments.

For those of us who admired Mr. Canby (as the Times would have called him while he was alive, and as I will continue to call him, knowing how the style fit the man), soundness of judgment was in truth a part of his merit. A hard man to fool, he could distinguish mere eccentricity from the throes of imaginative compulsion, the pleasures of pop moviemaking from the achievements of film art; and when he was offered sentimentality in place of feeling, his heart didn't warm, it burned. These powers of discernment allowed him to bear with extraordinary grace the responsibility of being the Times critic. They also contributed a lot to his need for responsibility, since it was his sureness, as much as the institutional weight of the Times, that made Vincent Canby so influential.

That said, I confess I read him to laugh. At present, I can give only tin-eared approximations of his wisecracks--correct and ample quotation will become possible when someone smart decides to publish a Vincent Canby anthology--but I can hardly forget his review of Salome's Last Dance. This picture was the latest chapter in Ken Russell's phantasmagorical history of sex in the arts, or the arts in sex. Mr. Canby's lead (more or less): "As the bee is drawn to the flower, as the hammer to the nail, so Ken Russell was bound to get to Oscar Wilde."

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I also recall Mr. Canby's description of the used car that Jim Jarmusch peddled to the title characters in Leningrad Cowboys Go America. It looked, he said, as if it had been dropped from a great height. Writing about I've Heard the Mermaids Singing, a film of relentlessly life-affirming whimsy, he claimed he'd been cornered by a three-hundred-pound elf. A typically self-regarding, show-offy performance by Nicolas Cage (was it in Vampire's Kiss?) inspired him to write that other actors must enjoy working with this man about as much as they'd welcome being shut up with a jaguar. And once, when forced to think up copy about his umpteen-thousandth formula movie, he proposed that the only way to derive pleasure from such a picture would be to play a game with yourself, betting on whether you could guess what would happen next. "As you win," he wrote, "you lose."

From these few and random examples, you may conclude that Mr. Canby's principles often emerged with a deep-voiced chuckle, and that they involved matters that went far beyond the movies. Some of these concerns were political in the specific sense, as when he gave a favorable review to Alex Cox's Walker: a film that offered a burlesque insult to US supporters of the Nicaraguan contras, in government and at the Times. His concerns were also political in a broader sense. Witness the 200 words he devoted to a little African-American picture titled Love Your Mama: a heartfelt, thoroughly amateurish movie produced in Chicago by some people who had hired an industrial filmmaker to direct their script. While quietly letting his readers know that they probably would not want to watch this film, Mr. Canby conveyed a sense that real human beings, deserving of respect, had poured themselves into the project.

Of course, the best places in which to seek Mr. Canby's principles were within the films he championed. He would have earned his place in cinema history (as distinct from the annals of journalism) had he done nothing more than support Fassbinder's work. And yet I'm not surprised that The Editors found no space to reprint Mr. Canby's writings on this crucial enthusiasm. Fassbinder, like his critic, was preternaturally alert to political and social imposture, to the bitter and absurd comedy of human relationships, and also (for all his laughter) to the pain and dignity of those who go through life being pissed on. Mr. Canby recognized in Fassbinder's work all these qualities and more (such as the presence, in the person of Hanna Schygulla, of one of cinema's great fantasy objects); but these matters seem to have been judged too unruly for an "Arts & Leisure" tribute.

Now, I've been allowed to do some work for "Arts & Leisure" and have received from my editors nothing but aid and kindness. Surely the people I've dealt with at the Times would have chosen excerpts from Mr. Canby that were funnier, sharper, more challenging. So maybe, when the Times moves to memorialize somebody as one of its own, a higher level of control takes over. It's as if the paper means to show its own best face--or rather the image it wants to see in the mirror, urbane and solid--and never mind that man in the old tweed jacket.

This tendency of the institution to eclipse the individual figures prominently in a new book by another major film critic, Jonathan Rosenbaum. By "major," I mean that Rosenbaum is highly regarded by other reviewers and film academics, and that he's gained a certain public following (concentrated in Chicago, where he serves as critic for the Reader). But if you were to ask him how he fits into American film culture in particular and US society in general, he would locate himself, quite accurately, on the margins. As his friends will tell you (I hope I may count myself among them), Rosenbaum is one of the angel-headed hipsters: a sweet-natured, guileless man, wholly in love with art and wholly longing for social justice. And for these very reasons, he has become the angry man of American film criticism, as you might gather from the title of his new work, Movie Wars: How Hollywood and the Media Conspire to Limit What Films We Can See (A Cappella, $24).

Rosenbaum argues--"argue," by the way, is one of his favorite words--that those American writers, editors and TV producers who pretend to cover film are for the most part hopelessly self-blinkered. It's in their interest to look at only those movies that the big American companies want to promote (including the so-called independent films that have been ratified by Sundance and Miramax). So journalism collaborates with commerce, instead of acting as a check on it; informed, wide-ranging criticism gets shoved to the side; films that might have seemed like news flashes from the outside world fail to penetrate our borders; and everyone excuses this situation by claiming that "the people" are getting the dumb stuff they want. Rosenbaum is enraged that moviegoers should be viewed with such contempt; he's infuriated that well-placed journalists should justify their snobbism (and laziness) by dismissing whatever films and filmmakers they don't already know about; and he's mad enough to name names.

In Movie Wars, Rosenbaum advances his arguments by means of a crabwise motion, scuttling back and forth between general observations (which are newly composed) and case studies (many of them published before, in the Reader and elsewhere). This means that some stretches of ground are covered two or three times. I don't much mind the repetition--even when the material shows up in a second new book by Rosenbaum, his excellent, unabashedly partisan monograph on Jarmusch's Dead Man (BFI Modern Classics, $12.95). I do worry that indignation, however righteous, has begun to coarsen Rosenbaum's tone and push him into overstatement.

When Rosenbaum is at his best, his extraordinary wealth of knowledge about cinema informs an equally extraordinary power of insight into individual pictures; and both these aspects of his thinking open into frequently astute observations of the world at large. You can get Rosenbaum at his best in his Dead Man monograph and in three previously published collections: Moving Places, Placing Movies and Movies as Politics (California). By contrast, Movie Wars is a sustained polemic, with all the crabbiness that implies.

It's a welcome polemic, in many ways. Most rants against the infotainment industry are on the level of Michael Medved's godawful Hollywood vs. America; they complain, in effect, that the movies tell us too much about the world. Rosenbaum recognizes the real problem, which is that our world (filmed and otherwise) has been made to seem small. I agree with much of what he says. But when, in his wrath, he digresses to settle scores or rampages past obvious counterarguments, I begin to wish that he, too, would sometimes pretend to be urbane and solid.

"There's a hefty price tag for whatever prestige and power comes with writing for The New York Times and The New Yorker," Rosenbaum says, "and I consider myself fortunate that I don't have to worry about paying it. Film critics for those publications--including Vincent Canby and Pauline Kael...--ultimately wind up less powerful than the institutions they write for, and insofar as they're empowered by those institutions, they're disempowered as independent voices."

To which I say, yes and no. As bad as the situation is--and believe me, it's woeful--I've noticed that news of the world does sometimes break through. David Denby, in The New Yorker, may contribute to American ignorance by being obtuse about Kiarostami (as Rosenbaum notes with disdain); but then, as Rosenbaum fails to note, Stephen Holden and A.O. Scott in the Times delivered raves to Taste of Cherry and The Wind Will Carry Us. Individuals in even the most monolithic publications still make themselves heard; and the exceptional writer can manage (at least in life) to upstage an entire institution.

Rosenbaum himself has pulled off that trick at the Reader; and Vincent Canby did it at the Times. To the living critic, and all those who share his expansive view of the world, I say, "We've lost a champion. Better stop grousing and pick up the slack." And to those who mourn Mr. Canby, I say, "You can still hear his laughter. Just don't let The Editors get in the way."

This issue goes to press on Wednesday, November 8, the day after the election, when all was supposed to have been decided, all was to be made clear. Instead, a great bewilderment has descended over the land. The recount of the vote in Florida, which might conceivably erase Bush's lead of a thousand or so votes and give the state and the presidency to Al Gore, has begun but not been completed. As I write, the numbers are changing hourly, and no two news outlets seem to have the same ones at the same time. There seems to be some fuzzy math going on down in Florida. Meanwhile, we do know that Al Gore has won the popular vote and faces the possibility that the will of the people will be annulled by the Electoral College. In short, we do not know at present who the next President will be or whether, when we do know, the people will have wanted that man.

Ordinarily, journalists hate situations like this, in which the deadline for elucidating a momentous event descends just before the event occurs. We are required, it seems, either to qualify our comments to the point of meaninglessness or else to pen words so vague and general that they will cover all contingencies. Rich as the arts of pontificating are, these occasions seem to stretch them to the breaking point. ("Whoever wins the White House, one thing is clear, the democracy of this great land..." and so forth.)

On this particular occasion, however, the situation is different. History, giving hard-pressed journalists a hand, has, by declining to produce a victor, provided for the time being the perfect metaphor for the campaign that has now ended. In the campaign the choices offered by the two parties were more obfuscated than clarified, more concealed than revealed. Gore decided to distance himself from his partner in the White House, Bill Clinton, declaring himself to be "my own man," assuring the voters that "I will never let you down" and preventing Clinton from going out on the hustings. It was the fundamental strategic decision of the Gore campaign. Yet the reason for it--the scandals that led to the impeachment of Clinton--were never mentioned by Gore. In consequence, impeachment, the most important political event of the last decade, and the one with the most important bearing on the fitness of the Republican Party to be placed in positions of trust and authority, went undiscussed by the Democrats. Had the impeachment been a necessary remedy for a grave danger to the Republic from President Clinton, or had it been (as I believe) a reckless abuse of power by the Republicans? No question was more in need of an answer in this year's election, but none went more thoroughly unaddressed. Gore's decision even prevented him from taking adequate credit for the Clinton Administration's economic successes.

The Republicans, for their part, waged what E.J. Dionne of the Washington Post rightly called a "stealth campaign." They had held the majority in Congress for six years, yet the Congressional Republicans were all in hiding, and their self-described "revolution" of the nineties--including, for example, their attempt to eviscerate environmental law, their attempt to shut down the Department of Education and their shutdown of the federal government--also went down the memory hole. They opportunistically took their stand on Democratic issues--a plan for prescription drugs, a plan for saving Social Security, a plan for education. Only Bush's proposal for an across-the-board tax cut was in keeping with the recent Republican record. (The art of winning elections by stealing the other party's issues is one they appear to have learned from Clinton.)

Astonishingly, the Republicans even pre-empted the impeachment issue--though without mentioning it explicitly any more than Gore had. Bush spent the final week of the campaign attacking the "partisan bickering" in "Washington," as if it had been the Democrats who had tried to impeach a Republican President for frivolous reasons rather than the other way around. Thus did the impeachment issue control the candidates' decisions without being discussed by them. Almost the only issue given a really thorough airing was the entirely jolly one of how to pass out the trillions of dollars of the budget surplus (how much in prescription drug benefits? how much in tax cuts?)--trillions that may never in fact materialize and that the current Congress has in any case been busily spending.

Had the outcome of the election been known today, a tidal wave of interpretation of the results no doubt would already be rolling over us. It is well that it was stopped. It is better to reflect for a moment on our political confusion. The contest, even when it produces a winner, will not have provided a basis for generalizations regarding the public mind. A foggy campaign has ended in a deep fog, as if the people, not having been offered a true choice, have simply decided not to choose.

Blogs

Although unknown to many liberals, Red State’s Erick Erickson is an exemplar of the new right-wing media activists pushing the GOP to extremes. 

August 2, 2011

Corporate media help manufacture the Tea Party’s power every bit as much as the tea party manufactured our current debt “crisis.”

July 29, 2011

Every week, Nation interns try to cut through the echo chamber and choose one good article in their area of interest that they feel should receive more attention. 

July 28, 2011

Stephen Colbert, with the help of Nation friend Peter Edelman, takes on right-wing poverty deniers with integrity and humor.

July 28, 2011

The misleading press coverage of the debt fight reveals a fundamental problem with today’s journalism—the quest for innocence and balance when it does not exist.

July 27, 2011

After Anders Breivik murdered dozens of young socialists, Beck compared the dead to “Hitler Youth.” But the slain were actually heirs to a great tradition of battling Nazis.

July 26, 2011

After a frenzy of press coverage of the Afghan war logs, why did Americans hold off on a debate about the war?

July 25, 2011

There are plenty of real problems with Michele Bachmann and her husband Marcus. But her migraines and his mannerisms are not two of them.

July 24, 2011

It was a whole other person, but such details don’t fit the narrative.

July 22, 2011