Back in 1994, Christina Hoff Sommers accused The New York Times Book Review of unfairly assigning her attack on the women's movement, Who Stole Feminism?, to the distinguished scholar of Victorian literature Nina Auerbach for review. Sommers claimed that Auerbach was an unethical choice: Although not named in the book, she had been present at one of the many feminist academic conferences disparaged in its pages and was allegedly the author of a rather overbearing comment, cited in the book, scribbled on a paper written by Sommers's stepson, who had taken a course with Auerbach at the University of Pennsylvania (Auerbach denied writing the comment and suggested it was the work of a TA). Sommers's absurd bid for publicity stirred up a media chorus of sympathetic harrumphs about feminist conspiracies (the Review was at that time edited by a woman, Rebecca Sinkler): Columns ensued by Jim Sleeper, Howard Kurtz, Hilton Kramer. Rush Limbaugh accused the Times of trying to "kill this book."
None of these mavens of literary ethics saw fit to note that Cathy Young raved about the book in the Philadelphia Inquirer and in Commentary despite being vice president of the right-leaning Women's Freedom Network, where Sommers was on the board, or that Mary Lefkowitz gave it high marks in National Review despite being Sommers's very good friend. The Times Book Review ran two weeks' worth of letters (including a particularly rabid one from Camille Paglia, bashing Auerbach as if she were some PC criminal and not an important academic whom any author in her right mind would feel honored to be reviewed by, and who had been, in point of fact, much too high-minded and polite to give Who Stole Feminism? the pasting it deserved).
Fast-forward to the Washington Post Book World, which has landed in hot water for publishing a review of David Brock's Blinded by the Right by Bruce Bawer. Much of Brock's book deals with skulduggery at the Scaife-funded American Spectator--a magazine for which Bawer was a movie critic for several years prior to Brock's own stint there as, he now confesses, a hired mudslinger and fabricator of slanders against Anita Hill, President Clinton and others. Bawer did not mention his connection to the Spectator when offered the assignment, nor did he mention it in the review, even parenthetically, and having spent several years as The Nation's literary editor, I'm not a bit surprised: Reviewers were always neglecting to tell me that the author under consideration was their colleague, best friend, former lover or the editor of the magazine that was publishing their fiction. When I would belatedly find out and confront them, were they embarrassed? Dream on. One even wrote me an outraged letter comparing his panegyric on the poetry of his department chairman to Shelley writing about Keats. Caveat editor, indeed!
Did the Washington Post engineer a pan for Brock by knowingly choosing a reviewer too closely allied with the people and politics he attacks, as claimed by the Media Whores Online website, which is calling for the public beheading of the Book World editor, Marie Arana? Bawer is mentioned (briefly and favorably) in the book, but there is no index and--I hate to be the one to break this to MWO--"previewing" a book before assigning it is not the same as reading every page. (Truth in advertising: I've written a few reviews for Arana and think she's an excellent editor and swell human being, even if the Book World didn't review my last book.) Still, it's a little hard to believe that nobody at the Book World knew that Bawer is a pretty conservative fellow, and, as MWO points out, there is a bit of history here: Two years ago, the Post assigned Joe Conason and Gene Lyons's The Hunting of the President to James Bowman, who was also associated with The American Spectator. On the other hand, Bawer, who, like Brock, is gay, says he left the Spectator over its slurs against homosexuals. Gee, two gay guys who both quit the same rightwingnut magazine--had Bawer loved the book, conservatives would be claiming the fix was in. In fact, Bawer's review was fairly trivial; mostly he made fun of Brock in a feline sort of way--slyly noting his love of elegant tailoring, fancy parties, attention and money, and observing that Brock is still talking trash, only now his targets are his erstwhile friends on the right. Compared with Helen Vendler, whose poetry criticism Bawer skewered in the Hudson Review some years ago with such relish and in such detail that anti-Vendlerites bought up the entire print run within minutes, Brock got off easy.
But then Helen Vendler's taste, like all taste, is open to question, while so far no conservative, Bawer included, has seriously disputed Brock's revelations beyond expressing a general skepticism that this self-confessed liar and suck-up artist has changed his spots. Is Brock lying when he describes how wealthy right-wing foundations created and fueled a media apparatus devoted to smearing liberals, feminists and Democrats, especially the Clintons, with whatever mud it could find or fabricate? Are his unflattering characterizations of his former cronies false? Brock portrays peroxided pundette Laura Ingraham as an ignorant drunk who does not own a single book; he charges Ann Coulter with "virulent anti-Semitism"; he says Spectator editor-in-chief R. Emmett Tyrrell Jr. urged him to attack women because that sold papers. He claims the only thing Simon & Schuster publisher Jack Romanos wanted to know before handing him a million dollars to write a hatchet job on Hillary Clinton was whether she was a lesbian. He says Ricky Silberman, vice chairman of the EEOC under Clarence Thomas and one of his most stalwart supporters, was thoroughly persuaded by Strange Justice, in which Jane Mayer and Jill Abramson validate Hill's claims, but helped Brock savage the book anyway. Virtually every page of Blinded by the Right makes an assertion that is, if true, embarrassing, and if false, libelous. The silence is curious, to say the least.
After much urging, the Post acknowledged that Bawer's review was inappropriate. Meanwhile, you can be sure that none of the pundits who raked Nina Auerbach and the New York Times over the coals will be firing up the barbie this time.
Call it the year of the yellow notepad. Doris Kearns Goodwin, ejected from Parnassus, Pulitzer jury service and kindred honorable obligations, sinks under charges of plagiarism consequent, she claims, of sloppy note-taking on her yellow legal pads.
Michael Bellesiles, flayed for knavish scholarship in his Arming America, says that his notations from probate records, central to his assertions about gun ownership in eighteenth- and nineteenth-century America, were on legal yellow pads that were irreparably damaged when his office at Emory University was flooded in May 2000, the year his book was published.
Stephen Ambrose, overtaken by charges of plagiarism, did not have recourse to the yellow-notepad defense, presumably because he had become rich enough not only to discard them in favor of teams of researchers, including his family, but to make an out-of-pocket, $1.25 million donation for environmental good works, including restoration on the Blackfoot River, no doubt hoping that water in Montana would be as efficacious as at Emory in purging the record.
The plagiarist lurks in all of us, and temptation or carelessness looms closer with the cut-and-paste function of the computer, though Shakespeare managed to steal a lot of Holinshed without electronic assistance.
With Bellesiles the stakes are high, because he addresses the issue of gun ownership in America and the Second Amendment. By the mid-1990s the battle was tilting decisively in favor of those arguing that the amendment asserts the right of individual citizens to own guns for self-defense and, if necessary, to counter government tyranny by means of armed popular resistance. (NB: The preceding sentence concludes with twenty-two words lifted from a piece by Chris Mooney in Lingua Franca.)
Like any good tactician, Bellesiles shifted the terms of discussion. He said he'd reviewed more than 11,000 probate records between 1765 and 1850 from New England and Pennsylvania, and discovered that roughly 14 percent of all adult white Protestant males owned firearms, meaning about 3 percent of the total population at the time of the Revolution, and that hence "all this talk about universal gun ownership is entirely a myth that I can find no evidence of." (More cribbing from Mooney.)
So if the people weren't armed, and if even official militias were mostly a disheveled rabble without arms, the Second Amendment was really an antic fantasy, like feudal armor in the mock-Tudor hall of a Bradford cotton millionaire.
The antigun crowd greeted Bellesiles with as much ecstasy as any relief column by early settlers in Indian Country. The Organization of American Historians gratefully pinned the Binkley-Stephenson Award to Bellesiles's bosom for his 1996 essay on the origins of American gun culture. Arming America elicited not only fervent applause by Garry Wills in The New York Times Book Review and Edmund Morgan in The New York Review of Books, but also the Bancroft Prize.
Bellesiles came under attack, but since his assailants included NRA types and even Charlton Heston (who cut to the heart of the matter by charging that Bellesiles simply had too much time on his hands), their often cogent demolitions were initially discounted as sore-loser barrages from the rednecks. Even so, the sappers pressed forward and began to penetrate Bellesiles's inner defenses.
A crucial chunk of battlement crashed to the ground when Bellesiles's most sedulous critic, James Lindgren, investigated his claim to have researched probate records at a National Archives center in East Point, Georgia. The center told Lindgren no such records existed. (Cockburn's source here is Danny Postel in The Chronicle of Higher Education. Since Cockburn once borrowed Postel's car in Chicago and saddled him with a couple of parking tickets, he definitely owes him a cite. These two tickets were probably the final straws in a load of fines that prompted Postel to flee Chicago for Washington, DC.) Then more chunks fell when other archival records cited by Bellesiles, in San Francisco and Vermont, turned out not to exist.
Bellesiles's Little Big Horn comes in the January edition of the William and Mary Quarterly. Primed in part by Lindgren, Gloria Main of the University of Colorado pounds Bellesiles with medium-range artillery, as in "[Bellesiles] found only 7 percent in Maryland with guns. My own work in the probate records of six Maryland counties from the years 1650 to 1720, ignored by Bellesiles, shows an average of 76 percent of young fathers owning arms of some sort." Ira Gruber of Rice slides the bayonet into Bellesiles with incredulous harrumphs about misrepresented evidence on casualty rates in American and European battles ("But Bellesiles has counted 18,000 prisoners among the killed and wounded at Blenheim"). In an interesting essay on guns, gun culture and murder in early America, Bellesiles is finally dispatched by Randolph Roth of Ohio State ("every tally of homicides Bellesiles reports is either misleading or wrong").
To give him credit, Bellesiles falls with some dignity ("Arming America is admittedly tentative in its statistics"), but fall he does. Now Emory is making nasty noises, and erstwhile allies are fleeing into the hills. Morgan, who whooped him up in the New York Review, says he's rethinking. Garry Wills says he's too busy now to address the matter, which is pretty lighthearted, considering that Bellesiles's phony scholarship is as devastating a blow as the antigun crowd has sustained in decades of fighting over the Second Amendment. (I speak contentedly as the owner of a 12-gauge and a .22, though I think too many discussions, pro and con, of the Second Amendment lack any sense of dynamism in the surge and ebb of class struggle in America.)
What about Knopf, which published Arming America? Editor Jane Garrett tells Postel that the house "stands behind" Bellesiles, that his were not intentional errors but the result of some "over-quick research." Knopf is renowned for its cookbooks. Suppose Bellesiles had suggested putting Amanita phalloides into the risotto. I don't think Garrett would be so forgiving.
The new Daedalus is out. I have to admit to having not read Daedalus with much fervor in the past, say, fifteen years (well, if ever, to be honest), but I was curious about the venerable journal now that it's under the editorship of James Miller, professor of political science and director of liberal studies at the New School, and author, most notably, of Flowers in the Dustbin, a book about rock and roll that actually won a music-book award, to say nothing of his other books (one on Foucault, another on the SDS, another on Rousseau, plus History and Human Existence: From Marx to Merleau-Ponty).
Miller's first issue (Winter 2002) is about inequality. Whoever would have suspected twenty or thirty years ago that inequality could be considered good or that a discussion about its attributes could fuel an entire 117 pages of intelligent commentary? I'm aware of the debates--say, since Reagan--about the societal advantages of greed and inequality, but has any decent person ever seriously thought that inequality was good for anything other than sustaining the kind of high culture that produces journals like Daedalus, and of course for people like Marie Antoinette and Kenneth Lay? Anyhow, as Daedalus has traditionally, the new magazine suffers painfully from the kind of writing academics do ("In this essay, I shall attempt...," etc.) and the kind of writing policy wonks do ("The Luxembourg Income Study, which is the best current source of data on economic inequality in different countries, has calculated 90/10 ratios for fourteen rich democracies in the mid-1990s").
Yet because Daedalus has in the end a liberal mind, the new issue provides, if you can plow through it, a strong restatement of the value (economic, political and moral) of equality; and convincing arguments that inequality is pretty regularly--if sometimes more subtly than one would imagine--an evil. A historical essay that happens to be written by my distant cousin Sean Wilentz offers, among other things, lively illumination of the idea, dimly seized by me in my sporadic and unsuccessful attempts to buy a house, that the ability to purchase real estate lies at the heart of all equality or inequality.
In spite of the general impenetrability, many of the pieces have good bits. Martha Nussbaum's essay on women in India begins with an unforgettable story: A Bangladeshi woman waiting for a train at Howrah Station in Calcutta is first gallantly helped by railroad officials, and then drugged, kidnapped and gang-raped by four station employees; when she finally makes her way back to the station, battered, blood-stained and disoriented, she's tricked once again by other kindly, courtly, decent-seeming chemin de fer types into another gang-rape hideaway. Amazingly (cheerful Indian ending), she survives to bring suit against her attackers. This one anecdote brings life to Nussbaum's piece, while reminding us (as if one needed reminding, after the recent train burnings, etc.) that all the exotic incident and violence in Indian literature does not come from nowhere.
Quarrel & Quandary
As long as we're looking at venerable journals that I haven't read recently (an ever-widening category, it seems), let's talk about Partisan Review. I picked up the first issue of 2002 because it contains an article arrestingly titled "Melville's Skull and the Idea of Jerusalem," by Cynthia Ozick. Ozick is a great writer; her style is fluid and personal, and there is wonderful voice in everything she touches. This essay is no exception--if I agreed with any of its passions or arguments, it would be a beloved object of reflection. In it, among other things, Ozick claims that the modern state of Israel has at its foundations "ethical visionariness," unlike the states of Europe and other contemporary nationalist movements. Zionism, she says, "is distinct because it is inextricably bound with a coherent concept of the moral obligations of civilization: land cannot mean land alone, land bare of civilized purpose, land bare of law." This, by the way, is someone writing about Zionism not in the nineteenth century or two years ago, but today, as Israel's tanks roll back into the territories (land bedecked, no doubt, in "civilized purpose," so long as it remains occupied by those equipped with ethical visionariness). Ah, well; in her Zionist arrogation of all indignation, all righteousness, all suffering, Ozick even indicts Herman Melville for not recognizing Jerusalem's holiness, because he preferred the whiteness of the whale. She can't bear that.
Woman Is the Deejay of the World
Yoko Ono, an equally self-possessed woman, is on the cover of Mixer magazine, a decidedly unvenerable journal devoted to "music, clubs, life." In my house, we have a Don't Diss Yoko rule. Amazingly, my small sons have learned to despise her. They've informed me that Yoko "broke up the Beatles" and that she is "bad"--by "bad" they mean "bad." The great thing about Yoko is that, at age 68, she goes on being herself. She recently refused to give Paul McCartney any special credit on the Lennon-McCartney songs that he in fact wrote himself ("Yesterday" comes to mind), keeping the old enmity with Sir Cheerful simmering. Ono's latest prank: She's become an occasional club deejay down in New York's meatpacking district. "It's weird," says Peter Rauhofer, a city deejay, "when you're in a deejay booth...and find Yoko Ono standing beside you...at 3 am." He goes on: "Her manager asked me if I had a microphone, because Ono wanted to do some 'orgasmic moans.' I thought he was joking." He wasn't, of course. She does the moans, to the supposed delight of the dance floor. Later she repairs with a reporter for further insight to her "vast, conservatively decorated kitchen" in the Dakota. Yoko's evolution from child of Japan's banking aristocracy to alternative artist and outrageous darling of New York's demimonde would make an instructive entry in the annals of inequality. But if someone has to be rich, it should be Ono. Why? Because at a happening in Hyde Park in 1968 or so, she blindfolded an entire fashionable audience with sanitary pads--and then silently left them there to contemplate their own ridiculous abandonment. That's visionariness.
On Andrew Sullivan.
The Houston company was part of the biggest "big idea" of the past decade.
Nation pay rates, you may have heard from brother Trillin, are not those of Condé Nast. Every once in a while I don't mind this, because the job just kind of does itself. Take this week: I couldn't decide which of the many McCarthyite wing-nuts currently accusing ex-lovers and comrades of being liars, gay-bashers, anti-Semites and spouse-abusers merited an entire column. None of them did. But hey, I got a column out of just trying to figure it out.
(1) Weekly Standard writer David Frum took a job as a supposedly anonymous White House speechwriter. But his wife, novelist Danielle Crittenden (yes, she's the one who tells women to use their husband's name professionally but doesn't bother with that silliness herself), could not bear to see hubby's genius go unrecognized and sent out a mass e-mail claiming his authorship for Bush's nonsensical "axis of evil" formulation. Tim Noah, Slate's Cindy Adams, owns this baby. He published the offending e-mail. ("It's not often a phrase one writes gains national notice...so I hope you'll indulge my wifely pride in seeing this one repeated in headlines everywhere!!") He quoted her stepdaddy's Canadian newspaper telling the same tale. And he cited other possible authors. Later Frum, thinking twice, decided Bush had thunk it up all by his lonesome. (When you think about it, it's just foolish enough...) Anyway, speechwriters are not supposed to take credit for anything, even dumb ideas, and now Davy's unemployed. Bob Novak blames wifey's e-mail. Davy says Bobby's a liar and he was quitting anyway. Now, "Nofacts" is a well-known McCarthyite fabulist, but Mr. Crittenden does not improve his own credibility much by claiming that W. has "proven himself to be one of the great presidents of American history." So who's really writing fiction here? You be the judge.
(2) Wall Street Journal editorial writer John Fund has landed on Page Six in a bizarre tale that is almost too weird to write down. It seems that a woman with whom Fund had an affair twenty years ago named Melinda Pillsbury Foster sent her daughter, Morgan, to look up Fund when she came to town. One thing led to another and the results appear to have been a live-in relationship and an abortion. This is strange enough for a Wall Street Journal editorial writer who, although very much a gentleman in person, penned some of the most vicious and irresponsible material about Clinton and the Democrats outside the columns of this magazine. (Fund is also a ghostwriter for Rush Limbaugh and, irony of ironies, is widely believed to be the source of Matt Drudge's libelous claim that Sidney Blumenthal is a wife-beater.) Anyway, things did not exactly work out. Mother and daughter decided to take their revenge by uploading onto the web a taped telephone call in which John attempts to reconcile his support for Morgan's abortion with his "family values" politics. They then informed the media that John and Morgan had decided to wed after all. This turned out to be false, but the next thing you know, Fund is gone from the Journal's editorial page, arrested in Manhattan for battery of Melinda and under a restraining order. (Join me for a moment in imagining what the Wall Street Journal/Washington Times/New York Post/Fox News/Rush Limbaugh/American Spectator scandal machine would do with this crazy story if it were about, say, Frank Rich.) In the meantime, I am inclined to accept Fund's denials absent contrary evidence. Politically the man may be a menace, but his accusers have already proven themselves to be--to coin a phrase--"a little bit nutty." You pays your money and you picks your liar.
(3) Ever wonder what it must have felt like to be a right-winger and lay your hands on Whittaker Chambers's Witness for the first time? Run, don't walk to your corner bookstore. David Brock's Blinded by the Right: The Conscience of an Ex-Conservative is a liberal's Stairway to Heaven. Absolutely everything we thought about these bozos in the vast right-wing conspiracy turns out to be true and then some. Meet Anti-Semite Ann Coulter, Homophobe Johnny Podhoretz, Lovesick Matt Drudge, etc. Like Chambers, Brock is a confessed liar, an ex-ideologue and a formerly closeted homosexual who conspired with people and publications specializing in McCarthyite slander of innocent liberals, minorities and gays. For Chambers fans, anyway, that should do it.
(4) Washington Post writer Michael Kelly says of his column: "It's not that important to me.... It's a busman's holiday." Here I am pretty confident Kelly is telling the truth. Complaining of a negative reference to the State of the Union in a New York Times Op-Ed by Mark Lilla, Kelly, who edits both National Journal and The Atlantic Monthly, recently joked that the author was "a professor of something called social thought (presumably, there are professors of antisocial thought too, but no one knows who they are since they won't answer the phone)." LOL. Apparently nobody at the Post takes Kelly's column seriously either. Had Kelly spent a few minutes on research, he might have discovered that the University of Chicago's Committee on Social Thought has been the home of such nobodies as Friedrich Hayek, Hannah Arendt, Harold Rosenberg, Saul Bellow and Allan Bloom. Today the novelist J.M. Coetzee, the poet Mark Strand and George Bush's favorite bioethicist, Leon Kass, all hang their homburgs there alongside that of Lilla, who is also the ex-editor of the neoconservative Public Interest. Since none of the above are pacifists--or as Kelly would put it, "evil...objectively pro-terrorist.... Liars. Frauds. Hypocrites"--perhaps one might even rate a contribution to the once-great Atlantic.
(5) Speaking of verbal diarrhea, Scaife-funded David Horowitz has just published another of his entertainingly insane pamphlets; this one joining fellow McCarthyite Andrew Sullivan in blaming the "Fifth Column" left for September 11. Last time I mentioned Horowitz, he responded, "Eric Alterman apparently thinks lying is a form of mooning." I don't know what that means, but it does confirm my long-held belief that one Panther-loving Commie-turned-reactionary-racebaiter sure does spend a lot of time with his head up his ass.
The nation's largest media corporations are now poised to gain dramatically greater control over what Americans watch, listen to and read. A February 19 decision by the US Court of Appeals for the District of Columbia Circuit nullified two longstanding government regulations limiting the scope and size of media companies that use the public airwaves. If the decision stands, there will no longer be limits on the same company owning television stations and cable franchises in the same market. The court also ordered the Federal Communications Commission to reconsider a rule barring a TV network from owning stations that reach more than 35 percent of the national audience.
The end result of this latest deregulation wave could be, in the words of Gene Kimmelman of Consumers Union, "the most massive consolidation in media this nation has ever seen." The only good news in the appeals court's ruling was its rejection of a claim by media company lawyers that regulation of media monopolies is itself unconstitutional. This means that even as FCC chairman Michael Powell seeks to repeal the remaining regulatory limits on media monopoly, Congress could reassert its authority over communications law. Some powerful legislators, including Senator Ernest Hollings and Representative John Conyers Jr., want to do just that. But they are going to need public pressure from a real media reform movement if they are to have any hope of converting their fellow members to a fight for Americans' right to a diverse media.
With the looming prospect of one or two giant media conglomerates controlling almost all our news and entertainment, the survival of alternative, noncommercial media outlets becomes more important than ever. One of them--Pacifica radio--has famously been rocked by internal problems and requires support from all who care about independent media. The Nation is deeply committed to the Pacifica ideal of independent broadcasting (at both the national and local levels) and has many friends and longtime contributors involved in the network in various capacities. Now that an Alameda County Superior Court judge has replaced the old board with an interim body charged with restoring harmony and solvency to the battered network, it's vital that those of us in the penumbra of the Pacifica community do what we can to help the new cast of characters be true to the Pacifica ideal.
Recent events--including the axing of Pacifica Network News, the firing of KPFK station manager Mark Schubb, the suspension of Marc Cooper and the cancellation of his daily show on KPFK (Cooper is a contributing editor of this magazine and also the host of RadioNation)--suggest that all is not pacified at Pacifica. Further, the network is saddled with a debt of $4.8 million, partly as a result of litigation during the recent troubles.
We'll have a report in an upcoming issue on the latest developments. Meanwhile, Pacifica remains a beacon of independent thinking and progressive values in a sea of conglomeratized and homogenized media. Readers who have strong views on Pacifica's future course should convey them to their local station. For those of you who wish to send contributions to offset the alarming deficit: Make out checks to Pacifica Foundation and mail them to Pacifica Radio, Attention: Accounts, 2390 Champlain St. NW, Washington, DC 20009.
One of the pitfalls of publishing a weekly journal of critical opinion at a moment when the political culture has drifted to the right is that there is so much of which to be critical that we often don't take time out to count our blessings, hail our heroes and salute our comrades in arms. Add to that the liberal left's propensity for internecine warfare (see our editorial on page 3) and the temptation to pass over those guilty of committing good works is often too great to resist. So, let us take a moment to cheer two local heroes whose good works, not incidentally, have benefited Nation writers, among many others, over the years.
First, Bill Moyers. For years, his documentaries, speeches and articles have illuminated such subjects as the way money distorts politics, how secrecy perverts liberty and how, under the flag of free trade, NAFTA has permitted multinationals to undermine democracy. As Moyers (quoting John Dewey) wrote in our pages, it's not easy to interest the public in the public interest. In recent weeks Moyers has been the target of a Weekly Standard demolition job and a misguided assault by the Washington Post's Sebastian Mallaby. He must be doing something right.
Second, Jeff Chester, one-man monitor of concentration among the communications conglomerates, reminds us how we were almost deprived of the good works of Norman Lear. Citing a Writer's Guild of America statement on harmful vertical and horizontal integration in television, he notes that Norman Lear (and his colleague Bud Yorkin) made two pilots for ABC of the controversial series All in the Family. ABC kept asking him to water it down, soften it, blur the edges. Lear refused and took the series to CBS, where he was allowed to follow his vision and create one of the groundbreaking shows of all time. As the WGA notes, "He could do that only because he owned it. Today, the network would have an ownership position and would be able simply to fire Lear and replace him with a writer and producer who would do what they wanted." As a result Lear made his fortune and has used it, among other things, to purchase one of the few surviving original versions of the Declaration of Independence and to found People for the American Way, which fights to put the principles of the Declaration and the Bill of Rights into practice. A recent example: turning the national spotlight on a Bush court nominee with an abominable civil rights record, as described by John Nichols in this week's issue.
We take our hat off to Bill Moyers and Norman Lear.
What the Islamic fascists do, and what they believe, and what they intend, are three aspects of the same one-dimensional thing. It is ludicrous to accuse them of being untrue to themselves or their cause. The usual rush to "understand" Pervez Musharraf's difficulties seems to supply a partial explanation for this moral feebleness.
How to Honor Pearl