About a year and a half ago I received a book from Bosnia. Its title was I Begged Them to Kill Me. It was a collection of some forty accounts by Muslim women who were raped, mostly by Serbian soldiers and paramilitaries in 1992. During the past ten years several collections of the same kind have been published, but this one was different because the raped women themselves, organized into the Association of Camp Inmates-Canton Sarajevo, collected and published it. They had decided to spread the information about what had happened to them without the help of journalists or experts, or even a professional editor.
This book, bearing all the signs of amateurism, is nonetheless an important and moving document of suffering we thought we had heard and known all about. The anonymous women speak of the unspeakable--of rape, torture, enslavement, forced pregnancy, the selling of women as slaves. This is a very special book to me. The women from the association sent it to me with a dedication because of my book S: A Novel About the Balkans, which also deals with mass rape. I admire their decision to publish their accounts in the belief that their truth deserved to be heard.
Women who were raped before them, in Germany, China and Korea during the two world wars, rarely spoke about it in public. It was not to be mentioned but to be forgotten. Indeed, it was forgotten. However, the raped women in Bosnia believed in the possibility of justice through the International Criminal Tribunal for Yugoslavia in The Hague, established by the UN Security Council in 1993. And they understood that justice could not be done without their help. In the book, all of the violated women say they would volunteer as witnesses in that court, and many did. Not in a local court but the international one--because they know very well that the culprits will not be brought to court in their own country. Who would arrest them? Who would put them on trial? What kind of sentences would they get? They had only "had fun."
Agreeing to testify as witnesses in The Hague was a brave, even heroic step for the raped Bosnian women. To the world they had to say, "Yes, I was raped!" They had to live with that confession afterward--with their children and husbands, their brothers and fathers, their community. And this is not liberal Berlin or Stockholm, marked by decades of women's emancipation.
Without these brave women, what would have happened? What would have happened in the trial of Dragoljub Kunarac, Radomir Kovac and Zoran Vukovic, three men from Foca who, on February 22, received sentences in The Hague of from twelve to twenty-eight years in prison? Most likely they would be living free in Foca, every day passing by the Partizan Sports Hall where they kept their Muslim prisoners, then by the houses where they kept enslaved women. They would sit in a cafe smoking cigarettes and drinking brandy, telling anecdotes from the war. If any of their victims happened to pass by, they would point at her with their finger and laugh. Indeed, if these women had kept their "shame" to themselves, the three men would not have entered history. Now they are the first men ever to be sentenced exclusively for sexual crimes defined as crimes against humanity--systematic mass rape, sexual enslavement and torture of women and girls during war. This was only possible thanks to the Bosnian women who did not shut up. Perhaps this time it was impossible not to speak--there were too many women violated (a UN report put the number at 20,000, but that is only an estimate). There were also too many journalists around, too many experts and humanitarian workers, people willing to listen and to help.
No matter what made them speak, the women from the book and the other violated Bosnian women are the real heroes of this historical trial, the women who were not supposed to speak. That was exactly what the three men from Foca were counting on--their silence. I wish I had been in the courtroom when the three men received their sentences. What was in their eyes? Disbelief? Despair? Never could they have imagined that any of those women would have the courage to stand up and face them in court. The men must have thought it was a joke when they heard that they were going to be on trial for rape. OK, perhaps they were rude sometimes if the imprisoned women were not obedient. So what? Never could they have imagined that they would get such heavy sentences. After all, they did not even kill anybody. And among those who did kill, there were some who got much lighter sentences. How is that possible? they must have wondered. I wish I had seen that discrepancy on their faces, a discrepancy between what they believed they did (and what perhaps they might have thought was wrong but certainly not a crime)--and what was deemed a crime against humanity by the international court.
When I asked the women from the Association of Camp Inmates-Canton Sarajevo how I could help them, they asked if I could give them a fax machine. They have nothing, not even their own office. A fax machine would mean a lot to them. Not only to spread information but to enable them to fight to be recognized as war victims in their own society, and to get at least some social aid. There is symbolism in their request: They are still not willing to shut up. Recently I received a thank-you letter from them, via fax. They are grateful for the machine, they wrote. But I and millions of other women are grateful to them because they spoke up and changed something for us, too.
We have many male authors known for loving women, fewer known for loving men. Love that is not overtly homoerotic--resolutely heterosexual, in fact--can take on an intimacy and purity untroubled by sex, even if still troubling for its intensity, its incoherence and frequent confusion, violence or aggression, its exclusionary quality. And so it is no surprise to find it so often in novels of war, or the military. In the last half-century American practitioners of this form have included Heller and Mailer, Ward Just, Tim O'Brien and, perhaps most overlooked, James Salter, who is interested in more than the camaraderie among men in uniform but also its inverse as well, the case of the solitary, perhaps a newcomer breaking in. Here is his description of the fighter pilot Robert Cassada from his new novel of that name:
It was his beauty, of course, a beauty that no one saw--they were blind to such a thing.... By beauty, nothing obvious is meant. It was an aspect of the unquenchable, of the martyr, but this quality had its physical accompaniment. His shoulders were luminous, his body male but not hard, his hair disobedient. Few of them had seen him naked, not that he concealed himself or was modest but like some animal come to drink he was solitary and unboisterous. He was intelligent but not cerebral and could be worshipful, as in the case of airplanes.
"They" and "them" are his colleagues, the men of a fighter squadron stationed in Germany in the 1950s. The men--Dunning, Isbell, Wickenden, Godchaux, Phipps, Dumfries, Ferguson, Harlan, Grace--lead restless, incurious, exalted lives, flying every day in the skies above Western Europe, waiting for the conflict that never comes. So conflict comes from within and among the men, who are arrogant, competitive, bored, cussedly suspicious yet trusting, too. They are not alike. Major Dunning is a Southerner and former college football star; Harlan is a rustic, an overgrown farm boy. Wickenden, or "Wick the prick," Cassada's nemesis, was "born in the wrong century. The cavalry was what he was made for, riding in the dust of the Mexican border with cracked lips and a line edged into his hair from the strap of a campaign hat." Cassada is from Puerto Rico, which leads Harlan to wonder what he's doing in the US Air Force. "Puerto Rico's part of the United States," replies Godchaux.
"I don't know. A long time."
"I must of missed hearing about it."
The banter may not recall Catch-22--while sharp, it is seldom witty--but Salter's particular genius is for the inexpressive man. He saves his tenderest regard for Cassada, about whom there is "an elegance...a superiority. You did not find it often." It is perhaps his gravest mistake, for to a reader with less invested in the project, Cassada is the least present, most flattened out, of all the men, the one who never steps out of the page despite being so beautiful or unforgettable as all that. Cassada, which is a revision of an early, out-of-print novel, The Arm of Flesh, should instead be titled Isbell.
In interviews Salter has dismissed The Arm of Flesh as a "failed book," and he says the same in his preface to Cassada. Admitting that the new venture might be "a mistake," he cites "the appeal of the period, the 1950s, barely a decade after the war; the place, the fighter bases of Europe; and the life itself." Cassada, then--in words that I have seen repeated in every notice--is "the book the other might have been."
I think in fact it is the same book, although better turned out for some crucial changes. The Arm of Flesh is a novel in alternating voices--seventeen altogether--some of which are hard to figure out, others appearing only briefly, even once. Several could be cut entirely, as their narrative distracts from the general thread, which is about the ordeal of two pilots (one whose radio is out) trying to make it home in terrible weather, while interspersed are episodes from lazy days on base and elsewhere. Cassada is told in the third person, but the structure is much the same--if the two books are laid side by side, one sees in Cassada a succession of loose little chapters that more or less correspond to an individual voice's narrative in The Arm of Flesh. Major Clyde is now Dunning. Lieutenant Sisse from the earlier book does not appear at all in the second. In The Arm of Flesh Cassada never speaks with his own voice. In both works his words are reported to us through the perspective of others; and so he is always at least once, often twice, removed from a reader.
"Something was usually beginning before the last thing ended." This is Isbell, and the words seem to me to be the key to the book. Cassada is a new arrival at the wing in Giebelstadt, but the rivalries, the ennui, the excitements of a life in the air, at speed, have been going on as long as men have been assembled to fight. Salter, who was a pilot himself in Korea--with the advantage, unlike many of the pilots in Cassada, of actually having seen combat--has written of this elsewhere, in his first novel, The Hunters, and in his memoir Burning the Days. A pilot, it seems, becomes obsessed with doing something remarkable, with being remembered and spoken about even after he's gone. "In the end there is a kind of illness," Salter writes in his memoir. "A feeling of inconsequence, even lightness, takes hold. It is, in a way, like the earliest days, the sense of being an outsider. Others are taking one's place, nameless others who can never know how it was." Cassada is driven relentlessly to prove himself; his immediate commander, Wickenden, thinks he has a death wish. Isbell, who grows to love Cassada, acknowledges his own part in stirring him up. "It was true [he] had sometimes opposed him. It had been essential to. It was part of the unfolding." Earlier we have learned of Isbell's mysticism, his sense of his role among the men as "biblical." "It was the task of Moses--he would take them to within sight of what was promised, but no further. To the friezes of heaven, which nobody knew were there."
In this kind of outfit, Cassada never stands a chance. It is he who is one of the pilots in trouble as they try to reach home. The other is Isbell. The bond between the two is the strangest in the book, yet critical to its success. I don't think Salter has convinced us that it is true. Isbell is decent, perceives Cassada's isolation; pencils himself in to fly with him once, on an early morning training mission over Germany. It is a matchless day, the kind fliers dream of. They hardly speak.
The earth lay immense and small beneath them, the occasional airfields white as scars. Down across the Rhine. The strings of barges, smaller than stitches. The banks of poplar. Then a city, glistening, struck by the first sun. Stuttgart. The thready streets, the spires, the world laid bare.
Afterward Isbell's body is "empty," his mind "washed clean." Cassada asks about a city they flew over, Ingolstadt. "It's not as great as it was this morning," Isbell replies.
"You could say that about everyplace," he commented.
It was true, Isbell thought, exactly. He felt a desire to reply in kind. It was not often you found anyone who could say things.
It is worth reprinting Salter's original language from The Arm of Flesh. The speaker is Isbell:
"The whole world's like that," he said.
A chance remark that entered my heart. I didn't know what to say. Suddenly he was not what he seemed--as wise as a schoolboy who knows sex--he was entirely different. Yes, I thought. The whole world is. And early we rise to discover the earth. I felt a sudden desire to bequeath him my dreams, to offer them up. All of the searching is only for someone who can understand them.
This seems to me rather better, nearly perfect, in fact. While terseness can suggest all the things that must remain unspoken in life, a writer striking at the essence of character must occasionally open himself up, like a pilot his engines. Earlier in the same passage, in The Arm of Flesh, we have the measure of Isbell that is stripped from its revision in Cassada--excitable, aroused, ready for risk: the risk of loving a fellow flier: "We stealthy two. Streaming like princes. Breathing like steers," he thinks while aloft. Over Stuttgart:
Watch out, Stuttgart. Watch out. We're at God's empty window. We can see everything. The thready streets. The spires. It's all apparent. We can stare through the roofs. Right into the first cups of coffee. Your warm secrets, Stuttgart. Your rumpled beds.
None of this is in Cassada. None of it says much about Cassada, but it says everything about Isbell. The end of the chapter is the same in both books, except for the following sentences from The Arm of Flesh: "He could have told me what he was going to be. I might have believed him." And later on, when the two men's mission has met its tragic end, a lengthy Isbell monologue is sharply cut, in which his obsession with Cassada again comes to the fore: "There is so much I almost told him. I can't understand why I didn't. I was waiting for something, a word that would fall, an unguarded act." Of course, there are no unguarded acts from the embattled Cassada, but more surprising is the sense--retained in Cassada--that the young pilot actually had something to say. Both versions ascribe uniqueness to him, the phrase "the sum of our destinies." Yet Cassada doesn't even pretend to understand Isbell in those moments when their communion is said to be greatest: "You amaze me, Captain.... We're talking about two different things. I don't know. I just don't understand, I guess."
In Burning the Days--the eponymous chapter of which, thirty pages long, is a true anticipation of the story told in The Arm of Flesh and Cassada--Salter invokes briefly a pilot named Cortada: "He was from Puerto Rico, small, excitable, and supremely confident. Not everyone shared his opinion of his ability--his flight commander was certain he would kill himself."
And that's it for Cortada. Another cipher, with too much in common with Cassada to be a coincidence. Salter has kept the story of both men to himself, which is why a reader turns more attentively to the lonely and appealing Captain Isbell, standing between the men and Major Dunning. It is no surprise, of course. Failing to attach ourselves to the protagonist for whom the book is named, we look elsewhere, and find our longing met in the author's substitute.
The end of Cassada is beautiful. It is only four pages. Isbell and his family are leaving Germany; they are on a train along the Rhine, his daughters rambunctious, his wife solicitous, Isbell alone with his thoughts, which include Cassada. For the first time he senses himself as the romantic figure readers have seen all along, joining the ranks of the eternals, "the failed brother, the brilliant alcoholic friend, the rejected lover, the solitary boy who scorned the dance." Isbell is Salter; and one turns to Burning the Days, where the author takes his own solitary farewell to the flying life:
When I returned to domestic life I kept something to myself, a deep attachment--deeper than anything I had known--to all that had happened. I had come very close to achieving the self that is based on the risking of everything, going where others would not go, giving what they would not give. Later I felt I had not done enough, had been too reliant, too unskilled. I had not done what I set out to do and might have done. I felt contempt for myself, not at first but as time passed, and I ceased talking about those days, as if I had never known them. But it had been a great voyage, the voyage, probably, of my life.
"I would have given anything, I remember that," Salter adds, remembering the pilot's terror ("none of it mattered"), including separation from his leader. Isbell mouths nearly those words in remembering a Cassada who "stands before him, fair-haired, his small mouth and teeth, young, unbeholden." In Burning the Days Salter recalls a beloved figure from West Point who fell in the war: "He had fallen and in that act been preserved, made untarnishable. He had not married. He had left no one...he represented the flawless and was the first of that category to disappear."
Reading Salter's memoir, or recollection, as he prefers to call it, one senses that much of his life has been a mourning. The list of the dead is long and unfolds over pages and pages--many are pilots, men Salter flew with--and it becomes easy to see what he hopes is evident from his preface to Cassada: "the fact that it was sometimes the best along with the worst pilots who got killed." All of Salter's novels--including The Hunters, A Sport and a Pastime and Light Years--are beautiful elegies in which a survivor tries to go on, somehow make sense of it all, knowing the task is futile but that perhaps peace can be achieved. Why should his memoir be any different? Cassada will take a few hours to read, in which time there is exquisite suspense, some lovely sentences, a tender portrait of a hero--Isbell, I still believe, not Cassada--and a lot of shoptalk about flying. But the flying talk is better, more exactly described and sustained, more rapturous--"exalted," to use a favorite Salter word--in Burning the Days, and the memoir has the advantage of tracking the two held-apart strands of Salter's emotional life--the chaste love of men, the unsatiable desire for women--more closely than is possible for a book about fighter pilots. The following sentence sounds like Isbell recalling Cassada, but in fact it's Salter standing in the wreckage of all who have died: "You are surviving, more than surviving: their days have been inscribed on yours."
That 18,000 people--mostly female--filled Madison Square Garden, a basilica of boy-sport theology, on February 10 to watch a celebrity-packed performance of The Vagina Monologues represents a slightly less staggering achievement than a women's takeover of the Vatican or the Chabad Lubavitcher world headquarters. The show was the capper to a daylong international event called V-Day: The Gathering to End Violence Against Women, during which sixty women from six continents presented stop-rape strategies. What was most remarkable about these projects was their insistence not simply on shielding women but on permanently and radically altering how communities talk about rape and deal with rapists. In the evening, the most arresting image was that of an Afghan woman, obliterated by her burqa, moving like a silent, anonymous hill of cloth toward the stage. When the cloth was lifted, a young woman emerged, dressed in the casual jacket-and-pants outfit that would blend in on any university campus in the world, but that her own country's Taliban movement would deem reason enough to beat her to death on the spot.
Those who endeavor to dismiss events like V-Day as pageants of single-issue identity politics are missing the point. The reports of sequestering of Vietnamese women in a Korean-owned sweatshop in American Samoa, where they were fed cabbage water, housed forty to a rat-infested room and kept under the thumb of sexual predators, is a reminder that at the very bottom of the "race to the bottom" economy, there's always a room where women are locked, overseen by a male with the power to starve them and to demand blowjobs in return for allowing them to keep working.
Labor organizations like UNITE and the Hotel and Restaurant Employees now understand that feminist issues like sweatshops, comparable worth for women, sexual harassment and education provide the vital pathway toward the expansion and revitalization of their movement. But events like V-Day make an even broader point: Vigorous global feminism is perhaps the single most effective form of resistance to the systematic degradation of human rights standards worldwide, which makes possible the worst ravages of the transnational economy.
The evidence of these depredations abounds. In London, girls as young as 5, purchased as slaves from Africa, Asia or Eastern Europe, are imprisoned in flats where they are rented to businessmen. Since NAFTA's inception, more than 200 young Mexican women have been raped and murdered on their way home from working in maquiladoras. V-Day's insistence on a worldwide confrontation of the systems that allow such atrocities kicks open a door for all manner of liberation activists. It's harder to imagine a single greater threat to the global sweatshop economy than the systematic pursuit of the rights of women.
Imagine Madison Square Garden brimming over with 18,000 laughing and ebullient women of every size, shape, age and color, along with their male friends, ditto. Imagine that in that immense space, usually packed with hooting sports fans, these women are watching Oprah, Queen Latifah, Claire Danes, Swoosie Kurtz, Kathleen Chalfant, Julie Kavner (voice of Marge Simpson), Rosie Perez, Donna Hanover (soon-to-be-ex-wife of New York's bigamous mayor) and sixty-odd other A-list divas put on a gala production of The Vagina Monologues, Eve Ensler's theater piece about women and their mimis, totos, split knishes, Gladys Siegelmans, pussycats, poonanis and twats. Imagine that this extravaganza is part of a huge $2 million fundraising effort for V-Day, the antiviolence project that grew out of the show and that gives money to groups fighting violence against women around the world. That was what happened on February 10, with more donations and more performances to come as the play is produced by students at some 250 colleges around the country, from Adelphi on Long Island--where it was completely sold out and where, sources assure me, the v-word retains every bit of its shock value--to Yale.
And they keep saying feminism is dead.
The Vagina Monologues, in fact, was singled out in Time's 1998 cover story "Is Feminism Dead?" as proof that the movement had degenerated into self-indulgent sex chat. (This was a new departure for the press, which usually dismisses the movement as humorless, frumpish and puritanical.) In her Village Voice report on the gala, Sharon Lerner, a terrific feminist journalist, is unhappy that the actresses featured at the Garden event prefer the v-word to the f-word. ("Violence against women is a feminist issue?" participant Isabella Rossellini asks her. "I don't think it is." This from the creator of a new perfume called "Manifesto"!) Women's rights aren't what one associates with postfeminist icons like Glenn Close, whose most indelible screen role was as the bunny-boiling man-stalker in Fatal Attraction, or Calista Flockhart, television's dithery microskirted lawyerette Ally McBeal. Still, aren't we glad that Jane Fonda, who performed the childbirth monologue, has given up exercise mania and husband-worship and is donating $1 million to V-Day? Better late than never, I say.
At the risk of sounding rather giddy myself--I'm writing this on Valentine's Day--I'd argue that the implied contradiction between serious business (daycare, abortion, equal pay) and sex is way overdrawn. Sexual self-expression--that's self-indulgent sex chat to all you old Bolsheviks out there--was a crucial theme of the modern women's movement from the start. Naturally so: How can you see yourself as an active subject, the heroine of your own life, if you think you're an inferior being housed in a shameful, smelly body that might give pleasure to others, but not to you? The personal is political, remember that?
The Vagina Monologues may not be great literature--on the page it's a bit thin, and the different voices tend to run together into EveEnslerspeak about seashells and flowers and other lovely bits of nature. But as a performance piece it's fantastic: a cabaret floor show by turns hilarious, brassy, lyrical, poignant, charming, romantic, tragic, vulgar, sentimental, raunchy and exhilarating. In "The Flood," an old woman says she thinks of her "down there" as a cellar full of dead animals, and tells of the story of her one passionate kiss and her dream of Burt Reynolds swimming in her embarrassing "flood" of sexual wetness. A prim, wryly clever woman in "The Vagina Workshop" learns how to give herself orgasms at one of Betty Dodson's famous masturbation classes. At the Garden, Ensler led the cast in a chorus of orgasmic moans, and Close got the braver members of the audience to chant "Cunt! Cunt! Cunt!" at the climax of a poetic monologue meant to redeem and reclaim the dirtiest of all dirty words.
How anyone could find The Vagina Monologues antimale or pornographic is beyond me--it's a veritable ode to warm, quirky, affectionate, friendly, passionate sex. The only enemies are misogyny, sexual shame and sexual violence, and violence is construed fairly literally: A poor black child is raped by her father's drunken friend; a Bosnian girl is sexually tortured by Serbian paramilitaries. None of your ambiguous was-it-rape? scenarios here. Oprah performed a new monologue, "Under the Burqa," about the horrors of life for Afghan women under Taliban rule, followed by Zoya--a young representative of the Revolutionary Association of the Women of Afghanistan (RAWA)--who gave a heartbreaking, defiant speech. Three African women spoke against female genital mutilation and described ongoing efforts to replace cutting with new coming-of-age rituals, "circumcision by words."
I hadn't particularly wanted to see The Vagina Monologues. I assumed that it would be earnest and didactic--or maybe silly, or exploitative, or crude, a sort of Oh! Calcutta! for women. But I was elated by it. Besides being a wonderful night at the theater, it reminded me that after all the feminist debates (and splits), and all the books and the Theory and the theories, in the real world there are still such people as women, who share a common biology and much else besides. And the power of feminism, whether or not it goes by that name, still resides in its capacity to transform women's consciousness at the deepest possible level: That's why Betty Friedan called her collection of letters from women not It Got Me a Raise (or a daycare center, or an abortion) but It Changed My Life. Sisterhood-is-powerful feminism may feel out of date to the professoriat, but there's a lot of new music still to be played on those old bones.
Besides, if feminists don't talk about sex in a fun, accessible, inspiring, nonpuritanical way, who will?
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Subject to Debate: Sense and Dissents on Women, Politics and Culture, a collection of columns originally published in this space, is just out from Modern Library as a paperback original. It has a very pretty cover and a never-before-published introductory essay, and contains most of the columns I still agree with, and one or two about which I have my doubts.
Young women, who've never lacked abortion rights, are tough to mobilize.
How many times did we hear during the endless campaign that Bush wouldn't go after abortion if elected? Republicans, Naderites and countless know-it-alls and pundits in between agreed: Pro-choice voters were too powerful, the country was too divided, the Republicans weren't that stupid and Bush didn't really care about abortion anyway. Plus whoever won would have to (all together now) "govern from the center." Where are all those smarties now, I wonder? Bush didn't even wait for his swearing-in ceremony to start repaying the immense debt he owes to the Christian right, which gave him one in four of his votes, with the nominations of anti-choice die-hards John Ashcroft for Attorney General and Tommy Thompson to head Health and Human Services.
On his first full day in office, Bush reinstated the "gag rule" preventing international family-planning clinics and NGOs from receiving US funds if they so much as mention the word "abortion." (This action was widely misrepresented in the press as being a ban on funding for performing abortions; in fact, it bans clinics that get US aid from performing abortions with their own money and prohibits speech--whether lobbying for legal changes in countries where abortion is a crime or informing women with life- or health-threatening pregnancies about their legal options.) A few days later, Thompson announced he would look into the safety of RU-486, approved by the FDA this past fall--a drug that has been used by half a million European women over twelve years and has been more closely studied here than almost any drug on the market. In the wake of Laura Bush's remark to NBC News and the Today show that she favored retention of Roe v. Wade, both the President and the Vice President said the Administration has not ruled out a legal challenge to it, placing them to the right of Ashcroft himself, who told the Judiciary Committee he regarded Roe as settled law (at least until the makeup of the Supreme Court changes, he did not add).
Don't count on the media to alert the public. The press is into champagne and confetti: Who would have thought "Dick" Cheney would be such an amiable talk show guest! Time to move on, compromise, get busy with that big tax cut. "Who in hell is this 'all' we keep hearing about?" a friend writes, "as in 'all agree' that the Bush transition has been a smashing success?" An acquaintance at the Washington Post, whose executive editor, Leonard Downie Jr., claims to be so objective he doesn't even vote, says word has come down from "on high" that stories must bear "no trace of liberal bias"--interestingly, no comparable warnings were given against pro-Bush bias. So, on abortion, look for endless disquisitions on the grassiness of the anti-choice roots, the elitism of pro-choicers and the general tedium of the abortion issue. Robin Toner could barely stifle a yawn as she took both sides to task in the New York Times ("The Abortion Debate, Stuck in Time," January 21): Why couldn't more anti-choicers see the worth of stem cell research, like anti-choice Senator Gordon Smith, who has several relatives afflicted with Parkinson's (but presumably no relatives unwillingly pregnant); and why can't more pro-choicers acknowledge that sonograms "complicate" the status of the fetus? In an article that interviewed not a single woman, only the fetus matters: not sexuality, public health, women's bodies, needs or rights.
Now is the time to be passionate, clever, original and urgent. I hate to say it, but pro-choicers really could learn some things from the antis, and I don't mean the arts of arson, murder and lying to the Judiciary Committee. Lots of right-wing Christians tithe--how many pro-choicers write significant checks to pro-choice and feminist organizations? Why not sit down today and send President Bush a note saying that in honor of the women in his family you are making a donation to the National Network of Abortion Funds to pay for a poor woman's abortion (NNAF: Hampshire College, Amherst MA 01002-5001)? March 10 is the Day of Appreciation for Abortion Providers--send your local clinic money for an abortion "scholarship," flowers, a thank-you note, a bottle of wine, a Nation subscription for the waiting room! (Refuse & Resist has lots of ideas and projects for that day--call them at 212-713-5657.)
The antis look big and powerful because they have a built-in base in the Catholic and fundamentalist churches. But (aha!) pro-choicers have a built-in constituency too: the millions and millions of women who have had abortions. For all sorts of reasons (privacy concerns, overwork, the ideology of medicine) few clinics ask their patients to give back to the cause. Now some providers and activists are talking about changing that. "My fantasy," Susan Yanow of the Abortion Access Project wrote me, "is that every woman in this country gets a piece of paper after her procedure that says something like, 'We need your help. You just had a safe, legal abortion, something that the current Administration is actively trying to outlaw. Think of your sisters/ mothers/daughters who might need this service one day. Please help yourself to postcards and tell your elected representatives you support legal abortion, join (local group name here), come back as a volunteer' and so on." If every woman who had an abortion sent her clinic even just a dollar a year, it would mean millions of dollars for staff, security, cut-rate or gratis procedures. Think how different the debate would be if all those women, and the partners, parents, relatives and friends who helped them, spoke up boldly--especially the ones whose husbands are so vocally and famously and self-righteously anti-choice. If women did that, we would be the grassroots.
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Correction: It was Joe Conason, not Chip Berlet, who reported that John Ashcroft had met with the St. Louis head of the racist Council of Conservative Citizens. Berlet's equally fascinating story, cut for space reasons, was that Ashcroft made a cameo appearance in a 1997 Phyllis Schlafly video that claims that environmentalism, feminism, multiculturalism, gay rights and even chemical weapons treaties are part of a conspiracy to bring about One World Government. See clips at www.publiceye.org.
Throughout the last campaign, while liberal Democrats warned that Bush was much more reactionary than he pretended to be, Naderites argued that Democrats were much less progressive than their rhetoric. From the evidence of the first days of the Bush Administration, it turns out both were right.
For all the dulcet compassion written into his inaugural address, Bush turned right even before entering the White House. His nomination of John Ashcroft as Attorney General showed contempt, not compassion, for the broad center of American politics. His environmental troika--Norton, Abraham and Whitman--are an affront even to Republican environmentalists. While professing her love for nature Norton preposterously invoked the California power crisis as a reason to start drilling in the Arctic wildlife preserve. The troika also threatened a review of the environmental regulations Clinton issued in his last weeks in power.
On his first day in office Bush targeted women's right to choose by reinstating the odious gag rule defunding any international organization that counsels women abroad on family planning and abortion. He also opened fire on women's rights at home, announcing that "it is my conviction that taxpayer funds should not be used to pay for abortions or advocate or actively promote abortions either here or abroad." He hailed those gathered at the annual national protest against Roe v. Wade, saying that "we share a great goal" in overturning the constitutional protection of a woman's right to seek an abortion. And Health and Human Services Secretary Tommy Thompson announced that he would review RU-486, which anti-choicers want banned, fearful that it will make abortion more accessible. So much for compassion.
Bush launched his push for an education plan that will demand lots of testing in exchange for a little new funding for beleaguered urban and rural schools. The $5 billion annual price tag for his education bill is mocked by the $68 billion annual tax cut he wants to give to the wealthiest 1 percent of Americans--to say nothing of the tens of billions about to be thrown at the Pentagon. But Bush knows what he calls "my base." The lily-white, mink-draped crowd at his inauguration broke into loud applause only twice: when Bush promised to reduce taxes and when Chief Justice Rehnquist was introduced. So much for bipartisanship.
Yet, despite the stolen election, the wolf politics after a sheep's campaign and a furious and frightened constituency, many Democrats in the Senate seem content with getting rolled. Conservatives in the party didn't pause before trampling their leaders to embrace the tainted President. While Senate Democratic leader Tom Daschle was urging his troops to hold off on any announcements about Ashcroft, the opportunistic Robert Torricelli and dubious Democrat Zell Miller of Georgia were hailing the Missouri tribune of the Confederacy as Attorney General. Despite a furious reaction by Democrats across the country, opponents like Ted Kennedy are struggling to summon even forty votes against a zealot whose career has been marked by his willingness to abuse his office for political gain. While Daschle was trying to get some agreement on a smaller tax-cut package from Democrats, Miller leapt in to co-sponsor the equivalent of the Bush plan with Texas Senator Phil Gramm.
Dick Cheney's former opponent, Joe Lieberman, didn't even thank African-Americans and the unions for their remarkable support this past fall before kicking them in the teeth in January. He joined nine other New Democrats in an unctuous letter to "President-Elect Bush" indicating their willingness to work with him on an education bill and urging him to make a top priority of the fight for "Fast Track trading authority" for "expansion of trade in the Americas." Lieberman et al. begged to meet with Bush as early as possible. So much for Democratic unity.
But the Democratic collaborators are likely misjudging the temper of the country. What the inaugural also revealed was the depth of voter anger nationwide. Demonstrators often outnumbered celebrators along the parade route. And from San Francisco to Kansas City to Tallahassee, citizens turned out to express their dismay at the installation of the illegitimate President. Bush seems committed to refighting old battles against choice, affirmative action and environmental and consumer protection, as well as to waging a new offensive in the continuing class warfare of the privileged against the poor. But citizens are showing that they are ready to resist. Some Democrats--Maxine Waters, Dennis Kucinich, Jan Schakowsky, Barney Frank, George Miller and others in the House, as well as Kennedy and Richard Durbin in the Senate--are already engaged. The day before Bush was sworn in, the Progressive Caucus led a daylong conference on political reform that featured a bold agenda and a promise to push for change at the state and national levels. In the coming fray, Democrats who decide to cozy up to the new Administration are likely to find themselves caught in the crossfire.
On November 7, voters in Alabama erased from that state's Constitution a provision dating from 1901 that declared that "the legislature shall never pass any law to authorize or legalize any marriage between any white person and a Negro, or descendant of a Negro." This declaration represented in part a desire by white supremacists to express as fully as possible their intention to expunge the racially egalitarian symbols, hopes and reforms of Reconstruction. Although Alabama had never enacted a law expressly authorizing interracial marriage, in 1872 the state's Supreme Court did invalidate the law that prohibited such unions. But it promptly reversed itself in 1877 when white supremacists regained power. The Alabama Constitution's disapproval of interracial marriage, however, had still deeper roots. It stemmed from the presumption that white men had the authority to dictate whom, in racial terms, a person could and could not marry. It was also rooted in the belief that certain segments of the population were simply too degraded to be eligible as partners in marriage with whites. At one point or another, forty states prohibited marriage across racial lines. In all of them blacks were stigmatized as matrimonial untouchables. In several, "Mongolians" (people of Japanese or Chinese ancestry), "Malays" (Filipinos) and Native Americans were also placed beyond the pale of acceptability.
Rationales for barring interracial marriage are useful to consider, especially since some of them echo so resonantly justifications voiced today by defenders of prohibitions against same-sex marriage. One rationale for barring interracial marriages was that the progeny of such matches would be incapable of procreating. Another was that God did not intend for the races to mix. Another was that colored people, especially blacks, are irredeemably inferior to whites and pose a terrible risk of contamination. The Negrophobic Thomas Dixon spoke for many white supremacists when he warned in his novel The Leopard's Spots that "this Republic can have no future if racial lines are broken and its proud citizenry sinks to the level of a mongrel breed." A single drop of Negro blood, he maintained apocalyptically, "kinks the hair, flattens the nose, then the lip, puts out the light of intellect, and lights the fires of brutal passions."
Although opponents of prohibitions on interracial marriage have waged struggles in many forums (e.g., academia, the churches, journalism), two in particular have been decisive. One is the courtroom. In 1967 in the most aptly titled case in American history--Loving v. The Commonwealth of Virginia--the United States Supreme Court ruled that prohibitions against interracial marriage violated the equal protection and due process clauses of the Fourteenth Amendment. (Although much credit is lavished on the Court's decision, it bears noting that nineteen years earlier, in 1948, the Supreme Court of California had reached the same conclusion in an extraordinary, albeit neglected, opinion by Justice Roger Traynor.) When the federal Supreme Court struck down Jim Crow laws at the marriage altar, it relied on the massive change in public attitudes reflected and nourished by Brown v. Board of Education (1954), Martin Luther King Jr.'s "I Have A Dream" address (1963), the Civil Rights Act (1964) and the Voting Rights Act (1965). The Court also relied on the fact that by 1967, only sixteen states, in one region of the country, continued to retain laws prohibiting interracial marriage. This highlights the importance of the second major forum in which opponents of racial bars pressed their struggle: state legislatures. Between World War II and the Civil Rights Revolution, scores of state legislatures repealed bans against interracial marriage, thereby laying the moral, social and political groundwork for the Loving decision. Rarely will any court truly be a pioneer. Much more typically judges act in support of a development that is already well under way.
Unlike opponents of Brown v. Board of Education, antagonists of Loving were unable to mount anything like "massive resistance." They neither rioted, nor promulgated Congressional manifestoes condemning the Court, nor closed down marriage bureaus to prevent the desegregation of matrimony. There was, however, some opposition. In 1970, for example, a judge near Fort McClellan, Alabama, denied on racial grounds a marriage license to a white soldier and his black fiancée. This prompted a lawsuit initiated by the US Justice Department that led to the invalidation of Alabama's statute prohibiting interracial marriage. Yet the Alabama constitutional provision prohibiting the enactment of any law expressly authorizing black-white interracial marriage remained intact until the recent referendum.
That an expression of official opposition to interracial marriage remained a part of the Alabama Constitution for so long reflects the fear and loathing of black-white intimacy that remains a potent force in American culture. Sobering, too, was the closeness of the vote; 40 percent of the Alabama electorate voted against removing the obnoxious prohibition. Still, given the rootedness of segregation at the marriage altar, the ultimate outcome of the referendum should be applauded. The complete erasure of state-sponsored stigmatization of interracial marriage is an important achievement in our struggle for racial justice and harmony.