Two biographies of Thomas Eakins reveal the art world's attitudes about the painter's bodily obsessions: Was he a curious innocent, a brilliant anatomist or a dirty old man?
The art on display at the Whitney Biennial 2006 doesn't have to tell us
it's not morning in America: We know that by watching the evening
Wal-Mart heiress Alice Walton is on a buying spree, filling her
Arkansas museum with America's cultural treasures--a fig leaf that seeks
to cover Wal-Mart's naked greed and exploitation.
Fra Angelico's genius for depicting the interior life--states of love, spirituality or anguish--is stirring the interest of contemporary artists.
In no other body of work is the sexuality of human flesh explored as truthfully
as in the transgressive, erotically charged images created by Egon Schiele.
2006 marks Rembrandt's 400th birthday, and an array of exhibitions, from the sublime to the silly, will open in Amsterdam, Washington and beyond. As the aesthetic hype escalates, can great art withstand great commerce? Can consummate genius triumph over cute?
Photographs are supposed to be unbiased recognitions of
reality, but they're really self-portraits of the photographer. The
Ongoing Movement, a blend of biography and analysis, examines what
happens when photographers create deliberately untruthful pictures.
Four editors of October magazine trace the history of
contemporary art. Though Art Since
1900 seeks to be comprehensive, its writers leave out entire movements and impose moralistic
judgments on the artists and art they profile.
An exhibit at the International Center of Photography
showcasing the brutal images of the civil war in El Salvador should
remind the Pentagon and the public that the "Salvador Option" currently
considered by the military leads directly to the charnel house.
Michael Kimmelman's The Accidental Masterpiece: On the Art of Life and Vice Versa is a celebration of the intersection between art and life and the random genius of the unexpected.