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Jenin Refugee Camp (2002), by Luc Delahaye

Why does Errol Morris cling to a model of documentary photography eighty years out of date?

Cover for New York, New York

José Luis Guerín’s In the City of Sylvia, Tanya Hamilton’s Night Catches Us, Martin Scorsese’s New York, New York.

A shot from Newsreel No. 2

Jem Cohen’s Newsreel No. 1, Aki Kaurismäki’s Le Havre, Andrew Niccol’s In Time

Shlomo Bar Aba in Footnote

The forty-ninth edition of the New York Film Festival.

Ryan Gosling in The Ides of March

George Clooney’s The Ides of March, Danfung Dennis’s Hell and Back Again, Luc Côté and Patricio Henriquez’s You Don’t Like the Truth: 4 Days Inside Guantánamo.

Movie Scene From Contagion

Steven Soderbergh’s Contagion, Göran Hugo Olsson’s Black Power Mixtape 1967–1975, Tate Taylor’s The Help

Kerry Fox as Janet Frame in An Angel at My Table

Jane Campion reconsidered.

Ameena Matthews (left) speaks to a crowd in The Interrupters.

Steve James and Alex Kotlowitz’s The Interrupters; Raul Ruiz’s Mysteries of Lisbon; Jon Favreu’s Cowboys and Aliens; David Yates’s Harry Potter and the Deathly Hollows: Part 2; Brit Marling’s Another Earth; Miranda July’s The Future

Jeff Daniels as Charlie Driggs in Something Wild

James L. Brooks’s Broadcast News, Alan Rudolph’s Trouble in Mind, Jonathan Demme’s Something Wild.

Blogs

The New Public offers a powerful look at poverty’s impact on education.

November 11, 2013

Is “collaborators” too strong a word for movie bosses dealing with the Hitler regime?

September 24, 2013

The news-leaking website, in possession of a leaked script, offers rebuttals to the film that dramatizes Julian Assange's relationship with former colleague Daniel Domscheit-Berg. 

September 22, 2013

Nation editor Roane Carey joins a panel to unpack the Israeli documentary The Law in These Parts.

August 21, 2013

The 27-year-old director of the film adaptation of Oscar Grant’s shooting talked to me about the obstacles facing young black men in America today.

July 18, 2013

Sofia Coppola’s new movie doesn’t move its audience to question these celebrity-obsessed thieves—and it should.

June 25, 2013

Much Ado About Nothing is great! Does it matter that its appeal depends on being a Whedon nerd?

June 14, 2013

The debate surrounding Baz Luhrmann’s film adaptation is nothing new.

May 18, 2013