Robert May’s Kids for Cash, Sebastián Lelio’s Gloria, Razvan Radulescu’s Child’s Pose
Martin Scorsese’s The Wolf of Wall Street, Alain Guiraudie’s Stranger by the Lake, Asghar Farhadi’s The Past
Margarethe von Trotta’s biopic of Hannah Arendt is a film about ideas that remains intellectually detached from them.
Paolo Sorrentino’s The Great Beauty; Alexander Sokurov’s Faust; Wladyslaw Pasikowski’s Aftermath
Stories of shipwreck and drift are Hollywood’s new allegories of national ruin.
Jia Zhangke’s Touch of Sin, Steve McQueen’s 12 Years a Slave, and other highs (and lows) from the New York Film Festival.
Gravity and the three-dimensional tears of Sandra Bullock.
Jason Osder’s Let the Fire Burn; Martha Shane and Lana Wilson’s After Tiller; Peter Morgan and Ron Howard’s Rush; anniversary wishes to Stuart Klawans from Rabbi Simcha Feffeferman
An Iranian director’s ongoing meditations on the nature of illusion and reality, truth and consequences.