Is Bill Kristol the Antichrist?
When Len Bias died of a cocaine overdose back in 1986 Tip O'Neill and
Ronald Reagan raced each other to show the world who could punish the
poor quickest and hardest.
Thanks to corporate scandals, conservatives are finally on the
They want not just a US invasion of Iraq but "total war" against Arab
Packing the judiciary with right-wingers like Priscilla Owen.
They're here...they're queer...they're conservative!
Although former Vice President Quayle's legacy may not be one for the
history books, he will certainly be remembered for the day he took on
television's Murphy Brown.
When incurable liberals like Todd Gitlin and Eric Alterman begin using the name Whittaker Chambers as a term of approbation, we are entitled to say that there has been what the Germans call a Tendenzwende, or shift in the zeitgeist. The odd thing is that they have both chosen to compare Chambers's Witness, a serious and dramatic memoir by any standards, to a flimsy and self-worshiping book titled Blinded by the Right, by David Brock.
By identifying ethics with civic virtue, we create an ethics of the left.
My sister-in-law, a historian and researcher in alternative medicine, once told me of a doctoral dissertation she'd happened across in which the writer interviewed a number of committed liberals and conservatives for the purpose of drawing conclusions about their governing emotional equipment. Liberals, the student found, feel most at home with guilt. Conservatives, as you might expect, don't have much truck with that; instead, they do anger.
It may be hard to call these findings shocking ones, and I do not know whether the candidate's advisers concluded that he or she had sufficiently advanced the literature so as to earn a doctorate. But I can say from personal experience that the liberalism-guilt correlation rings true, and, after reading David Brock's Blinded by the Right, I can certify on the strength of Brock's eyewitness--and often eye-popping--account that conservatives really do anger. Anger as trope; anger as strategy; anger as immutable biological condition; and anger just because it's fun. Yes, we knew this. But we didn't know it the way Brock knows it. Let me put it this way. Throughout the Clinton era, I read every major newspaper and all the magazines and a lot of the websites and most of the pertinent books; I didn't think there was much more for me to learn. But once Blinded by the Right kicks into gear, there is a fact, anecdote or reminiscence about the right's feral hatred of the Clintons every ten pages or so that is absolutely mind-boggling. And, as often as not, these stories are also about the rancid hypocrisy (usually sexual) that underlay, or probably even helped cause, the hatred. In sum: You cannot fully understand this fevered era without reading this book.
The question you may fairly ask is the one some people are already asking: Given the source--Brock was the capital's most famous conservative journalistic hit man before quite famously commencing a mea culpa routine in 1997--can we believe it? The short answer is yes, mostly. The long answer requires that we start, as Oscar Hammerstein III put it, at the very beginning.
The book dances back and forth between exposé and memoir. David Brock was raised in New Jersey, the adopted son of a mother who paid too much mind to what the neighbors thought and a father so rigidly conservative that he did something, as Brock notes, that even Pat Buchanan never felt moved to do: He left the Catholic Church to protest the liberal reforms of Vatican II and worshiped in a sect overseen by the profoundly right-wing French archbishop Marcel Lefebvre. It was partly for the sake of agitating his taciturn father that Brock's first political stirrings were liberal (Bobby Kennedy) to moderate (Jimmy Carter, for whom he secretly persuaded his mother to vote). The family moved to Dallas, an inhospitable milieu in general for a Kennedy acolyte, not least one who was coming to terms with the fact that the sight of his fellow boys disrobing after gym class did more to quicken his pulse than, say, a stolen glance in the direction of the décolletage of the Cowboys cheerleaders. Hating Dallas and still seeking to traduce the old man, for college he chose, of all lamentable destinations, Berkeley.
There, Brock expected to drop anchor in a tranquil moorage of like-minded, tolerant, liberal bien pensants. Instead, he ran head-on into the multicultural, academic left, a bird of altogether different plumage. When Jeane Kirkpatrick came to campus to speak, and protesters would not let her utter a sentence as one of them unloaded a bucket of simulated blood on the podium, that was enough for Brock. Soon he was writing columns in the Daily Californian applauding the "liberation" of Grenada and submitting an essay to the Policy Review, a publication of the Heritage Foundation, on campus Marxism. The Wall Street Journal adapted that piece as an Op-Ed, which caught the eye of John Podhoretz, son of Norman, and Midge Decter, and then an editor at Insight, a magazine put out by the Washington Times. Podhoretz offered him a job, and Brock was off to Washington.
The story of Brock's ideological conversion is important, because it reflects a pattern with regard to several of his comrades we meet later in that it was at once both shockingly superficial and utterly fervent. Forget Burke or Oakeshott or Hayek or even Russell Kirk; Brock admits he hadn't read a single thing beyond some issues of Commentary he tracked down in the library. "I knew nothing of the movement's history," he writes. Joe McCarthy, Goldwater, Nixon--all were mysteries to him, for the most part. His politics were nothing more than a reaction to his personal experience. While the same cannot fairly be said of the movement's intellectuals, from Brock's telling it was indeed true of many of the activists, operatives and media babblers. Their conservatism was purely an emotional or psychological response to their immediate environment. In the most extreme case, Brock writes that his former close friend Laura Ingraham, one of the bombastic blondes of cable television, didn't "own a book or regularly read a newspaper." But as we have seen, in our age, ignorance is no barrier to expertise, particularly on cable television.
Shallow though it may have been, Brock's conversion was virtually consummate. I say virtually because there were some matters on which he claims he never drank the Kool-Aid. He had little taste, he says, for the racist shock antics of
the Dartmouth Review crowd; he quietly backed abortion rights; and, of course, on the gay question, he marched to a very different drummer than that of the movement to which he belonged. Of parties at the home of archconservative fomenter Grover Norquist, who hung a portrait of Lenin on his living room wall and often quoted Vladimir Ilyich's dictum to "probe with bayonets, looking for weakness," Brock writes that he was "ill at ease" at these gatherings; "unsure of how to handle the issue of my sexuality, I drifted in late and out early, usually accompanied by a woman colleague," traversing the room "like a zombie." Nevertheless, he wanted nothing more than their approval, and he put his remaining misgivings, and the odd homophobic joke, to the side.
This brings us to the book's second vital point about the winger psyche. The need to belong--and, specifically, to belong to a self-styled minority that felt itself embattled, thumbing its nose at the larger, contaminated culture--is a constant motif of Blinded by the Right, and it becomes clear over the course of the book that it was this convulsed emotional state, even more than ideology, that was, and I suppose still is, the real binding glue among the right. For Brock, it began with his trying to shock his father with Jimmy Carter and Berkeley; it went on to Brock's seeking to vilify the campus lefties. It was present, too, among many of the movement types he befriended: "There was electricity on the right, the same sense of bravely flouting convention--of subverting the dominant culture--that I had first felt in Texas and then at Berkeley."
It was by the time of the 1992 election, when this mindset joined hands with a group of men--and their many millions of dollars--who couldn't accept that the GOP was losing the White House to such a man as Bill Clinton, that it went from being a kind of batty nuisance to a well-oiled agitprop apparatus to, ultimately, a threat to the Constitution. Brock was by then ensconced at The American Spectator, which became in time the most virulent right-wing magazine in America, willing to publish any thinly sourced rumor as long as it made a Clinton look bad, and the home of the Arkansas Project, the Richard Mellon Scaife-funded operation that sought to dig up any Clinton dirt it could find. Brock sharpened his knife first on Anita Hill. With Laurence and Ricky Silberman holding his hand--he was a circuit judge in Washington and a member of the hard-right Federalist Society; she had worked for Clarence Thomas with Hill--Brock could scarcely believe how quickly and easily previously unreleased affidavits and so on fell into his hands from GOP Congressional staffers.
Brock knew intuitively what he was supposed to do with this material, and it wasn't journalism. It was character assassination, and not only of Hill. Of one Democratic Senate staffer, he wrote that the man was "known for cutting ethical corners...to achieve desired results." Brock admits he knew nothing about the man. He made no effort to contact sources who might have had different interpretations (and obviously not Hill herself); he double-checked nothing; he twisted the hearing record to make Hill look like a vengeful harridan who was, in his infamous phrase, "a little bit nutty and a little bit slutty." But it was good enough for the Spectator, which billed it, natch, as investigative journalism. Rush Limbaugh began reading sections of the piece on the air. Brock was put on to Glen Hartley and Lynn Chu, the literary agents of choice for the hard right. He signed a book contract with the Free Press, then run by archconservative Erwin Glikes and Adam Bellow, son of Saul. The Real Anita Hill hit the bestseller lists. The right-wing newspeak machine, now such a fact of political life, was born.
Next up, the famous "Troopergate" story (again in the Spectator), about Arkansas state policemen supposedly setting up sexual liaisons for Governor Clinton. Brock followed the old MO--no independent sourcing, printing rumors, etc.--to the same triumphant effect. And this time he found to his surprise a willing abettor. Though a few mainstream news organizations did shoot down some specific charges that didn't check out, the chief response of a largely panting Washington press corps ("I was astonished to see how easy it was to suck in CNN") was for more, more, more. Brock became a bigger star still.
Hillary Clinton was the next quarry, and Adam Bellow had obligingly put a $1 million price on her head in the form of Brock's advance. But Hillary proved to be Brock's Waterloo--as she has been, incidentally, for several other men who were supposed to steamroller her (Starr, Whitewater committee chair D'Amato, candidate Giuliani, candidate Lazio...). By then, Brock was starting to develop a conscience. In 1994, Jill Abramson and Jane Mayer's book on the Thomas-Hill matter, Strange Justice, had hit the stands. It proved to everyone in the world but hard-shell rightists that Thomas was indeed a ravenous porn enthusiast and that Hill, in all likelihood, was the truthful one. When even Ricky Silberman, who had been Brock's source and cheerleader while Brock was writing the Anita Hill book, seemed to acknowledge privately that Thomas had lied, Brock was shaken.
By the time he got around to Hillary, Brock was determined to write an actual book. ("I began to relish the complexity of my subject. I realized I had never known what journalism was.") I cannot here convey the full flavor of the contempt his old comrades regarded him with as a result: the sideways glances, the calls not returned, the party invites not received--and, now that he wasn't "on the team," in the argot, the jokes about and denunciations of his sexuality, suddenly delivered within earshot. He was not supposed to commit journalism or write what he thought. He was supposed to kill Clintons. Period. Once he stopped that, his life on the right was finished.
David Brock gave up anger and turned to guilt. In the process, he flings open a most illuminating window on this hideous circus. Here is Newt Gingrich, vowing "to say the word 'Monica' in every speech" even while "conducting his own illicit affair." We see Georgia Congressman Bob Barr plotting to bring the troopers to testify on Capitol Hill to expose Clinton's adultery--the same Barr who, interestingly enough, married his third wife within one month of divorcing his second. We hear Jack Romanos, the head of Simon & Schuster, telling Brock, as he signed the million-dollar Hillary book deal--without even writing a proposal!--that the only thing he wanted to know before OK'ing the money was whether Hillary was a lesbian. We eavesdrop on the publisher of the Spectator asking Brock, "Can't you find any more women to attack?" We read of George Conway, one of the lawyers who played a crucial role in pushing Paula Jones's story, admitting that privately he didn't believe Jones's allegation at all but that her case must be pressed nonetheless because the point was to force a situation in which Clinton would have to lie under oath about extramarital sex. We witness Ted Olson, a member of the bar and now this country's Solicitor General, telling Brock that while he believed Vince Foster had committed suicide, the Spectator should still run a trashy, unsourced piece about Foster's "murder" to keep the pressure on the Administration until the Spectator could shake loose another "scandal."
Anecdotes like these spill out of this book. And so we return to the question: Why believe this man? I was not persuaded by every assertion about his emotional state in 1992 or 1995; there could be some after-the-fact varnishing going on there. But as for what he saw, and whom he saw doing it, there are three very good reasons to believe every word. First is the simple standard of factual recall. Brock names names, places, dates, the food and wine consumed, the color of the draperies. Perry Mason would love to have called Brock as a witness and watched as poor Hamilton Burger buried his vanquished head in his hands.
Second, quite simply, the writing has about it the tenor of veracity and candor. Brock comes clean on things he has no contemporary motive to come clean on, like a lie he told back at Berkeley in an attempt to discredit a journalistic foe. That strikes me as an act of expiation, not public relations.
And third, most persuasive to me, is this: You would think the right's screamers would be engaging right now in flamboyant public harangues about Brock's duplicity and so forth. But to date, I've scarcely heard a peep. Admittedly, it's early yet, as the book is just out. If Blinded by the Right ascends the bestseller lists, I expect at that point that the screamers will decide they have to deal with it. Until then, my hunch is that they hope they can bury it with their silence. That tells me that David Brock, while no longer right, is, in fact, right as rain.