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Catholic Innocence meets Jewish Experience after the Holocaust in Pawel Pawlikowski’s Ida.
A quartet of shows at MoMA decoct enlightenment from the banal.
Richard Rodriguez’s vision of racial mixing as New World destiny.
The desperate situation of country’s popularity.
Why a production of Prince Igor was a missed opportunity to call a truce between opera and dance.
The only mystery about The Black-Eyed Blonde is when publishing derivative works became original.