Are we all Westeros now?
From Yes Minister and The Thick of It to Veep, Scandal and House of Cards, British political satire and its American progeny reveal growing disillusionment with political irreality.
For a lot of commentators on all sides, the stakes far exceed the truth of Dylan Farrow’s accusation itself.
The urbanization of China and infusion of Western forms amounts to a second Cultural Revolution.
Robert May’s Kids for Cash, Sebastián Lelio’s Gloria, Razvan Radulescu’s Child’s Pose
Pete’s fingers can strum no longer, but, thanks to him, people around the world can have many “singing tomorrows.”
MFAs aren’t a problem: it’s artists being content with what they know.
The worlds of Sholem Aleichem.