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Artists can open a space of possibility in politics, but their role is problematic—and not always positive.

By providing free instruments, we use music to help rehabilitate prison inmates.

Edwidge Danticat

My Tante Rezia was a patron of the arts, one of those silent supporters that every family, every artist, has and needs but rarely acknowledges.

Django Unchained

Quentin Tarantino’s Django Unchained; Béla Tarr’s The Turin Horse

The Twenty-Seventh Man

Nathan Englander’s play, The Twenty-Seventh Man, focuses on the moment that Yiddish culture in Russia died a sudden and unnatural death.

Can recordings of classical music ever be in concert with concert hall performances?

Ayana Mathis

Ayana Mathis’s The Twelve Tribes of Hattie; Andrey Platonov’s Happy Moscow

Siegfried Kracauer

The European émigré who became a philosopher of American cinema.

Blogs

Oliver Stone’s Untold History of the United States will be rereleased this month on DVD; it tells a different story than the school textbooks we're used to.

October 1, 2013

Is “collaborators” too strong a word for movie bosses dealing with the Hitler regime?

September 24, 2013

The news-leaking website, in possession of a leaked script, offers rebuttals to the film that dramatizes Julian Assange's relationship with former colleague Daniel Domscheit-Berg. 

September 22, 2013

It took years, but I eventually came to terms with loving the idea of NYC more than the city itself. 

September 18, 2013

The Boss pays homage to a celebrated Chilean political folk-singer who fell victim to the US-backed coup in 1973.

September 13, 2013

Nation editor Roane Carey joins a panel to unpack the Israeli documentary The Law in These Parts.

August 21, 2013

It’s time white women drop the practice of authenticating—and profiting from—the experiences of women of color. 

August 16, 2013

The 27-year-old director of the film adaptation of Oscar Grant’s shooting talked to me about the obstacles facing young black men in America today.

July 18, 2013

These ten songs, taken together, help distill the American experience and make clear both what’s great about the US and what still needs critical attention.

July 3, 2013

Sofia Coppola’s new movie doesn’t move its audience to question these celebrity-obsessed thieves—and it should.

June 25, 2013
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