In 1924, Lidia Ivanova, George Balanchine’s “lost muse,” disappeared on the eve of their company’s first European tour. Was her death an accident?
Do our financial wizards, like vampires, leave no reflection in the mirror of art?
Real estate has become an extractive industry, mining the air for property.
How a choreographer’s love for the basic truths of the body has remained uncompromising.
Thinking about debt has become pop, and David Graeber’s Debt is the genre’s “Stairway to Heaven.”
The beauty and muchness of Ai Weiwei’s art is often underwhelming.
Margarethe von Trotta’s biopic of Hannah Arendt is a film about ideas that remains intellectually detached from them.