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Mark Morris leads audience members in a sing-along at the Ojai Music Festival

How a choreographer’s love for the basic truths of the body has remained uncompromising.

Amy Adams and Christian Bale in American Hustle

David O. Russell’s American Hustle; Spike Lee’s Oldboy

“The Prison,” from A Rake’s Progress (1733), by William Hogarth

Thinking about debt has become pop, and David Graeber’s Debt is the genre’s “Stairway to Heaven.”

Top to bottom: Remembrance (2010), Wenchuan Steel Rebar (2008–12)

The beauty and muchness of Ai Weiwei’s art is often underwhelming.

Barbara Sukowa in Hannah Arendt

Margarethe von Trotta’s biopic of Hannah Arendt is a film about ideas that remains intellectually detached from them.

A group of Nazi leaders, including Adolf Hitler

Ben Urwand’s The Collaboration: Hollywood’s Pact with Hitler.

Toni Servillo in The Great Beauty

Paolo Sorrentino’s The Great Beauty; Alexander Sokurov’s Faust; Wladyslaw Pasikowski’s Aftermath

Blogs

Wayne Miller, a photographer who took controversial, long-suppressed photos in Hiroshima, dies at age 94.

May 28, 2013

The debate surrounding Baz Luhrmann’s film adaptation is nothing new.

May 18, 2013

The think tank has long since compromised its intellectual integrity, yet the media continue to trumpet flawed reports like the latest one on immigration reform.

May 10, 2013

 Another unusual fact about MGM's planned 1947 film on Truman and the bomb.

May 5, 2013

With the opening of George W's presidential library, pundits are rushing to whitewash the memory of those years of folly.

April 26, 2013

In the wake of 9/11 and Boston, is it even possible to imagine a movie that makes civil liberties an integral part of its dramatic arc?

April 23, 2013

In 2013, a song like “I Touch Myself” is less shocking than it once was. But it is still revolutionary.

April 22, 2013

Press coverage is hasty, error-prone and frequently depressing—but it nonetheless plays a vital role in our society.

April 18, 2013

Cable TV’s top hit is used to justify every political point of view—right or left, pro-NRA or pro-gun control, even pro-sequester or pro-stimulus.

April 5, 2013

Julian Assange himself has criticized the film, but the director says Assange should watch it first.

April 3, 2013