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A worker prepares for The Oscars

The Sundance-to-Oscar pipeline has been great for independent film directors—at least the male ones.

Yoko’s 80th birthday is a day to celebrate her art, music and activism.

Still from the film 'The Gatekeepers'

Two brilliant nominees, The Gatekeepers and 5 Broken Cameras, along with other recent documentaries, have deepened our understanding of the conflict.

A Coming Storm by Sanford Robinson Gifford

The Smithsonian’s show on the Civil War and American Art expresses a deep unease about the relationship between between art and history.

Impression III by Vasily Kandinsky

MoMA’s monumental exhibition recalls the time when abstraction affected people like love or revolution.

Jude Law, Catherine Zeta-Jones, Side Effects

Steven Soderbergh’s Side Effects; Lynne Sach’s Your Day Is My Night

robert bresson's still from, the devil, probably

Robert Bresson’s The Devil, Probably; Maurice Pilat’s Police; Leo McCary’s My Son John.

Portrait of  Victor Shklovsky

A Russian novelist’s fight, in life and art, to see the world afresh in all its cruelty and splendor.

Photo of Amos Oz and Fania Oz-Salzberger

Amos Oz and Fania Oz-Salzberger’s Jews and Words.

Zero Dark Thirty

The film’s torture scenes do not excuse or glorify torture; they do something worse: draw the audience into accommodating it.

Blogs

The debate surrounding Baz Luhrmann’s film adaptation is nothing new.

May 18, 2013

The think tank has long since compromised its intellectual integrity, yet the media continue to trumpet flawed reports like the latest one on immigration reform.

May 10, 2013

 Another unusual fact about MGM's planned 1947 film on Truman and the bomb.

May 5, 2013

With the opening of George W's presidential library, pundits are rushing to whitewash the memory of those years of folly.

April 26, 2013

In the wake of 9/11 and Boston, is it even possible to imagine a movie that makes civil liberties an integral part of its dramatic arc?

April 23, 2013

In 2013, a song like “I Touch Myself” is less shocking than it once was. But it is still revolutionary.

April 22, 2013

Press coverage is hasty, error-prone and frequently depressing—but it nonetheless plays a vital role in our society.

April 18, 2013

Cable TV’s top hit is used to justify every political point of view—right or left, pro-NRA or pro-gun control, even pro-sequester or pro-stimulus.

April 5, 2013

Julian Assange himself has criticized the film, but the director says Assange should watch it first.

April 3, 2013

In the wake of Citizens United, big campaign donors are buying off not only politicians, but also the local news networks that cover them.

March 21, 2013
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