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Hip hop and the Occupy movement have even more in common than you might think.

Nanni Moretti (second from left) in We Have a Pope

Hitchcock delighted in manipulating the audience. Early on Luis Buñuel learned to be satisfied with amusing himself.

Hirikazu Kore-eda’s I Wish, Nanni Moretti’s We Have a Pope, Shirley Clarke’s The Connection, Mia Hansen Love’s Goodbye First Love, Jennifer Baichwal’s Payback

Bruce Springsteen

He began his career singing about cars and girls before moving on to empty factories and abandoned quarries—and now, with Wrecking Ball, the depredations of Wall Street.

Death of a Salesman speaks to our time on the failure of competitive capitalism.

Blogs

Eric on Smithsonian's Jazz anthology and Reed Richardson on the S&P's rating of the bond market.

April 22, 2011

Eric Alterman reviews jazz, including Wynton Marsalis and Eric Clapton, the Jazz Foundation benefit, and Reed Richardson discusses the ethics of Obama's budget speech.

April 15, 2011

How a Hollywood star offered herself in a hostage trade.

March 25, 2011

Eric Alterman reviews music and Reed Richardson parses the ethics of sports journalism.

March 25, 2011

Alter-reviews of Stoppard and music old and new, Reed on the Washington Post's decision to bracket their writers into right-leaning and left-leaning and reader mail.

March 17, 2011

Alter-reviews of French movies and some new tunes, Reed explains the secret war on pensions, and the mail.

March 4, 2011

Why the NFL's labor dispute should matter to you.

February 17, 2011

Reviewing two shows in the Lincoln Center's "American Songbook" series, plus the Cowboy Junkies.

February 11, 2011

Eric reflects on Martin Scorsese and Reed dissects the Groundhog Day mentality of Fox News's climate change "science," plus reader mail.

February 3, 2011

On the late Daniel Bell, the very archetype of a committed liberal intellectual, and The New Republic's Marty Peretz, plus reader mail.

January 27, 2011
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