Even when painting is abstract, it never ceases to be concerned with decoration.
Robert Burley’s The Disappearance of Darkness, Harvey Wang’s From Darkroom to Daylight.
The feel-good portrayal of the agency in 'Argo' glosses over its role in previously overthrowing Iran's democratically elected leader.
The Sundance-to-Oscar pipeline has been great for independent film directors—at least the male ones.
Yoko’s 80th birthday is a day to celebrate her art, music and activism.
Two brilliant nominees, The Gatekeepers and 5 Broken Cameras, along with other recent documentaries, have deepened our understanding of the conflict.
The Smithsonian’s show on the Civil War and American Art expresses a deep unease about the relationship between between art and history.
MoMA’s monumental exhibition recalls the time when abstraction affected people like love or revolution.
Steven Soderbergh’s Side Effects; Lynne Sach’s Your Day Is My Night
Robert Bresson’s The Devil, Probably; Maurice Pilat’s Police; Leo McCary’s My Son John.