Catholic Innocence meets Jewish Experience after the Holocaust in Pawel Pawlikowski’s Ida.
A quartet of shows at MoMA decoct enlightenment from the banal.
The desperate situation of country’s popularity.
Why a production of Prince Igor was a missed opportunity to call a truce between opera and dance.
Ed Clark and Lynda Benglis are still making art on a grand scale.
Nymphomaniac is Lars von Trier’s latest ode to titillation and traps.
How the literary critic Paul de Man turned evasiveness into authority.