Margarethe von Trotta’s biopic of Hannah Arendt is a film about ideas that remains intellectually detached from them.
Ben Urwand’s The Collaboration: Hollywood’s Pact with Hitler.
Paolo Sorrentino’s The Great Beauty; Alexander Sokurov’s Faust; Wladyslaw Pasikowski’s Aftermath
If, in an age of mechanical reproduction, art had lost its aura, he restored that aura; he enchanted an unenchanted world.
Stories of shipwreck and drift are Hollywood’s new allegories of national ruin.
Emily Brady’s Humboldt explains why the legalization of pot could cause the biggest economic bust in California’s history.
Jia Zhangke’s Touch of Sin, Steve McQueen’s 12 Years a Slave, and other highs (and lows) from the New York Film Festival.