Film and TV are plagued by duration creep. Just like work—or unemployment.
With his cutouts, Henri Matisse tried to free himself from gravity.
Awakening a sense of wonder and flooding a cinema with crucial realities.
The flesh-eating creature of Gone Girl is a rampaging composite of dollar signs.
How did “one person, one vote” become the rule for statehouses across the country?
The legendary songwriter about his politics, his fourteenth studio album and what it was like the first time he saw Springsteen perform.
Immersive theater has no real style—except to fetishize its look.