How did a journalist whose career was devoted to exposing injustice end up writing a film like Zero Dark Thirty?

Reports of President Obama’s demise turn out to be greatly exaggerated.

The war between democracy and aristocracy in Janet Malcolm’s Forty-One False Starts.

Media observers horrified at the thought of a Koch takeover of the Tribune Company are more sanguine about Murdoch. What are they thinking?

Mira Nair's latest film includes a character who's a journalist and CIA agent. Is this responsible filmmaking?

For more than three decades, he was perhaps the most prominent establishment voice for the antiwar, human rights and civil rights movements.

The New York Times’s new ombudsperson keeps the Gray Lady honest.

Andrew Sullivan garners much attention for his bold moves as a blogger. But what about the quality of his judgments?

News organizations thrilled to exploit the information Manning uncovered are deeply afraid of being associated with the brave whistle-blower himself.