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Back in 1994, Christina Hoff Sommers accused The New York Times Book Review of unfairly assigning her attack on the women's movement, Who Stole Feminism?, to the distinguished scholar of Victorian literature Nina Auerbach for review. Sommers claimed that Auerbach was an unethical choice: Although not named in the book, she had been present at one of the many feminist academic conferences disparaged in its pages and was allegedly the author of a rather overbearing comment, cited in the book, scribbled on a paper written by Sommers's stepson, who had taken a course with Auerbach at the University of Pennsylvania (Auerbach denied writing the comment and suggested it was the work of a TA). Sommers's absurd bid for publicity stirred up a media chorus of sympathetic harrumphs about feminist conspiracies (the Review was at that time edited by a woman, Rebecca Sinkler): Columns ensued by Jim Sleeper, Howard Kurtz, Hilton Kramer. Rush Limbaugh accused the Times of trying to "kill this book."
None of these mavens of literary ethics saw fit to note that Cathy Young raved about the book in the Philadelphia Inquirer and in Commentary despite being vice president of the right-leaning Women's Freedom Network, where Sommers was on the board, or that Mary Lefkowitz gave it high marks in National Review despite being Sommers's very good friend. The Times Book Review ran two weeks' worth of letters (including a particularly rabid one from Camille Paglia, bashing Auerbach as if she were some PC criminal and not an important academic whom any author in her right mind would feel honored to be reviewed by, and who had been, in point of fact, much too high-minded and polite to give Who Stole Feminism? the pasting it deserved).
Fast-forward to the Washington Post Book World, which has landed in hot water for publishing a review of David Brock's Blinded by the Right by Bruce Bawer. Much of Brock's book deals with skulduggery at the Scaife-funded American Spectator--a magazine for which Bawer was a movie critic for several years prior to Brock's own stint there as, he now confesses, a hired mudslinger and fabricator of slanders against Anita Hill, President Clinton and others. Bawer did not mention his connection to the Spectator when offered the assignment, nor did he mention it in the review, even parenthetically, and having spent several years as The Nation's literary editor, I'm not a bit surprised: Reviewers were always neglecting to tell me that the author under consideration was their colleague, best friend, former lover or the editor of the magazine that was publishing their fiction. When I would belatedly find out and confront them, were they embarrassed? Dream on. One even wrote me an outraged letter comparing his panegyric on the poetry of his department chairman to Shelley writing about Keats. Caveat editor, indeed!
Did the Washington Post engineer a pan for Brock by knowingly choosing a reviewer too closely allied with the people and politics he attacks, as claimed by the Media Whores Online website, which is calling for the public beheading of the Book World editor, Marie Arana? Bawer is mentioned (briefly and favorably) in the book, but there is no index and--I hate to be the one to break this to MWO--"previewing" a book before assigning it is not the same as reading every page. (Truth in advertising: I've written a few reviews for Arana and think she's an excellent editor and swell human being, even if the Book World didn't review my last book.) Still, it's a little hard to believe that nobody at the Book World knew that Bawer is a pretty conservative fellow, and, as MWO points out, there is a bit of history here: Two years ago, the Post assigned Joe Conason and Gene Lyons's The Hunting of the President to James Bowman, who was also associated with The American Spectator. On the other hand, Bawer, who, like Brock, is gay, says he left the Spectator over its slurs against homosexuals. Gee, two gay guys who both quit the same rightwingnut magazine--had Bawer loved the book, conservatives would be claiming the fix was in. In fact, Bawer's review was fairly trivial; mostly he made fun of Brock in a feline sort of way--slyly noting his love of elegant tailoring, fancy parties, attention and money, and observing that Brock is still talking trash, only now his targets are his erstwhile friends on the right. Compared with Helen Vendler, whose poetry criticism Bawer skewered in the Hudson Review some years ago with such relish and in such detail that anti-Vendlerites bought up the entire print run within minutes, Brock got off easy.
But then Helen Vendler's taste, like all taste, is open to question, while so far no conservative, Bawer included, has seriously disputed Brock's revelations beyond expressing a general skepticism that this self-confessed liar and suck-up artist has changed his spots. Is Brock lying when he describes how wealthy right-wing foundations created and fueled a media apparatus devoted to smearing liberals, feminists and Democrats, especially the Clintons, with whatever mud it could find or fabricate? Are his unflattering characterizations of his former cronies false? Brock portrays peroxided pundette Laura Ingraham as an ignorant drunk who does not own a single book; he charges Ann Coulter with "virulent anti-Semitism"; he says Spectator editor-in-chief R. Emmett Tyrrell Jr. urged him to attack women because that sold papers. He claims the only thing Simon & Schuster publisher Jack Romanos wanted to know before handing him a million dollars to write a hatchet job on Hillary Clinton was whether she was a lesbian. He says Ricky Silberman, vice chairman of the EEOC under Clarence Thomas and one of his most stalwart supporters, was thoroughly persuaded by Strange Justice, in which Jane Mayer and Jill Abramson validate Hill's claims, but helped Brock savage the book anyway. Virtually every page of Blinded by the Right makes an assertion that is, if true, embarrassing, and if false, libelous. The silence is curious, to say the least.
After much urging, the Post acknowledged that Bawer's review was inappropriate. Meanwhile, you can be sure that none of the pundits who raked Nina Auerbach and the New York Times over the coals will be firing up the barbie this time.
If you want to read everything The Nation has ever published on the women's rights movement and feminism, click here for information on how to acquire individual access to the Archive--an electronic database of every Nation article since 1865.
This is a special selection from The Nation Digital Archive. If you want to read everything The Nation has ever published on the women's rights movement and feminism, click here for information on how to acquire individual access to the Archive--an electronic database of every Nation article since 1865.
This article originally appeared in the December 1, 1926, issue, inaugurating a feature called "These Modern Women," "a series of anonymous articles giving the personal backgrounds of women acti
Two events which occurred at the end of 1936 may signify a turning-point in the birth-control movement in America.
In most of the discussions in relation to the improvement of female education, the objectors have shown themselves unable to rise above the utilitarian, or rather the purely material, a
This essay, from the July 17, 1948, issue of The Nation, is a special selection from The Nation Digital Archive. If you want to read everything The Nation has ever published on feminism and women's rights, click here for information on how to acquire individual access to the Archive--an electronic database of every Nation article since 1865.
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