The flesh-eating creature of Gone Girl is a rampaging composite of dollar signs.
Nadav Schirman’s The Green Prince is a fact-free documentary about collaboration.
How Scarlett Johansson learned to become aloof from her own seductiveness.
In Stories We Tell, actor turned director Sarah Polley interrogates her past, revealing that our stories are our dearest form of property.
Richard Linklater’s Boyhood is as modest and patient an act of daredevilry as has ever been achieved on film.
A new batch of teen films deliver their blows and soften them in a single gesture.
Catholic Innocence meets Jewish Experience after the Holocaust in Pawel Pawlikowski’s Ida.
Nymphomaniac is Lars von Trier’s latest ode to titillation and traps.
Wes Anderson’s The Grand Budapest Hotel, Jiri Menzel’s I Served the King of England, Rithy Panh’s The Missing Picture
The Unbelievable Truth, Trust, The Book of Life, The Girl from Monday and Meanwhile