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Nation Topics - Books and the Arts

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Nation Topics - Books and the Arts

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robert bresson's still from, the devil, probably

Robert Bresson’s The Devil, Probably; Maurice Pilat’s Police; Leo McCary’s My Son John.

Torture and Taboo: On Elaine Scarry

How the work of a literary critic became the proxy for our preoccupation with the horrors of torture.

Portrait of  Victor Shklovsky

A Russian novelist’s fight, in life and art, to see the world afresh in all its cruelty and splendor.

Photo of Amos Oz and Fania Oz-Salzberger

Amos Oz and Fania Oz-Salzberger’s Jews and Words.

Judith Long on Jane Sharples, Allison Kilkenny on the fight for Philly’s schools

Zero Dark Thirty

The film’s torture scenes do not excuse or glorify torture; they do something worse: draw the audience into accommodating it.

Picture of Thomas Bernhard and Siegfried Unseld

In his writing and life, Thomas Bernhard led a charge in the opposite direction. His publisher always broke his fall.

Blogs

The debate surrounding Baz Luhrmann’s film adaptation is nothing new.

May 18, 2013

The think tank has long since compromised its intellectual integrity, yet the media continue to trumpet flawed reports like the latest one on immigration reform.

May 10, 2013

 Another unusual fact about MGM's planned 1947 film on Truman and the bomb.

May 5, 2013

With the opening of George W's presidential library, pundits are rushing to whitewash the memory of those years of folly.

April 26, 2013

In the wake of 9/11 and Boston, is it even possible to imagine a movie that makes civil liberties an integral part of its dramatic arc?

April 23, 2013

In 2013, a song like “I Touch Myself” is less shocking than it once was. But it is still revolutionary.

April 22, 2013

Press coverage is hasty, error-prone and frequently depressing—but it nonetheless plays a vital role in our society.

April 18, 2013

Cable TV’s top hit is used to justify every political point of view—right or left, pro-NRA or pro-gun control, even pro-sequester or pro-stimulus.

April 5, 2013

A new book argues that the media failed to grasp the frightening extremism of the anti-immigrant border patrols of a few years ago—and wraps it in a thrilling true-crime tale.

April 3, 2013

Julian Assange himself has criticized the film, but the director says Assange should watch it first.

April 3, 2013
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