By providing free instruments, we use music to help rehabilitate prison inmates.

We can truly know only that which we have made: human history.

My Tante Rezia was a patron of the arts, one of those silent supporters that every family, every artist, has and needs but rarely acknowledges.

A new biography of John Keats is no match for Keats’s poetic inventions.

How Argentine fiction about the Malvinas War conspires in a trick of perspective.

Quentin Tarantino’s Django Unchained; Béla Tarr’s The Turin Horse

Nathan Englander’s play, The Twenty-Seventh Man, focuses on the moment that Yiddish culture in Russia died a sudden and unnatural death.

How the neoliberal urban development schemes of the Mubarak regime have gained new life under the Muslim Brotherhood.