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Robert Neer’s Napalm: An American Biography; Juliette Volcler’s Extremely Loud: Sound as a Weapon

Walter Mosley

The author opens up about his latest art exhibition, magic, failure and unexpected success.

Gramsci Archive and Library, part of Gramsci Monument (2013), Thomas Hirschhorn

Thomas Hirschhorn’s unmonumental monument to egalitarianism and Antonio Gramsci.

Summer’s fall: White House Down

The happy ending to Hollywood’s summer: not guy gets girl but guy gets job.

A drawing of a cellblock at Pelican Bay State Prison by an anonymous inmate

A call for architects to refuse to design chambers of living death.

Patrick Riester in Computer Chess

David Lowery’s Ain’t Them Bodies Saints, Neill Blomkamp’s Elysium, Andrew Bujalski’s Computer Chess

Twenty Questions (A Sampler), 1986, by Lorna Simpson

Two photographers focus on the difficulties of putting words to what one sees.

Pacific Rim: Chomsky versus Zizek

An online dustup between two pop star penseurs shows them staggering through afterlives.

Blogs

Robert Hatch’s conflicted review of Stanley Kubrick’s great satire, released fifty years ago this week.

January 25, 2014

The Israeli musician shares his thoughts on the American Jewish community and collaborating with Palestinian artists.

January 16, 2014

NPR does a segment on Following the Ninth, a new film co-produced by Greg Mitchell.

January 14, 2014

A new play by George Brant brings home the human costs of America’s remote killing machine.

January 14, 2014

JT’s backup dancers have made history by winning a union contract for touring artists.

December 13, 2013

The danger to orcas—and humans.

December 11, 2013

The classic 1970s song that brought attention to South African apartheid.

December 6, 2013

The Coen Brothers reanimate the Greenwich Village of the sixties.

December 5, 2013