News and Features
Bounties on the mutineers demonstrate the limits of transparency.
Michael Cimino’s Heaven’s Gate, Monte Hellman’s Two-Lane Blacktop
The architecture of the new World Trade Center buildings emphasizes that their business is none of ours.
Joshua Oppenheimer’s The Act of Killing, Jem Cohen’s Museum Hours, Eliav Lilti’s Israel: A Home Movie, Jerry Bruckheimer’s Enemy of the State
Just as the Assange saga consumes too much of Alex Gibney’s film, so today’s Snowden obsession deflects attention away from our sprawling surveillance state.
How did a journalist whose career was devoted to exposing injustice end up writing a film like Zero Dark Thirty?
In her printmaking the artist searched for a constantly elusive vision.
The cameras no longer look at us because we’re famous; we’re famous because they look at us to death.
Why is Léon Krier defending anew the work of the Third Reich’s master builder?
Ralph Lemon’s Come Home Charley Patton
- Why Is a Florida Man Facing Life in Prison For Lending a Friend His Car and Going to Sleep?
- Thomas Piketty and Millennial Marxists on the Scourge of Inequality
- [LIVE STREAM] Thomas Piketty: Is Inequality Inevitable?
- What the French E-mail Meme Reveals About America’s Runaway Culture of Work
- Lewis Black on Why He’s a Socialist—and Creationists Get the ‘Cosmos’ Parody They Deserve
Facebook Like Box