News and Features
Alexei Ratmansky’s Shostakovich Trilogy renders the composer’s world and life in the Soviet Union through dance at American Ballet Theatre.
Bounties on the mutineers demonstrate the limits of transparency.
Michael Cimino’s Heaven’s Gate, Monte Hellman’s Two-Lane Blacktop
The architecture of the new World Trade Center buildings emphasizes that their business is none of ours.
Joshua Oppenheimer’s The Act of Killing, Jem Cohen’s Museum Hours, Eliav Lilti’s Israel: A Home Movie, Jerry Bruckheimer’s Enemy of the State
Just as the Assange saga consumes too much of Alex Gibney’s film, so today’s Snowden obsession deflects attention away from our sprawling surveillance state.
How did a journalist whose career was devoted to exposing injustice end up writing a film like Zero Dark Thirty?
In her printmaking the artist searched for a constantly elusive vision.
The cameras no longer look at us because we’re famous; we’re famous because they look at us to death.
- The Real Reason Pot Is Still Illegal
- The 12 Scariest Findings in the New Report on the Bundy Ranch Standoff
- No Water For Motown: Why Detroit Is Denying Its Citizens This Basic Human Right
- Responses to Noam Chomsky on Israel-Palestine and BDS
- North Carolina Will Determine the Future of the Voting Rights Act
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