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Agata Trzebuchowska (left) and Agata Kulesza in Ida

Catholic Innocence meets Jewish Experience after the Holocaust in Pawel Pawlikowski’s Ida.

Untitled (Quetta, Pakistan), by Sigmar Polke, 1974/78

A quartet of shows at MoMA decoct enlightenment from the banal.

Hello Earl: Man with tractor destroys Dixie Chicks albums

The desperate situation of country’s popularity.

A scene from Alexander Borodin’s Prince Igor, Ildar Abdrazakov as Prince Igor

Why a production of Prince Igor was a missed opportunity to call a truce between opera and dance.

Untitled (2005), by Ed Clark

Ed Clark and Lynda Benglis are still making art on a grand scale.

Blogs

Eric reviews his latest music choices and Reed analyzes recent trends in Congressional oratory.

May 25, 2012

For women in politics, sexuality is often a liability. Will two new shows break the mold?

May 22, 2012

A new collection featuring ninety-nine tracks of class-conscious music from ninety-nine artists.

May 17, 2012

For all our talk about the multiracialism of the millennial generation, the lack of interracial social connections is more than a coincidence.

May 10, 2012

How the Beastie Boys brought hope to female hip hop fans.

May 8, 2012

For me, losing a Beastie Boy is like what losing a Beatle was to my father's generation.

May 4, 2012

In tribute to all those planning actions for May Day, here’s my stab at the impossible task of naming the best songs ever written about working people.

April 25, 2012

Katie Roiphe's Newsweek cover story ignores the fact that in every century and decade, sadomasochistic erotica has broken into the mainstream.

April 16, 2012

Though complicated by controversy, a weekend in Los Angeles with thirty domestic workers underscores the power of Hollywood to propel social change. 

February 27, 2012

In the new bio-pic, Margaret Thatcher's iron isn’t just rusty, it’s melted down into something soft and personal. The Iron Lady gives us Thatcher, the ABBA Version. It’s the last thing we need. 

January 4, 2012