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MOVE members exit their headquarters during a 1978 confrontation with police

Jason Oder’s Let the Fire Burn; Martha Shane and Lana Wilson’s After Tiller; Peter Morgan and Ron Howard’s Rush; anniversary wishes to Stuart Klawans from Rabbi Simcha Feffeferman

Charles Mingus at the Monterey Jazz Festival, September 20, 1964

How a jazz artist’s relationship to black identity gave his music its stormy weather.

Mohsen Makhmalbaf during the Vesoul International Asian Cinema Festival, 2009

An Iranian director’s ongoing meditations on the nature of illusion and reality, truth and consequences.

Steven Soderbergh as Fletcher Munson/Dr. Jeffrey Korchek, in Schizopolis

Hollywood’s wonkiest director hasn’t stopped working. He’s finding new problems to solve—and toying with us again.

Robert Neer’s Napalm: An American Biography; Juliette Volcler’s Extremely Loud: Sound as a Weapon

Walter Mosley

The author opens up about his latest art exhibition, magic, failure and unexpected success.

Gramsci Archive and Library, part of Gramsci Monument (2013), Thomas Hirschhorn

Thomas Hirschhorn’s unmonumental monument to egalitarianism and Antonio Gramsci.

Summer’s fall: White House Down

The happy ending to Hollywood’s summer: not guy gets girl but guy gets job.

Blogs

The current production of Sontag:Reborn only begins to portray the complicated relationship between Susan Sontag and The Nation.

June 22, 2013

Much Ado About Nothing is great! Does it matter that its appeal depends on being a Whedon nerd?

June 14, 2013

Wayne Miller, a photographer who took controversial, long-suppressed photos in Hiroshima, dies at age 94.

May 28, 2013

The debate surrounding Baz Luhrmann’s film adaptation is nothing new.

May 18, 2013

The think tank has long since compromised its intellectual integrity, yet the media continue to trumpet flawed reports like the latest one on immigration reform.

May 10, 2013

 Another unusual fact about MGM's planned 1947 film on Truman and the bomb.

May 5, 2013

With the opening of George W's presidential library, pundits are rushing to whitewash the memory of those years of folly.

April 26, 2013

In the wake of 9/11 and Boston, is it even possible to imagine a movie that makes civil liberties an integral part of its dramatic arc?

April 23, 2013

In 2013, a song like “I Touch Myself” is less shocking than it once was. But it is still revolutionary.

April 22, 2013

Press coverage is hasty, error-prone and frequently depressing—but it nonetheless plays a vital role in our society.

April 18, 2013
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