"I am it."
When those in my modest circle of acquaintances learned that I was editing a Hollywood issue of The Nation, they found it either risible or irritating.
As the limos and their glitterati cargo pull up to the Oscars ceremony this year, they may have to share a bit of screen time with a band of angry picketers.
The contracts are signed, the treatment is being written and Fox Television plans to fast-track production on a ten- to twelve-hour miniseries based on lefty historian Howard Zinn's A People's
It's true--and a cliché--that Hollywood films hold up a mirror to American society. It's equally true--and equally a cliché--that Hollywood films fail to reflect American society.
The Nation asked six politically active members of the entertainment community to comment on recent developments in the realms of politics and popular culture.
In the run-up to Sunday's Oscar ceremony the focus was on Elia Kazan and whether the Motion Picture Academy was doing the right thing by honoring him with a Lifetime Achievement Award (see page 5
On January 11 Joseph Ha, a Nike vice president, sent what he thought was a confidential letter to Cu Thi Hau, Vietnam's highest-ranking labor official.
Elizabeth Dole is all perfection.
She shoots one take, without exception.
She drives her staff so no step's spared
To get an ad-libbed speech prepared.
My friend Dennis Paoli says there are two kinds of horror movies, and since his screenwriting credits include Re-Animator, I treat his categories with respect.
The inevitable controversy--presenting name-naming film director Elia Kazan with a Lifetime Achievement Award--has unfolded like an accident waiting to happen, aggravating the Academy of Motion
Given the late Dalton Trumbo's various claims to verbal fame--highest-paid screenwriter of his day, most vocal member of the Hollywood Ten, polemicist extraordinaire, winner under the pseudon
Dalton Trumbo and Murray Kempton