The Parable of the Shopping Mall

Beat the Devil

By Alexander Cockburn

This article appeared in the March 9, 2009 edition of The Nation.

February 18, 2009

From the aftermath of wars, whether endured as victories or defeats, spring the opportunities for change. The twentieth century is flush with examples, stretching from the Russian Revolution to the creative surge here in America after the rout in Vietnam.

By its nature capitalism is war, and the savage reverses for capitalism, the gaping wounds in its pretensions, are the most salient feature in the world today. Whether in the collapse of the Western banking system, the agonies of post-Soviet economies like the Baltic and some Eastern European republics, or the rubble of Indian neoliberal policies, the economic mantras of an entire generation are going up in smoke. For the left it should be a time of unrivaled opportunity.

Take as an example the shopping mall, which changed the American landscape within the course of a generation. The left, by and large, never much cared for malls. They represented privatized space, the collapse of the public realm and the freedoms--of association and public protest--theoretically protected in public space. Malls, whether in strip or covered form, symbolized the conversion of people from citizens to consumers, the death of Main Street, architecture reduced to utter banality, without even the pizazz that allowed Venturi, Brown and Izenour to write Learning From Las Vegas in 1972.

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About Alexander Cockburn

Alexander Cockburn has been The Nation's "Beat the Devil" columnist since 1984. He is the author or co-author of several books, including the best-selling collection of essays Corruptions of Empire (1987), and a contributor to many publications, from The New York Review of Books, Harper's Magazine, The Atlantic Monthly and the Wall Street Journal to alternative publications such as In These Times and the Anderson Valley Advertiser. With Jeffrey St. Clair, he edits the newsletter and radical website CounterPunch, which have a substantial world audience. more...
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