The Nation.



'Nation' Note

By The Editors

This article appeared in the January 7, 2008 edition of The Nation.

December 20, 2007

We are happy to announce that with this issue, Peter Gizzi becomes our new poetry editor. Peter is the author of The Outernationale (2007), Some Values of Landscape and Weather (2003), Artificial Heart (1998) and Periplum (1992). His poetry has been widely anthologized and translated; his honors include the Lavan Younger Poet Award from the Academy of American Poets and fellowships from the Howard Foundation, the Foundation for Contemporary Arts and the John Simon Guggenheim Memorial Foundation. Peter's work as an editor includes o•blēk: a journal of language arts (1987-1993), the Exact Change Yearbook (1995) and The House That Jack Built: The Collected Lectures of Jack Spicer (1998).

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    Political Analysis

    Jeff Madrick on Clintonomics; John Nichols on the Ron Paul revolt; Ari Berman on superdelegate fence-sitters

  • Burma's Desperate Hour

    Myanmar (Burma)

    The crisis in Burma justifies humanitarian intervention--but it should be carried out by the UN and limited to emergency relief.

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    Political Analysis

    Longshoremen protest the war, Ken Livingstone loses London, Zephyr Teachout blogs The Nation.

  • Trust the Voters

    Politics

    Finally, the Democratic campaign can begin to focus on what really matters--healthcare, the economy and leaving Iraq.

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    Nasty political advertising in Mississippi and your bloated grocery bill.

  • Our Lapdog Media

    Media

    What should we do when Big Media fails democracy? First, don't let it get any bigger.

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    A fractured death penalty ruling, the Pentagon's pimping pundits, campus antisweatshop campaigns and Guggenheims for Nation poets.

As a poet and an editor, Peter practices the art of the mix, gathering voices that overlap, intersect, blend, diverge, disperse and rhyme. In o•blēk and the Exact Change Yearbook he brought together poems by the dead and the living, elders and upstarts, the overlooked and misunderstood, the classic and the ephemeral. Given his commitment to the art, his deep understanding of poetic tradition and its capacity to shape the consciousness of the present, his total work could be described as a form of literary activism. As Robert Creeley said of Peter, "Few people I've known have managed such an intensity so usefully directed." We couldn't agree more. Welcome, Peter.

We'd like to note that we are reviving the Nation tradition of the poetry editorship being a rotating position. As always, poets should follow the submission guidelines on our website.

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